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Ground/work 2025

New York in Art 2026 Wall Calendar

Teresita Fernández / Robert Smithson 

"The first publication of its kind, connecting a constellation of artists working at the forefront of abstraction in the early 20th century. Orphism emerged among a cosmopolitan group of artists active in Paris in the early 1910s, as the innovations of modern life radically altered conceptions of time and space. Engaged with ideas of simultaneity in kaleidoscopic compositions, these artists investigated the transformative possibilities of color, form and motion. Often featuring disks of brilliant color, their work evoked multisensory experiences. When pushed to its limits, Orphism signaled total abstraction. The poet Guillaume Apollinaire, a contemporary, coined the term "Orphism" to describe this move away from Cubism, toward a physically and spiritually transcendent art. His concept referred back to the Greek mythological poet and lyre player Orpheus, whose music thwarted death. The first in-depth examination of the Orphist avant-garde, this revelatory exhibition catalog contextualizes Orphism, tracing its roots, exploring its cross-disciplinary reach and considering its transnational reverberations across 16 illustrated texts by a multigenerational group of authors from different fields. Incisive essays offer new perspectives, delineating Orphism's connection to music, dance and poetry, and investigating the historical and cultural circumstances that shaped its ethos. More than 90 artworks in multiple mediums are punctuated by micro-narratives that view select artists through the Orphist lens, presenting original scholarship on well-known figures such as Robert Delaunay, Sonia Delaunay, Frantiések Kupka and Francis Picabia while also illuminating lesser-known ones such as Mainie Jellett, Morgan Russell and Amadeo de Souza-Cardoso"--

The first publication of its kind, connecting a constellation of artists working at the forefront of abstraction in the early 20th centuryOrphism emerged among a cosmopolitan group of artists active in Paris in the early 1910s, as the innovations of modern life radically altered conceptions of time and space. Engaged with ideas of simultaneity in kaleidoscopic compositions, these artists investigated the transformative possibilities of color, form and motion. Often featuring disks of brilliant color, their work evoked multisensory experiences. When pushed to its limits, Orphism signaled total abstraction. The poet Guillaume Apollinaire, a contemporary, coined the term “Orphism” to describe this move away from Cubism, toward a physically and spiritually transcendent art. His concept referred back to the Greek mythological poet and lyre player Orpheus, whose music thwarted death. The first in-depth examination of the Orphist avant-garde, this revelatory exhibition catalog contextualizes Orphism, tracing its roots, exploring its cross-disciplinary reach and considering its transnational reverberations across 16 illustrated texts by a multigenerational group of authors from different fields. Incisive essays offer new perspectives, delineating Orphism’s connection to music, dance and poetry, and investigating the historical and cultural circumstances that shaped its ethos. More than 90 artworks in multiple mediums are punctuated by micro-narratives that view select artists through the Orphist lens, presenting original scholarship on well-known figures such as Robert Delaunay, Sonia Delaunay, František Kupka and Francis Picabia while also illuminating lesser-known ones such as Mainie Jellett, Morgan Russell and Amadeo de Souza-Cardoso.

Harmony and Dissonance: Orphism in Paris, 1910–1930

Thirty-Six Views of the Moon&nbsp;is a meditative collection of nighttime exposures made with book pages from texts referencing the night sky spanning the last ten&nbsp;centuries.Drink wine and look at the moon and think of all&nbsp;the civilizations the moon has seen passing by… — Omar Khayyam, 11th-century mathematician and poetTaking his cue from Omar Khayyam’s poem, Ebtekar produces a vignette of windows to the moon, inviting us to shift the direction of our gaze.&nbsp;In his process, the artist works with a photographic glass plate negative of the moon from the Lick Observatory archives in Northern California, treating each book page with Potassium ferricyanide and Ammonium ferric citrate (cyanotype) to make the surface of the page light-sensitive. Then, Ebtekar exposes the pages overnight in the UV-light emitted by the moon. This project challenges viewers to imagine the the moon looking at us, seeing ourselves as the objects of the moon’s billion-year gaze.&nbsp;There are four unique editions to the work, each produced under the moonlight of a season (i.e. winter, spring, etc.), and each with its own unique bibliography. The artist’s proof is the only edition made with moonlight from all four seasons over the span of one year.

Thirty-Six Views of the Moon&nbsp;is a meditative collection of nighttime exposures made with book pages from texts referencing the night sky spanning the last ten&nbsp;centuries.Drink wine and look at the moon and think of all&nbsp;the civilizations the moon has seen passing by… — Omar Khayyam, 11th-century mathematician and poetTaking his cue from Omar Khayyam’s poem, Ebtekar produces a vignette of windows to the moon, inviting us to shift the direction of our gaze.&nbsp;In his process, the artist works with a photographic glass plate negative of the moon from the Lick Observatory archives in Northern California, treating each book page with Potassium ferricyanide and Ammonium ferric citrate (cyanotype) to make the surface of the page light-sensitive. Then, Ebtekar exposes the pages overnight in the UV-light emitted by the moon. This project challenges viewers to imagine the the moon looking at us, seeing ourselves as the objects of the moon’s billion-year gaze.&nbsp;There are four unique editions to the work, each produced under the moonlight of a season (i.e. winter, spring, etc.), and each with its own unique bibliography. The artist’s proof is the only edition made with moonlight from all four seasons over the span of one year.

