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Makers of Islamic Civilization

Ahmad Nizami M: Haji Imdadullah

Haji Imdadullah

This comprehensive overview of Biruni is based on the Arabic and Persian primary sources in the original languages using the best editions. The author has consulted scholarship in French, German, and Russian to draw conclusions and present up-to-date bibliographic references in a manner accessible to specialists and the general reader alike. The book addresses questions in Biruni's biography, aspects of his thought in a holistic manner, and the historical context and subsequent reception of his work.

This book places Biruni in his historical and cultural context within the long-term history of medieval Eurasia. It outlines the course of Biruni's life, clarifying key questions about his associations, travels, and patrons. Following an overview of Biruni's chief interests, it details his major works to illustrate the breadth of Biruni's output and his intellectual approach, especially his attention to language, esteem for knowledge, and commitment to objective truth. An account of his institutional context and relationships elucidates his friendships and rivalries, notably with Avicenna. The book also shows how varied paths of transmission affected the legacy of Biruni and its reception in global scientific and literary traditions. Finally, a timeline, list of key works, and detailed bibliographic essay will guide readers into further study of Biruni and his thought.

Biruni

The Cultural Revolution in China

Bombard the Headquarters!

Routledge Studies in the History of Marketing

This book addresses the need to understand marketing practices in the context of the rich and varied history of India. Such an understanding will not only enrich marketing as a discipline, but also provide marketers and academics with valuable insights into the cultures and behaviors of Indian consumers. By analysing historical writings on business in India over 2000 years, and providing a coherent narrative of the marketing practices during these periods, it critically engages with the larger socio-economic structures which influenced, and were influenced by these practices. All scholars of marketing history will find this a fascinating and unique assessment of a highly significant market.

The concepts and practices of marketing, as well as the ideologies that impel these, are rooted in specific social and cultural contexts, predominantly those of the USA, and Europe. Moreover, the Western dominance of marketing thought permeates it with Western values such as individualism and rationalism. This has led to important contexts outside these traditions such as India being overlooked. India has an enormously rich and varied culture and history, and this book addresses the need to understand marketing practices within this diverse context. Such an understanding will not only enrich marketing as a discipline, but also provide both Western and Indian marketers and academics with valuable insights into the cultures and behaviors of Indian consumers. By analysing historical writings on business in India from the BCE period to the current period, and providing a coherent narrative of the marketing practices during these periods, it critically engages with the larger socio-economic structures which influenced, and were influenced by these practices. All scholars of marketing history will find this a fascinating and unique assessment of a highly significant market.

History of Marketing in India

In works such as The Mask of Anarchy? and "A Philosophical View of Reform,? Matthew C. Borushko argues, Percy Bysshe Shelley intervenes in the reformist crisis of agency occasioned by the dramatic historical and political violence that characterized Britain during the Romantic period. He shows how Shelley's body or work reconceived the possibility of the political possibilities of art and explores the implications of Shelley's nonviolence for later artists and reformers such as George Bernard Shaw to Mohandas K. Gandhi.

From the French Revolution, Reign of Terror, and Napoleonic Wars abroad to the dramatic social changes wrought by industrialization and political agitation at home, the Romantic age in Britain was characterized by dramatic historical and political violence. As a result, the reform movement of the early nineteenth century faced a crisis of agency, in the wake of both Waterloo and Peterloo, that centered on the role of violence in the hope for social progress. In poems such as The Mask of Anarchy and political writings such as "A Philosophical View of Reform," Matthew C. Borushko argues, Percy Bysshe Shelley intervenes in this reformist crisis of agency with a highly original political program of nonviolence rooted in the redefining of aesthetics as the primary site for a critique of the violence of post-revolutionary Europe. Grounded in the dynamic historical contexts in which Shelley wrote and informed by twentieth-century theory, Shelley’s Romantic Nonviolence shows how Shelley’s body of work reconceived the possibility of the political possibilities of art and explores the implications of Shelley's nonviolence for later artists and reformers such as George Bernard Shaw to Mohandas K. Gandhi.

Aesthetics and Politics in an Age of Revolution

Shelley's Romantic Nonviolence

Toward a New Sociology of Religion

Religious Change in Post-Mao China

Taking the period from the collapse of the Ottoman Empire and the establishment of the Turkish Republic in 1923 to the present day, this book examines Turkey's political trajectory, its economic developments and downturns and its positioning in the international arena. Breaking away from the Cold War paradigm and its focus on military coups and international security as well as approaches to Turkey which over emphasise the Ottoman past, this book also engages with cultural and social aspects of the period. Following a clear chronology, the book charts the rise of the Turkish nation-state, Turkey in the Second World War, the beginning of multi-party politics, the political plurality of the 1960s, the upheavals of the 1970s, the neo-liberal politics of the 1980s, the crumbling of the 1990s and the religious politics and presidentialism of the 2000s. Each period is divided into three sections and each chapter is accompanied by boxes inserted into the text which provide more extensive information on one particular aspect, such as cinema, political satire and social media. The book takes readers through the period providing both a clear chronological structure and an understanding of each period both from the perspective of its political and economic development and its cultural and social concerns.

A History from 1918 to the Present

The Republic of Turkey

Forms of Drama

China’s Classical Song-drama

Kunqu

While Tÿbingen theologian Eberhard Jÿngel's theology remains broadly influential in Continental Europe, his work has largely been overlooked by Anglo-American readers interested in modern Protestantism. There are, however, signs that this trend is changing, as several dissertations, specialist monographs, and popular blog-sites have appeared recently that are devoted to Jÿngel's thought. There is thus a growing audience for the proposed study, which will be the first up-to-date, English-language, general introduction to Jÿngel's theology to appear in three decades. Nelson offers an interpretation of Jÿngel's theology that is unique.

