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Millls A: From Media Shy To Media Savvy

From Media Shy To Media Savvy

14 Simple Strategies To Nail Your Next Media Interview

Sofia Crespo x Anna Ridler: A Field of Collaboration
 collects, for the first time, their five joint projects produced between 2023–2025, which won them the 2025 Arab Bank Switzerland Artist of the Year Award. An interview with the artists and four critical essays provide insight on a hybrid practice where technology functions as an evolving ecology. The authors explore how the artists bridge cutting-edge machine learning with an array of photographic practices, integrate botanical study with tactile traditions, in order to show that Crespo and Ridler move beyond the digital sublime to offer a profound attentiveness to the contemporary moment.
 
 Anna Ridler is a London-based artist and writer building machine learning systems from hand-labelled datasets since 2017. Her practice uses classification, speculation and ecological time as material. Her work is held by the Whitney, V&amp;A, M+ and ZKM.
 
 Sofia Crespo is an award-winning Argentine artist whose work explores technology, biology and image-making across digital and analogue mediums. As part of Entangled Others, this extends to how living systems and artificial life interacts and evolves.

SOFIA CRESPO × ANNA RIDLER: A Field of Collaboration

This publication is being released to coincide with the retrospective of the British-Japanese artist Simon Fujiwara at Mudam Luxembourg. It brings together a range of authors who explore Fujiwara's central themes and methods from diverse perspectives. The essays examine the structures underlying his works through the lens of topics such as psychoanalysis, iconography, branding, and marketing. In doing so, they also reflect on the conditions of artistic life and work in an increasingly mediatized world. Fujiwara's work, often described as a "distorted mirror of the 21st century," is both fascinating and unsettling. The publication invites readers to explore a complex, contradictory, and constantly evolving body of work.Simon Fujiwara (b. 1982, London) has developed a wide-ranging body of work that encompasses performance, video, painting, and immersive installations. His work explores constructions of the self in the 21st century, particularly in relation to technology and capitalism. In 2010, he received the Baloise Prize at Art Basel as well as the Frieze Cartier Award.

This publication is being released to coincide with the retrospective of the British-Japanese artist Simon Fujiwara at Mudam Luxembourg. It brings together a range of authors who explore Fujiwara’s central themes and methods from diverse perspectives. The essays examine the structures underlying his works through the lens of topics such as psychoanalysis, iconography, branding, and marketing. In doing so, they also reflect on the conditions of artistic life and work in an increasingly mediatized world. Fujiwara’s work, often described as a “distorted mirror of the 21st century,” is both fascinating and unsettling. The publication invites readers to explore a complex, contradictory, and constantly evolving body of work.Simon Fujiwara (b. 1982, London) has developed a wide-ranging body of work that encompasses performance, video, painting, and immersive installations. His work explores constructions of the self in the 21st century, particularly in relation to technology and capitalism. In 2010, he received the Baloise Prize at Art Basel as well as the Frieze Cartier Award.

About Simon Fujiwara

Bloomsbury Fandom Primers

This book delves into the world of "fandom nationalism," where the lines between fan devotion and nationalistic fervor blur within the East Asian media landscape. Taking a non-Western perspective in fan studies, this book challenges conventional understandings of fandom nationalism. While the concept usually describes how citizens passionately adore their nation akin to idolizing celebrities, this ground-breaking research adds a captivating twist: such passion encompasses not only the expressions of love fans shower upon their idols but also the intense hatred anti-fans direct towards stars - fans strategically employ nationalism as a weapon to win fan wars. This enriches the concept of fandom nationalism, exploring how fans use participatory censorship practices to accuse celebrities and their followers of problematic political stances, thereby channeling collective nationalist anger to exact revenge on despised celebrities, such as Zhang Zhehan, a Boys' Love drama actor who was banned by the authorities and the industry for taking photos at the Yasukuni Shrine in Japan. Through a thorough review of relevant literature and detailed fieldwork data, this book reveals how fans and anti-fans participate in various stages of the banning process, leading to the career downfall of top stars in China. This brutal battleground, akin to cancel culture, is a product of the collusion among fans, netizens, the party-state, media platforms, and businesses, where fans' participation in nationalist practices can also be performative patriotism, driven by the desire to protect their idols and themselves. Using examples from China and beyond, Fandom Nationalism explores the relationship between fandom and the state more broadly.