Ala Ebtekar: Thirty-Six Views of the Moon

Global Challenges in the Environmental Humanities

"Inspired by the UN Sustainable Development Goals, this book provides a range of focused audiovisual analyses of deltaic spaces which are under threat from human exploitation, environmental degradation, and rapidly accelerating climate change. Ranging across a variety of media, including documentary filmmaking, animation, photography, collaborative comic making, participatory visual art practices, soundwalking, and film analysis, it adopts a transdisciplinary approach to the Blue Humanities from countries across the world, including Canada, Bolivia, Brazil, Greece, Nigeria, Senegal, India, Bangladesh, Myanmar, Thailand, and Vietnam"--

How are climate change, weather-related disasters, food and water insecurity, and energetic and infrastructural collapse narrated audiovisually in the most environmentally vulnerable areas of the Planet? This book addresses this and related questions by adopting a local and transdisciplinary perspective on river deltas from different areas of the world.
 
River deltas have historically been hotspots for human civilizations, as populations settled in their fertile grounds seeking resources and opportunities for prosperity. Despite this, the terrains and livelihoods of those who rely on them are under threat from human exploitation, environmental degradation, and rapidly accelerating climate change. Inspired by the UN Sustainable Development Goals, this book provides a range of focused audiovisual analyses of deltaic spaces. Ranging across a variety of media, including documentary filmmaking, animation, photography, collaborative comic making, participatory visual art practices, soundwalking, and film analysis, it examines the role that contemporary audiovisual media play in forging global environmental imaginaries. In doing so, it adopts a transdisciplinary approach to the Blue Humanities from countries across the world, including Canada, Bolivia, Brazil, Greece, Nigeria, Senegal, India, Bangladesh, Myanmar, Thailand, and Vietnam.

Endangered Communities in Audiovisual Media

River Delta Futures

Blackwell Companions to Art History

A Companion to Impressionism

Impressionism and Post-Impressionism 2026 Wall Calendar

Rethinking Art's Histories

Psychoanalysis, Politics and the Art of French Feminism

Counterpractice

From the breath-taking collection at the National Gallery, this is a floral feast for the eyes, a fine new art calendar from Flame Tree. Produced in partnership with the National Gallery, this calendar will take you on a journey through the most beautiful floral and landscape masterpieces from the National Gallery collection. Featuring iconic paintings such as Vincent van Gogh's Sunflowers and a less-well-known Gauguin piece A Vase of Flowers, this calendar celebrates some of the world’s most treasured artworks. Informative text accompanies each work and the datepad features previous and next month’s views. Printed on FSC-certified paper, with plastic-free packaging.

The National Gallery Wall Calendar 2026 (Art Calendar)

Manuscripts from the British Library, Bibliotheque Nationale de France and the Getty Museum have been selected, and projects are illustrated with step-by-step photographs and beautiful images of the finished works.

Manuscripts from the British Library, Bibliotheque Nationale de France and the Getty Museum have been selected, and projects are illustrated with step-by-step photographs and beautiful images of the finished works.

Practical Projects Inspired by the Calligraphy and Illuminations of Medieval Manuscripts

The Art of the Scribe

Clark Studies in the Visual Arts

An examination of how engagement with the nuances of Caribbean intellectual thought could reshape art history

Seeing Art History from the Caribbean

Beyond Boundaries

Fashion in the French Revolution looks at the elaborate dress of French society and the court in the 1780s and the way in which plain clothing became identified with "democracy". Illustrated in full color throughout and with many new additional images, this extensively revised edition of Fashion in the French Revolution looks at the elaborate dress worn by the elite in the 1780s, and then the impact on people's lives and clothing as a result of the events of 1789 onwards. This was a period in which, for the first time, what one wore was radically affected by revolutionary politics and plain clothing became identified with 'democracy'. Award-winning dress historian Aileen Ribeiro skilfully weaves analysis of paintings, engravings, fashion plates and extant garments to reveal how clothing at all levels in society changed as a result. This new edition, as relevant, informative and provocative as when it was first published in 1988, brings the classic Fashion in the French Revolution to a new generation of readers interested in dress history, fine art, European 18th century history, and all those interested in intelligent, articulate and informed discussion of the period.

New Edition

Fashion in the French Revolution

Ground/work 2025

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