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Tilby Angela: Good Faith

Good Faith

The Keys of the Kingdom

Routledge Studies in Theology, Imagination and the Arts

The creative act, claims Nicolas Berdyaev, is a prefiguration of the end of the world. To what extent is fiction an exploration of the ultimate ends of humanity - of heaven, hell, death and judgement? And how do modern authors use the literary resources of eschatological imaginings in their storytelling? In this careful yet suggestive study, Greg Clarke explores the eschatological underpinnings of modern fiction. Drawing on the work of Ernst Bloch, Jurgen Moltmann, Jacques Derrida and Frank Kermode, Clarke outlines the way in which literature employs apocalyptic imagery, narrative structures and eschatological themes such as hope, glory, salvation and justice. Through a detailed study of the novels of pre-eminent Australian author Patrick White, a new eschatological approach to criticism emerges, where 'ultimate interests' become a reading lens and a key to understanding the creative impulse.

The creative act, claims Nicolas Berdyaev, is a prefiguration of the end of the world. To what extent is fiction an exploration of the ultimate ends of humanity - of heaven, hell, death and judgement? And how do modern authors use the literary resources of eschatological imaginings in their storytelling?  In this careful yet suggestive study, Greg Clarke explores the eschatological underpinnings of modern fiction. Drawing on the work of Ernst Bloch, Jurgen Moltmann, Jacques Derrida and Frank Kermode, Clarke outlines the way in which literature employs apocalyptic imagery, narrative structures and eschatological themes such as hope, glory, salvation and justice. Through a detailed study of the novels of pre-eminent Australian author Patrick White, a new eschatological approach to criticism emerges, where 'ultimate interests' become a reading lens and a key to understanding the creative impulse.

The Future of Patrick White

Eschatology, Apocalypse and Modern Fiction

Rethinking Board Leadership

Governance and Ministry

T&T Clark Handbooks

T&t Clark Handbook of Biblical Thomism

T&T Clark Explorations in Reformed Theology

Affect, Experience and Joy

Feeling in Karl Barth's Theology

Church of England Liturgical Calendar with the Book of Common Prayer (Includes Daily Readings and Service Planning Guide in a Compact, Portable Size

Common Worship Lectionary spiral-bound 2027

Reconciling Mission

Lives of Great Religious Books

The contentious life and times of the most widely cited book of the New TestamentWritten some two thousand years ago, the Gospel of John is the only Christian Gospel to place Jesus at the creation of the world, and the only one where we find the stories of the raising of Lazarus, the woman taken in adultery, and the changing of water into wine at the wedding in Cana. The Gospel of John also points an accusing finger at Jesus's Jewish opponents and has been used by medieval crusaders, Protestant reformers, and white supremacists to legitimize antisemitic violence. Kim Haines-Eitzen traces the legacy of this complex, beautiful, and at times deeply troubling work, from its composition in the late first century to its enduring power today. Haines-Eitzen sheds light on the book's reception by early Christian gnostic and patristic commentators, its use in the Crusades and Reformation, its revered status among American evangelicals, and the many ways it has inspired novels, films, music, and art. The earliest papyrus fragment of an identifiably Christian Gospel is a fragment of John, and John is the only canonical Gospel that depicts Jesus as a savior who teaches openly about his divinity. Haines-Eitzen shows how John simultaneously carries a message of inclusion and intolerance, and how its story teaches us about the nature and enormous influence of scriptural religions. Compelling and provocative, The Gospel of John reveals how this dynamic, malleable biblical work has both unified and divided Christians over centuries of translation, interpretation, and creative reimagining.

Good Faith

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