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Bevis S: Hell in Boots

Hell in Boots

Clawing My Way Through Nine Lives

At some point between living alone and becoming single, Hwang Sunwoo and Kim Hana found each other, and decided to live together in a nice apartment where their four cats would finally have the freedom to run around. Together they became a family - and redefined it. At a time housing costs have skyrocketed whilst the birth rates plummets, these two independent Korean women in their late forties share their views on society and its expectations of them. And, intent neither to marry or to live alone, they reflect on the comfort of their cohabiting friendship as it blossoms into a life full of joy and meaning. From housing insecurity and access to health care, to solo dining and stigmatised cat ladies, the loaded, self-sacrificing demands of filial piety and obligations to in-laws, TWO WOMEN LIVING TOGETHER impugns social scripts by spelling them out plainly. But also, and especially, by showing what it's like to choose differently. Quietly radical, full of warmth and wit, WOMEN LIVING TOGETHER celebrates carving out your own path, cats, female friendship, and a different kind of family.

Two Women Living Together

A reprint of the sold-out 2007 first edition with a new introduction, Mapping Water embraces uncharted artistic terrains.&nbsp;Tuwaletstiwa writes, “In this vast desert, a thin membrane separates the daily world and the world of spirit. This elemental landscape holds a deep reservoir of the unconscious, continually reminding me of the fragility and tenacity of life. Whether writing, painting, working with fiber, sand, or glass, I seek to embody the elusive images that emanate from the unconscious.”The first section in Mapping Water explores the etymology of the word “genesis” alongside paintings that relate (and don’t relate) to parts of the text, evoking thoughts on the “genesis” of ideas. Subsequent sections continue this exploration with content that varies from the deconstruction of an iconic Holocaust photograph to the construction of a series using feathers and bones to honor the spirit of a dead crow.

A reprint of the sold-out 2007 first edition with a new introduction, Mapping Water embraces uncharted artistic terrains.&nbsp;Tuwaletstiwa writes, “In this vast desert, a thin membrane separates the daily world and the world of spirit. This elemental landscape holds a deep reservoir of the unconscious, continually reminding me of the fragility and tenacity of life. Whether writing, painting, working with fiber, sand, or glass, I seek to embody the elusive images that emanate from the unconscious.”The first section in Mapping Water explores the etymology of the word “genesis” alongside paintings that relate (and don’t relate) to parts of the text, evoking thoughts on the “genesis” of ideas. Subsequent sections continue this exploration with content that varies from the deconstruction of an iconic Holocaust photograph to the construction of a series using feathers and bones to honor the spirit of a dead crow.

Judy Tuwaletstiwa: Mapping Water (Reprint)

Rewrites the history of the development of film and TV industries and cultures through questions of gender during the critical decade of the 1970s Spain.

A feminist cultural history of Spain of the 1970s, exploring the work of women in the audio-visual industries who joined the workforce in significant numbers over this decade of Transition.

Leading Women in Spanish Cinema and Television, 1970-1980

British Film-Makers

Wendy Toye

Holiday Junction is a collection of shorts that are timeless as most memories are. The tales are also as fleeting as a weekend or a vacation. Whether recalling a reunion with an old friend or following along with a first date, the scenes in this anthology reveal the sensitive moments people share when their time is spent together.

Holiday Junction

Women's freedom is a myth. Or so we're told. If there is one thing that right and left can agree on, it's that this is a very bad time to be female. Misogyny is everywhere and, as the right would have it, thanks to a big fat liberal lie known as the sexual revolution, it is worse than ever. The death of courtship, duty and marriage are nails in the coffin of female happiness. The left has its own muddled ideas about sex, duty and marriage, but it knows this: girls' and women's bodies are an inventory of pain and suffering that needs to be outed, from period pain to menopause to endometriosis. Indeed, the narrative of female bodily disadvantage is so extreme that experts are beginning to admit it is at least partially responsible for the 5,000 per cent rise in girls reporting to gender clinics claiming to be boys. Increasingly, in the schemes of both right and left, women's agency is vanishing. In both, they are fragile, eminently breakable, and constantly facing a risk of permanent damage. Fear is everywhere and yet we're at a moment and a place in which women have never ever had it so good. This book is a call for women - and society - to get back in touch with the joy, freedom and power that Zoe and her female peers, evidently born in a lucky window (post-feminism, pre-Internet), saw opening up before them and, to some degree, have realised.

Why Sex, Money and Power Are Great for Women

Good Slut

From Arsenio Hall, America's first Black late-night TV host, a star-studded memoir of celebrity, show business, and a version of Hollywood we should take care not to forget.

From Arsenio Hall, America's first Black late-night TV host, a star-studded memoir of celebrity, show business, and a version of Hollywood we should take care not to forget.

Untitled NC

'Art is my life and my life is art . . .' The story of the twentieth-century avant-garde movement is a story of difference, of the outsider, of strangeness, of individual freedom, of overcoming marginalisation through self-expression. It is also a story that can be told through the prism of one of its most renowned figureheads: Yoko Ono. From her early life in aristocratic Japanese society to a self-imposed exile in New York, Ono's work built upon the histories of Dada, surrealism, Zen Buddhism, and absurdism. Finding herself at the centre of the notorious Fluxus network, she was connected to all its major proponents. Pursuing disciplined freedom and attempting to free herself from creative fetters, she carved out a legacy - despite her tumultuous personal life - as one of the most essential artists and activists of her generation. Marking the intersection of biography, cultural history and artistic meditation, Love Magic Power Danger Bliss captures the avant-garde movement and the figure at its heart in compelling, vivid detail.

Yoko Ono and the Avant-Garde Diaspora

LOVE MAGIC POWER DANGER BLISS

In defence of female promiscuity...

In Defence of Female Promiscuity

An eye-opening, personal account of female homelessness - from one of Britain's most exciting filmmakers

'You have to read this book' MICK JAGGER

BARE

My Memories Of Public Image Ltd

POPTOME

Routledge IAFFE Advances in Feminist Economics

Black women in the United States have often been the subject of negative stereotypes, which have distorted perceptions of their unique work history and the challenges that they have faced in providing for their families. Black Women in the U.S. Economy: The Hardest Working Woman challenges the popular rhetoric about black women by presenting an empirical analysis of their labor market experiences and the critical role that black women play in providing for and sustaining their families and communities. The book explores the multiple identities, roles, and experiences of black women in the U.S. economy, addressing issues including their contribution to the social economy, how they have been affected by U.S economic restructuring, and the impact of increasing economic inequality on the wellbeing of black women and children.

Black women in the United States have often been the subject of negative stereotypes, which have distorted perceptions of their unique work history and the challenges that they have faced in providing for their families. Black Women in the U.S. Economy: The Hardest Working Woman challenges the popular rhetoric about black women by presenting an empirical analysis of their labor market experiences and the critical role that black women play in providing for and sustaining their families and communities. The authors use a Black Feminist framework along with applied microeconomics and econometrics in order to understand the multiple identities, roles, and experiences of black women in the U.S. economy. The book’s multi-dimensional analysis covers issues including black women’s contribution to the social economy, how economic restructuring in the U.S. has impacted on black women, and how declining wages since the 1970s have led to economic inequality and the impact that this has had on the wellbeing of black women and children. All chapters situate their analysis of the economic status of black women within the context of market forces, social relations among counter-groups, and political economy. This groundbreaking study will be essential reading for all those with an interest in Economics, Women’s Studies, Africana Studies and Sociology.

The Hardest Working Woman

Black Women in the U.S. Economy

Hell in Boots

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