Participatory Censorship and Performative Patriotism in East Asia

Fandom Nationalism

Routledge Studies in Crime, Culture and Media

Crime and Popular Culture: Rule Breakers analyses society's fascination with criminals and investigates the changing acceptability of rule breakers across different times and contexts through a cultural criminological lens.Divided into two parts, this book begins by examining factual representations of rule breakers in media, tourism, and murderabilia and then focuses on fictional representations in literature, film, music, alcohol and gaming industries. It analyses the romanticisation of criminals and the intertwined effect of popular culture on the 'real world', including cases where offenders were allegedly inspired by popular culture. Familiar case studies include crime-related dark tourism sites, moral panics surrounding music and deviance and the growing popularity of immersive criminal world experiences in gaming.Crime and Popular Culture will appeal to students, scholars and anyone with an interest in criminology, cultural studies, crime and the media and a fascination with crime and popular culture.

Rule Breakers

Crime and Popular Culture

Named an "Editor's Pick" and "Best Business Book" in the Publishers Weekly BookLife Prize
Learn the Secrets Top Magazine Editors Use to Build Teams, Audiences, and Brands.
In today's crowded marketplace, selling a quality product is not enough. To stand out, businesses must tell compelling stories and build relationships with potential customers-and prospective employees-who have become evermore discerning, supporting companies that align with their own values.
While this may seem daunting, it can be done. In fact, magazine editors have mastered these skills for decades, creating trusted brands that attract loyal followers in their longtime readers and dedicated staffers, who often live out the messages of the publications in their own lives.
With more than two decades of experience building brands at the world's largest media companies, Victor Maze pulls back the curtain, revealing the leadership secrets of top editors-many of whom have gone on to run the content and marketing departments of major corporations ranging from Netflix to Nike.
In this book, you will learn how to:Hire and lead a team of passionate, engaged people.
Inspire others with optimism while articulating a clear vision and mission.
Make tough decisions with ease using three proven frameworks.
Cultivate a devoted audience that feels an instant connection to your brand.
Craft a message that resonates and empowers your audience.
Create a product that offers both style and substance.



Lead Like an Editor transforms the way you lead people, tell stories, and achieve success.

Hire Passionate Teams, Tell Stories That Inspire, and Build Brands People Love

Lead Like an Editor

DLAschriften/DLAwritings (ehemals: marbacher schriften. neue folgen)

Who decides what good literature is? And in which spaces are these decisions made in a digitized world?

Literary judgement is the starting point for the evaluation, selection and even canonization of a literary work. In the 18th century, educated citizens exchanged ideas, formed public opinion, and promoted common narratives in debates about literature. Today, criticism is shaped in many diverse public spheres and sub-spheres, operating in an economy regulated by attention and in a globalized book market. What does this mean for the roles of critic, author, and reader?
»Literary Judgement and the Fora of Criticism« addresses questions relating to the forms, functions, and significance of literary judgement; the conditions and consequences for criticism in the current media landscape; the medialization of criticism as review and its rhetorical and generic effects; the ascription and dissemination of literary value for a growing but&nbsp;diverse global readership; the implications and consequences for writer, critic, and reader of the digitization of criticism.
With contributions by: Amit Chaudhuri, Phillipa Chong, James English, Florencia Garramuño, Richard Jacquemond, Mats Jansson, Christopher Odhiambo Joseph, Rebecka Kärde, Daniel Kehlmann, Zóltan Kulcsár-Szabó, Camille Laurens, B. Venkat Mani, Laura McGrath, Mark McGurl, Ronya Othmann, Irina Prokhorova, Sandra Richter, Lionel Ruffel, Gisèle Sapiro, Zeruya Shalev, Galin Tihanov, Juan Gabriel Vásquez, Magnus William-Olsson and Xu Xi.

Der Band erscheint vollständig in englischer Sprache.

Who decides what good literature is? And in which spaces are these decisions made in a digitized world?

Literary judgement is the starting point for the evaluation, selection and even canonization of a literary work. In the 18th century, educated citizens exchanged ideas, formed public opinion, and promoted common narratives in debates about literature. Today, criticism is shaped in many diverse public spheres and sub-spheres, operating in an economy regulated by attention and in a globalized book market. What does this mean for the roles of critic, author, and reader?
»Literary Judgement and the Fora of Criticism« addresses questions relating to the forms, functions, and significance of literary judgement; the conditions and consequences for criticism in the current media landscape; the medialization of criticism as review and its rhetorical and generic effects; the ascription and dissemination of literary value for a growing but&nbsp;diverse global readership; the implications and consequences for writer, critic, and reader of the digitization of criticism.
With contributions by: Phillipa Chong, James English, Florencia Garramuño, Richard Jacquemond, Mats Jansson, Christopher Odhiambo Joseph, Rebecka Kärde, Daniel Kehlmann, Zóltan Kulcsár-Szabó, Camille Laurens, Mark McGurl, Ronya Othmann, Sandra Richter, Lionel Ruffel, Gisèle Sapiro, Zeruya Shalev, Galin Tihanov, Juan Gabriel Vásquez, Magnus William-Olsson and Xu Xi.

