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Wickenden A: Hans Sloane's Library
Collection and the Production of Knowle

Hans Sloane's Library Collection and the Production of Knowledge

Elizabeth Elstob's Writings on Anglo-Saxon (1709–1715?)

The Book in West African History

Writing Timbuktu

Guides to Foreign Languages for Women (1537–1699)

Arden Studies in Early Modern Drama

Power, Gender and the Magic of the Theatre

Mirrors in Shakespeare and Early Modern English Drama

The House of Fallen Sisters

Explorations in Practical, Pastoral and Empirical Theology

This book is founded upon the understanding that things matter to people. Exploring the renewing of practical theology through critical attention to the values and practices of everyday life, this book looks at how recent cultural and epistemological shifts have generated new agendas for theological thinking. Engaging with recent debates in many disciplines that have explored the relationship between persons and objects, Walton advocates a theological methodology which is radically incarnational, though proposing that incarnational theology itself must be rethought in the light of shifts in our understandings of materiality, epistemology and embodiment: when we speak of God integrally present in the material world, God as Word or God in flesh we can no longer assume that these affirmations carry the same meaning they once did. Introducing the work of new materialists focussing in particular on Miller and Bennett and their critique of materiality and appreciation of the sacred potentiality of things, Walton then explores the possibility of an affirmative approach to the created order - including material objects - which is based upon the radically incarnational aspects of the Franciscan tradition. Drawing upon insights offered in the work of Walter Benjamin, Michel de Certeau, Gaston Bachelard and others to construct a theological anthropology that celebrates the significance of things in human life, Walton goes on to argue that there can be discerned within the work of 20th century women writers a mystical appreciation of materiality which is congruent with the incarnational theology being developed within this work. Examples are drawn from the writings of Virginia Woolf, Ettie Hillesum, Elizabeth Smart and Michelle Roberts in order to establish how everyday material objects may become hugely spiritually significant to people. Finally, the book explores how habitual material interactions with things can be understood as sites of potential personal or political renewal.

This book is founded upon the understanding that things matter to people. Exploring the renewing of practical theology through critical attention to the values and practices of everyday life, this book looks at how recent cultural and epistemological shifts have generated new agendas for theological thinking. Engaging with recent debates in many disciplines that have explored the relationship between persons and objects, Walton advocates a theological methodology which is radically incarnational, though proposing that incarnational theology itself must be rethought in the light of shifts in our understandings of materiality, epistemology and embodiment: when we speak of God integrally present in the material world, God as Word or God in flesh we can no longer assume that these affirmations carry the same meaning they once did.  Introducing the work of new materialists focussing in particular on Miller and Bennett and their critique of materiality and appreciation of the sacred potentiality of things, Walton then explores the possibility of an affirmative approach to the created order - including material objects - which is based upon the radically incarnational aspects of the Franciscan tradition. Drawing upon insights offered in the work of Walter Benjamin, Michel de Certeau, Gaston Bachelard  and others to construct a theological anthropology that celebrates the significance of things in human life, Walton goes on to argue that there can be discerned within the work of 20th century women writers a mystical appreciation of materiality which is congruent with the incarnational theology being developed within this work. Examples are drawn from the writings of Virginia Woolf, Ettie Hillesum, Elizabeth Smart and Michelle Roberts in order to establish how everyday material objects may become hugely spiritually significant to people. Finally, the book explores how habitual material interactions with things can be understood as sites of potential personal or political renewal.

A New Theology of Everyday Life

God in Things

Quellen und Forschungen zur Literatur- und Kulturgeschichte

Dämonen und Teufel tauchen in der Literatur des Spätmittelalters häufig und in vielerlei Gestalt auf. In den vorliegenden Studien wird dieser Komplex diabolischer Bedrohungen erstmals mit einem Schwerpunkt auf der mittelalterlichen niederdeutschen Literatur systematisch untersucht - und damit zugleich ein Stück der in der Germanistik tendenziell vernachlässigten niederdeutschen Literaturgeschichte geschrieben. Es stehen drei Gattungstraditionen im Mittelpunkt: die Novellistik, die Exempel und die Legenden.
Neben den niederdeutschen Texten wie ,Bruder Rausch', dem ,Verlorenen Sohn', dem ,Großen Seelentrost', der Zeno- und der Brandan-Legende werden dabei auch - im Sinn einer notwendigen Vergleichsfolie - hochdeutsche, mittellateinische, altfranzösische und mittelniederländische Texte einbezogen.
Als Figuren des Diabolischen gelten dabei nicht nur die narrativ konstituierten Protagonisten, sondern vor allem die spezifischen Umgangsweisen mit jenem negativ Numinosen, dessen Bearbeitung literarische Erfahrungen stets überschreitet. Methodisch geht die Arbeit von dem hermeneutischen Grundanliegen aus, jene Fragen zu finden, auf welche die untersuchten Texte die Antworten darstellen und integriert dabei historisch-anthropologische mit diskursanalytischen Ansätzen.
Das Buch richtet sich an Literaturwissenschaftler und Mediävisten aller Fachrichtungen.

