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vom Baur A: Heavysaurus - Der Comic

Heavysaurus - Der Comic

Vorhang auf für den Dino-Metal

Ego, Envy and Ambition in Pop, Rock and Hip-Hop

Famous

Walking In The Footsteps Of David

BOWIELAND

Sternenfohlen

Im Einhornland Arkadia gehen die jungen Einhörner zur Schule, um den richtigen Umgang mit ihren magischen Fähigkeiten zu lernen. 

Eine fantasievolle Geschichte rund um Freundschaft, Vertrauen und Zusammenhalt.

Das fantastische Zaubertunier

Sternenfohlen (Folge 42): Das fantastische Zaubertunier

Die drei ??? Kids

Ein spannender Comicroman für alle Fans von Minecraft & Co ab 8 Jahren - leicht lesbar durch reduzierte Textmenge und viele bunte Comicseiten

Die drei ??? Kids, Gefangen in CubeMax (Band 2)

Secret Playlist

Die introvertierte Studentin Han-ju hat ein Geheimnis, von dem niemand erfahren darf: Als begnadete Hobby-Sängerin PLII verzaubert sie mit ihren gefühlvollen Cover-Songs regelmäßig die Online-Welt. Ihre Stimme zieht nicht nur eine wachsende Fangemeinde in ihren Bann, sondern weckt auch das Interesse des berühmten K-Pop-Idols Levi. In seiner wachsenden Faszination für die geheimnisvolle Sängerin setzt Levi alles daran, mit PLII in Kontakt zu treten und eine musikalische Zusammenarbeit zu erwirken. Doch Han-ju hat ihre ganz eigenen Gründe, sich von der glitzernden Welt der Musikindustrie fernzuhalten ...

Secret Playlist 3

Weber in Translation

This new translation of Max Webers manuscript on the sociology of music presents the earliest and most influential text to examine the harmonic and melodic principles of literate Western art music in a historical and cross-cultural perspective. A comprehensive introduction explains Webers sociology of music and shows its relevance to contemporary cultural studies.

This new translation of Max Webers manuscript on the sociology of music presents the earliest and most influential text to examine the harmonic and melodic principles of literate Western art music in a historical and cross-cultural perspective. A comprehensive introduction explains Webers sociology of music and shows its relevance to contemporary cultural studies.

The Sociology of Music

Ashgate Contemporary Thinkers on Critical Musicology Series

This collection of studies represents the range of Rosand's contribution to the history and criticism of music of the seventeenth and eighteenth centuries. Varied in focus and scope, each of these studies is directed toward developing an understanding of the ways in which music works. Taken together, the articles demonstrate how Rosand has opened entirely new prospects on seventeenth-century music and offered new insight into the more canonical repertoire of the eighteenth century.

This collection of studies by Ellen Rosand represents the range of her contribution to the history and criticism of music of the seventeenth and eighteenth centuries.  Varied in focus and scope, each of these studies is directed toward developing an understanding of the ways in which music works--from its function in representing the ideals of the Republic of Venice through its essential role in the emerging genre of opera, from the expressive mechanics of Monteverdi and Cavalli to those of Handel and Vivaldi.  With methodological flexibility, Rosand's analyses are responsive to the works themselves.  Exploring the mimetic significance of particular formal motifs and scenic conventions, the intimate relationship of music and text, or a composer's dramatic choices, discovering a new musical personality (Barbara Strozzi) or the historical and cultural circumstances, the practical and creative dynamics of an emerging dramatic art (opera in Venice), she has opened entirely new prospects on seventeenth-century music and offered new insight into the more canonical repertoire of the eighteenth century.

Selected Essays

Baroque Resonances

SOAS Studies in Music

With the abrogation of the Zen Buddhist Fuke sect during Japan's modernisation process in the late nineteenth century, the raison d'être for the shakuhachi (Japanese vertical bamboo flute) as a spiritual tool for mendicant monks suddenly vanished. Thereafter, playing the shakuhachi changed from spiritual practice to professional musicianship or musical hobby. The fact that the instrument had been modified and 'improved' has been a well-kept secret. The old style shakuhachi, now named jinashi shakuhachi, became a marginalised instrument for eccentrics. However, during the past decade it has gained popularity, especially outside Japan, where it is considered to be 'the real thing' as opposed to the modernised jinuri shakuhachi. Kiku Day examines how the jinashi shakuhachi, although constructed according to the principles current prior to the Meiji Restoration, itself has been modified to adapt to the needs of modern players. In order to place the instrument into the modern world in its own right, the author, a professional jinashi shakuhachi player, describes her recent collaboration with five international composers on a performance project with the aim of creating a new repertoire. This process of cross cultural creation is described against the background of action research, Theory U, and the theory of flow.

With the abrogation of the Zen Buddhist Fuke sect during Japan’s modernisation process in the late nineteenth century, the raison d’Ãªtre for the shakuhachi (Japanese vertical bamboo flute) as a spiritual tool for mendicant monks suddenly vanished. Thereafter, playing the shakuhachi changed from spiritual practice to professional musicianship or musical hobby. The fact that the instrument had been modified and ’improved’ has been a well-kept secret. The old style shakuhachi, now named jinashi shakuhachi, became a marginalised instrument for eccentrics. However, during the past decade it has gained popularity, especially outside Japan, where it is considered to be ’the real thing’ as opposed to the modernised jinuri shakuhachi. Kiku Day examines how the jinashi shakuhachi, although constructed according to the principles current prior to the Meiji Restoration, itself has been modified to adapt to the needs of modern players.  In order to place the instrument into the modern world in its own right, the author, a professional jinashi shakuhachi player, describes her recent collaboration with five international composers on a performance project with the aim of creating a new repertoire. This process of cross cultural creation is described against the background of action research, Theory U, and the theory of flow.

The Instrument Today and the Creation of a Contemporary Repertoire

The Jinashi Shakuhachi

Focus on World Music Series

Focus: Music and Devotion in India creates a foundational framework for exploring musical expression in India, balancing coverage of a diverse range of traditions with in-depth analyses of specific genres and practices. It is based on the author's approach to teaching Indian music that begins with the fundamental connections between sound and religious experience in South Asia. The reader is first introduced to the culture, religions, and musics of India, before examining the music and devotion in India through the lens of specific religious identities. An accompanying website hosts field recordings.

Focus: Music and Devotion in India creates a foundational framework for exploring musical expression in India, balancing coverage of a diverse range of traditions with in-depth analyses of specific genres and practices. It is based on the author’s approach to teaching Indian music that begins with the fundamental connections between sound and religious experience in South Asia. The reader is first introduced to the culture, religions, and musics of India, before examining the music and devotion in India through the lens of specific religious identities. The final section examines the Varkaris of Maharashtra, a Hindu Bhatri sect that features ensemble singing and drumming. An accompanying website hosts field recordings.The author highlights both distinctive and overlapping features of Hindu, Muslim, Sikh, Christian, and Jewish traditions as they manifest through music, and draws attention to larger issues at stake in India, including colonialism, nationalism, mass-mediation, "world music" markets, and musical syncretism. Her focus on the a Hindu bhakti (devotional) sect is based on two years of fieldwork in the city of Pune, and allows the reader to encounter devotional music at close range and in diverse settings. Building upon the ideas explored earlier in the book, clear examples of the profound connections between concepts, contexts, and sounds in South Asian musical life are revealed.

Heavysaurus - Der Comic

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

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