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Wickenden A: Hans Sloane's Library
Collection and the Production of Knowle

Hans Sloane's Library Collection and the Production of Knowledge

Shakespeare and Adaptation

Jean-François Ducis and the First European Adaptations

Classicizing Shakespeare

Oxford New Histories of Philosophy

The Fugitive Blacksmith and Other Essential Writings by James W.C. Pennington

Missing in Soho

Bookstore Girls

A gripping historical novel about love, friendship and resilience against all odds

Her Hidden Courage

This book convincingly argues that the early medieval kingdom of Northumbria existed as a single political entity with a shared culture. Sián Webb makes the case that, while the kingdom itself includes three major cultural regions with distinct identities, by studying the similarities and differences in material and artistic culture it can be demonstrated that these identities managed to exist in tandem and were taken up by communities and groups when necessary and convenient. Webb shines a light on how the individual regions possessed different histories that helped shape how the people and communities expressed the shared Northumbrian identity.

Focusing on the period from 600 CE to 867 CE, Material Culture, Communities and Identity in Early Medieval Northumbria builds upon the developing tradition of research into layered identities and group culture established in various academic disciplines. The purpose here is to consider the different identities and cultural differences that developed in different regions and among different hierarchical communities from those in power to the less influential, though no less interesting or important, individuals whose work both allowed their communities to function and helped drive, adapt and spread new cultural traditions. Taking an interdisciplinary approach, the book broadens the view of early medieval Northumbria beyond the high-status settlements and people and, where possible, uses material culture and archaeological sources to include texture of non-elite identities within the kingdom.

A Land of Five Languages

Material Culture, Communities and Identity in Early Medieval Northumbria, 600-867 CE

What can one city tell us about the global textile waste problem? This Open Access study is the first detailed ethnography of clothing waste infrastructures that starts where the problem starts - the Global North. Based on more than 100 interviews, cultural anthropologist Heike Derwanz follows the journey of fast fashion in Hamburg, Germany: starting with two women from different socio-economic backgrounds sorting through their wardrobes, travelling through local flea markets, eBay, church clothes banks, upcycling brands and recycling sites, only to end up in homes and waste heaps in the Global South. Bringing together human agents such as designers, social workers and vintage sellers with objects from containers, plastic sacks and internet platforms to piles of sorted textiles, this on-the-ground cultural study reveals how the global economic system of fast fashion shapes local infrastructures entangled in everyday lives. Combining material culture, waste studies and economic perspectives to scrutinize the so-called circular economy of today's global textile recycling market, Derwanz investigates what agency modern consumers really have in the lifecycle of their clothes. The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by the Bloomsbury Open Collections Library Collective.

The Circulation of Used Clothes in the Global North

Sorting Out Clothes

In works such as The Mask of Anarchy? and "A Philosophical View of Reform,? Matthew C. Borushko argues, Percy Bysshe Shelley intervenes in the reformist crisis of agency occasioned by the dramatic historical and political violence that characterized Britain during the Romantic period. He shows how Shelley's body or work reconceived the possibility of the political possibilities of art and explores the implications of Shelley's nonviolence for later artists and reformers such as George Bernard Shaw to Mohandas K. Gandhi.

Aesthetics and Politics in an Age of Revolution

Shelley's Romantic Nonviolence

The Rebel Romanov

Through a series of case-studies of nine Aegean and Ionian islands, the contributors examine the ancient epigraphic culture of each island's political, social and religious history from the archaic age until late antiquity. These Mediterranean islands - Delos, Thera, Crete, Chis, Samos, Kos, Rhodes, Amorgos and the Ionian islands - were a world in themselves with their own dialects, cults, customs and political structures. Through a careful reading of a range of inscriptions, new interpretations arise concerning our understanding of their constitutional history, economic transformation, relationship with major powers, as well as notions of identity and connectivity. Inscribing for public display was a feature of Greek civilization that was carried out not only by priests, politicians and the elite, but also by individual citizens. The Greeks developed a plethora of distinct categories of inscriptions, going beyond the standard of epitaphs and dedications to the gods, to include decrees of the people, honorific inscriptions cut into the bases of statues and monuments dedicated to benefactors and athletes. However, the intensity of inscribing varied from one century to the other, and these fluctuations can be represented from a quantative approach as epigraphic curves. The significance of this volume is that it offers an overview of the history of these lesser states, which are not necessarily well documented in literary evidence to the degree comparable with Athens or Sparta.

Ancient Epigraphic Culture on the Aegean and Ionian Islands

Considering the most recent scholarship on early modern English women writers, memorialisation discourses, and textual evocations of female subjectivity, this study brings together a radical evocation of otherness that serves to challenge the dominant political, religious and social discourses of the day. Focusing especially on writers Mary Sidney Herbert, Elizabeth Cary, Mary Wroth and Aphra Behn, Marion Wynne-Davies offers a new way of understanding female identity in the English Renaissance.

Early Modern Women Writers and Memorialization

Hans Sloane's Library Collection and the Production of Knowledge

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