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Wickenden A: Hans Sloane's Library
Collection and the Production of Knowle

Hans Sloane's Library Collection and the Production of Knowledge

This rare self-portrait from pioneering publisher, writer and cultural activist Margaret Busby underscores her powerful legacy and celebrates some of the people and places that have shaped her exceptional lifeMargaret Busby has been at the heart of cultural life in the UK for over 50 years. From becoming Britain's youngest and first Black woman publisher when she founded publishing house Allison &amp; Busby, to editing the ground-breaking international anthologies Daughters of Africa and New Daughters of Africa, her many achievements are testament to her dedication to championing the lives and stories of others, particularly those throughout the world who have been marginalised by the mainstream. With little attention previously given to her own skills as a writer, Part of the Story is a unique opportunity to enjoy her own remarkable literary output. It brings together her writings on people, places, politics and publishing, and provides a rich insight into the many elements that have contributed to shaping her life, from her childhood in Ghana to the Black writers, intellectuals, artists and activists she has worked with, befriended, supported and championed for over half a century.

Writings from Half a Century

Part of the Story

The Transformation of Popular Theatre to Printed Book

The Texts of Shakespeare

'Cosy and classy in equal measure' Janice Hallett

10 Marchfield Square

Thriller - Feinster Psychothrill voller überraschender Wendungen!

Verdacht - Drei Frauen. Zwei Opfer. Ein mörderischer Plan

In works such as The Mask of Anarchy? and "A Philosophical View of Reform,? Matthew C. Borushko argues, Percy Bysshe Shelley intervenes in the reformist crisis of agency occasioned by the dramatic historical and political violence that characterized Britain during the Romantic period. He shows how Shelley's body or work reconceived the possibility of the political possibilities of art and explores the implications of Shelley's nonviolence for later artists and reformers such as George Bernard Shaw to Mohandas K. Gandhi.

From the French Revolution, Reign of Terror, and Napoleonic Wars abroad to the dramatic social changes wrought by industrialization and political agitation at home, the Romantic age in Britain was characterized by dramatic historical and political violence. As a result, the reform movement of the early nineteenth century faced a crisis of agency, in the wake of both Waterloo and Peterloo, that centered on the role of violence in the hope for social progress. In poems such as The Mask of Anarchy and political writings such as "A Philosophical View of Reform," Matthew C. Borushko argues, Percy Bysshe Shelley intervenes in this reformist crisis of agency with a highly original political program of nonviolence rooted in the redefining of aesthetics as the primary site for a critique of the violence of post-revolutionary Europe. Grounded in the dynamic historical contexts in which Shelley wrote and informed by twentieth-century theory, Shelley’s Romantic Nonviolence shows how Shelley’s body of work reconceived the possibility of the political possibilities of art and explores the implications of Shelley's nonviolence for later artists and reformers such as George Bernard Shaw to Mohandas K. Gandhi.

Aesthetics and Politics in an Age of Revolution

Shelley's Romantic Nonviolence

Companion to Central and Eastern European Humanism / Hungary

The Miraculous Sweetmakers

The Storm Prince

United Kingdom Trilogy

True Blue

Fabrication, Forgery, and the Art of Islamic Ceramics

Invisible Hands

This book convincingly argues that the early medieval kingdom of Northumbria existed as a single political entity with a shared culture. Sián Webb makes the case that, while the kingdom itself includes three major cultural regions with distinct identities, by studying the similarities and differences in material and artistic culture it can be demonstrated that these identities managed to exist in tandem and were taken up by communities and groups when necessary and convenient. Webb shines a light on how the individual regions possessed different histories that helped shape how the people and communities expressed the shared Northumbrian identity.

Focusing on the period from 600 CE to 867 CE, Material Culture, Communities and Identity in Early Medieval Northumbria builds upon the developing tradition of research into layered identities and group culture established in various academic disciplines. The purpose here is to consider the different identities and cultural differences that developed in different regions and among different hierarchical communities from those in power to the less influential, though no less interesting or important, individuals whose work both allowed their communities to function and helped drive, adapt and spread new cultural traditions. Taking an interdisciplinary approach, the book broadens the view of early medieval Northumbria beyond the high-status settlements and people and, where possible, uses material culture and archaeological sources to include texture of non-elite identities within the kingdom.

A Land of Five Languages

Material Culture, Communities and Identity in Early Medieval Northumbria, 600-867 CE

Hans Sloane's Library Collection and the Production of Knowledge

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