While TÃ¼bingen theologian Eberhard JÃ¼ngel’s theology remains broadly influential in Continental Europe, his work has largely been overlooked by Anglo-American readers interested in modern Protestantism. There are, however, signs that this trend is changing, as several dissertations, specialist monographs, and popular blog-sites have appeared recently that are devoted to JÃ¼ngel’s thought. There is thus a growing audience for the proposed study, which will be the first up-to-date, English-language, general introduction to JÃ¼ngel’s theology to appear in three decades.  Nelson offers an interpretation of JÃ¼ngel’s theology that is unique.

Theologian of the Interruptive Word

Eberhard Jüngel

A queer scrapbook offers a treasure trove of LGBTIQ+ histories from across Britain and Ireland. Packed with materials, from interviews and newspaper articles to photographs and flyers, the book explores urban, rural and regional queer life since 1945. Commentaries and short essays introduce a changing queer landscape, spotlighting four broad themes: home and family, sex and socialising, arts and culture and politics and activism. The book delves into the meaning and experiences of domesticity and parenting and explores the sometimes unexpected places LGBTIQ+ people met to have fun. It examines the importance of creative work in forming community and identity and shows how people fought injustice and advocated for equal rights. Collecting has been a way for the marginalised to explore and assert identity and community. A queer scrapbook vividly illustrates the diversity of queer and trans lives across the British and Irish isles since the Second World War.

Britain and Ireland Since 1945

A Queer Scrapbook

A Journey on Foot Through England’s First National Park

Wild Peaks

The Lost Voices of Pompeii

The Archbishops of Canterbury Series

Charles Longley was Archbishop of Canterbury in the mid-1860s, at a crucial period for the development of the Church of England and the Anglican Communion. He was centrally involved in a series of major controversies concerning theological radicalism, ritualism, and the identity of the established church. He also inaugurated the first Lambeth Conference in 1867, with far-reaching consequences for international Anglicanism. This is the first ever study of Archbishop Longley's career. The first half of the book examines the theological disputes which dominated his archiepiscopate. The second half offers selections with commentary from his sermons, tracts, speeches and letters, so that Longley's opinions can be heard at first hand.

Charles Longley was Archbishop of Canterbury in the mid-1860s, at a crucial period for the development of the Church of England and the Anglican Communion. He was centrally involved in a series of major controversies concerning theological radicalism, ritualism, and the identity of the established church. He also inaugurated the first Lambeth Conference in 1867, with far-reaching consequences for international Anglicanism.  This is the first ever study of Archbishop Longley's career. The first half of the book examines the theological disputes which dominated his archiepiscopate. The second half offers selections with commentary from his sermons, tracts, speeches and letters, so that Longley's opinions can be heard at first hand.

Archbishop Longley

Routledge Research in Gender and Art

A provocative letter from a prominent eighteenth-century British noblewoman, Henrietta Howard, to her close friend Mary Hervey is a rare survivor of the informal, collaborative satires created by court women in this period. This particular June 1729 artifact contains a witty and light-hearted list of imaginary portraits, most of which refer to a notable political figure through references to specific paintings, sculptures, engravings, ceramics, textiles and book illustrations. Through a close reading of archival manuscripts, published correspondences and art historical treatises, Eric Weichel explores the cultural milieu and historical legacy of this remarkable text. Constrained by strict standards of moral propriety, the writer's overt discussions of sexuality in this letter are encoded through a system of embedded jokes and mythological references. Weichel argues that through Lady Hervey's mention of popular works of art, such as the Hampton Court tapestry cartoons by Raphael, the 'Jupiter and Ganymede' motif in country house décor, or the illustrated fables of Jean de La Fontaine, she alludes specifically to her wider circle's knowledge of adultery, queerness, sexual violence, and divorce among their peer group. In her imaginary portraits, Hervey also shows an interest in feminist education and literature, political and religious patronage, and contemporary news events.

A provocative letter from a prominent eighteenth-century British noblewoman, Henrietta Howard, to her close friend Mary Hervey is a rare survivor of the informal, collaborative satires created by court women in this period. This particular June 1729 artifact contains a witty and light-hearted list of imaginary portraits, most of which refer to a notable political figure through references to specific paintings, sculptures, engravings, ceramics, textiles and book illustrations. Through a close reading of archival manuscripts, published correspondences and art historical treatises, Eric Weichel explores the cultural milieu and historical legacy of this remarkable text. Constrained by strict standards of moral propriety, the writer’s overt discussions of sexuality in this letter are encoded through a system of embedded jokes and mythological references. Weichel argues that through Lady Hervey’s mention of popular works of art, such as the Hampton Court tapestry cartoons by Raphael, the ’Jupiter and Ganymede’ motif in country house décor, or the illustrated fables of Jean de La Fontaine, she alludes specifically to her wider circle’s knowledge of adultery, queerness, sexual violence, and divorce among their peer group. In her imaginary portraits, Hervey also shows an interest in feminist education and literature, political and religious patronage, and contemporary news events.

An Eighteenth-Century Lady-in-Waiting’s 'Collection of Pictures'

Art, Sex and Politics at the Early Georgian Court

Haji Imdadullah

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

Weitere Titel der Reihe: Makers of Islamic Civilization

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