Dämonen und Teufel tauchen in der Literatur des Spätmittelalters häufig und in vielerlei Gestalt auf. In den vorliegenden Studien wird dieser Komplex diabolischer Bedrohungen erstmals mit einem Schwerpunkt auf der mittelalterlichen niederdeutschen Literatur systematisch untersucht – und damit zugleich ein Stück der in der Germanistik tendenziell vernachlässigten niederdeutschen Literaturgeschichte geschrieben. Es stehen drei Gattungstraditionen im Mittelpunkt: die Novellistik, die Exempel und die Legenden.Neben den niederdeutschen Texten wie ‚Bruder Rausch‘, dem ‚Verlorenen Sohn‘, dem ‚Großen Seelentrost‘, der Zeno‑ und der Brandan‑Legende werden dabei auch – im Sinn einer notwendigen Vergleichsfolie – hochdeutsche, mittellateinische, altfranzösische und mittelniederländische Texte einbezogen.Als Figuren des Diabolischen gelten dabei nicht nur die narrativ konstituierten Protagonisten, sondern vor allem die spezifischen Umgangsweisen mit jenem negativ Numinosen, dessen Bearbeitung literarische Erfahrungen stets überschreitet. Methodisch geht die Arbeit von dem hermeneutischen Grundanliegen aus, jene Fragen zu finden, auf welche die untersuchten Texte die Antworten darstellen und integriert dabei historisch-anthropologische mit diskursanalytischen Ansätzen.Das Buch richtet sich an Literaturwissenschaftler und Mediävisten aller Fachrichtungen.

Studien zur niederdeutschen Erzählliteratur des Mittelalters

Figuren des Diabolischen

United Kingdom Trilogy

True Blue

In works such as The Mask of Anarchy? and "A Philosophical View of Reform,? Matthew C. Borushko argues, Percy Bysshe Shelley intervenes in the reformist crisis of agency occasioned by the dramatic historical and political violence that characterized Britain during the Romantic period. He shows how Shelley's body or work reconceived the possibility of the political possibilities of art and explores the implications of Shelley's nonviolence for later artists and reformers such as George Bernard Shaw to Mohandas K. Gandhi.

From the French Revolution, Reign of Terror, and Napoleonic Wars abroad to the dramatic social changes wrought by industrialization and political agitation at home, the Romantic age in Britain was characterized by dramatic historical and political violence. As a result, the reform movement of the early nineteenth century faced a crisis of agency, in the wake of both Waterloo and Peterloo, that centered on the role of violence in the hope for social progress. In poems such as The Mask of Anarchy and political writings such as "A Philosophical View of Reform," Matthew C. Borushko argues, Percy Bysshe Shelley intervenes in this reformist crisis of agency with a highly original political program of nonviolence rooted in the redefining of aesthetics as the primary site for a critique of the violence of post-revolutionary Europe. Grounded in the dynamic historical contexts in which Shelley wrote and informed by twentieth-century theory, Shelley’s Romantic Nonviolence shows how Shelley’s body of work reconceived the possibility of the political possibilities of art and explores the implications of Shelley's nonviolence for later artists and reformers such as George Bernard Shaw to Mohandas K. Gandhi.

Aesthetics and Politics in an Age of Revolution

Shelley's Romantic Nonviolence

Women and Gender in the Early Modern World

Looking beyond Don Quixote and the popular theater, this study brings together non-canonical works from Spanish and Spanish American colonial writers in diverse genres, to illustrate the multi-faceted possibilities and the cultural limitations of representations of mothers and mothering in this period.

Looking beyond Don Quixote and the popular theater, this study brings together non-canonical works from Spanish and Spanish American colonial writers in diverse genres, to illustrate the multi-faceted possibilities and the cultural limitations of representations of mothers and mothering in this period.

The Maternal Imaginary in Early Modern Hispanic Culture

'Cosy and classy in equal measure' Janice Hallett

10 Marchfield Square

Material Culture of Art and Design

A material intervention into Australian art histories, examining overlooked objects that unsettle definitions of nationhood and identity.

Making Material Histories

The Australian Object

Hans Sloane's Library Collection and the Production of Knowledge

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

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