Der Band erscheint vollständig in englischer Sprache.

Literary Judgement and the Fora of Criticism

Diversity Studies schärfen den Blick für interdependente Differenzen wie Gender, Race, Class und weitere Identitätskategorien. Sprache, Literatur und Medien haben einen bisher kaum beachteten Anteil an der Produktion, aber auch der kritischen Reflexion sozio-kultureller Vielfalt. Die Beiträger*innen sensibilisieren für deren Wahrnehmung, indem sie einen Diskussionsrahmen abstecken, der Voraussetzungen, Dynamik und Effekte von Diversität analytisch miteinander in Beziehung setzt. Neben einer systematischen Einführung eröffnen sie außerdem theoretische und methodologische Zugänge zu exemplarischen Forschungsfragen - von historischen Themen bis hin zur aktuellen Vermittlungspraxis.

Eine Einführung

Kulturwissenschaftliche Diversity Studies

Film

Die Geschichte des Kinos ist fundamental von der Ästhetik der Beleuchtung geprägt. In exemplarischen Einzelstudien analysiert Denis Grünemeier das faszinierende Wechselspiel von Licht und Schatten im Film. Dabei zeigt er eindrucksvoll durch die methodische Verknüpfung von Filmwissenschaft, Kunstgeschichte und Bildtheorie, dass Licht und Schatten über die Technik und Form hinaus wesentlich die Essenz und den Inhalt des Films bestimmen. Neben bekannten Regisseuren wie Kubrick, Murnau und Carlos Reygadas sind es die ausgewählten experimentellen Arbeiten Derek Jarmans und die Animationen der Quay Brothers, die den innovativen Status dieser Studie untermauern.

Die Geschichte des Kinos ist fundamental von der Ästhetik der Beleuchtung geprägt. In exemplarischen Einzelstudien analysiert Denis Grünemeier das faszinierende Wechselspiel von Licht und Schatten im Film. Dabei zeigt er eindrucksvoll durch die methodische Verknüpfung von Filmwissenschaft, Kunstgeschichte und Bildtheorie, dass Licht und Schatten über die Technik und Form hinaus wesentlich die Essenz und den Inhalt des Films bestimmen. Neben bekannten Regisseuren wie Kubrick, Murnau und Carlos Reygadas sind es die ausgewählten experimentellen Arbeiten Derek Jarmans und die Animationen der Quay Brothers, die den innovativen Status dieser Studie untermauern.

Zur Ästhetik der Beleuchtung

Licht im Film

An alarming exposé of the new challenges to literary freedom in the age of social media—when anyone with an identity and an internet connection can be a censor. In That Book Is Dangerous!, Adam Szetela investigates how well-intentioned and often successful efforts to diversify American literature have also produced serious problems for literary freedom. Although progressives are correct to be focused on right-wing attempts at legislative censorship, Szetela argues for attention to the ways that left-wing censorship controls speech within the publishing industry itself. The author draws on interviews with presidents and vice presidents at the Big Five publishers, literary agents at the most prestigious agencies, award-winning authors, editors, marketers, sensitivity readers, and other industry professionals to examine the new publishing landscape. What he finds is unsettling: mandatory sensitivity reads; morality clauses in author contracts; even censorship of “dangerous” books in the name of antiracism, feminism, and other forms of social justice. These changes to acquisition practices, editing policies, and other aspects of literary culture are a direct outgrowth of the culture of public outcries on X, Goodreads, Change.org, and other online platforms, where users accuse authors—justifiably or not—of racism, sexism, homophobia, and other transgressions. But rather than genuinely address the economic inequities of literary production, this current moral crusade over literature serves only to entrench the status quo. “While the right is remaking the world in its image,” he writes, “the left is standing in a circular firing squad.” Compellingly argued and incisively written, the book is a much-needed wake-up call for anyone who cares about reading, writing, and the publication of books—as well as the generations of young readers we are raising.

An alarming expose of the new challenges to literary freedom in the age of social media when anyone with an identity and an internet connection can be a censor.

How Moral Panic, Social Media, and the Culture Wars Are Remaking Publishing

That Book Is Dangerous!

Visionary marketing insider, Christian Muche, Founder of the annual Possible conference, has built his career by turning bold ideas into transformative platforms that shape industries and inspire global audiences. In The Future Possible, Christian shares the latest groundbreaking innovation at the intersection of marketing and technology so that businesses of all types can learn what is needed to succeed over the coming decades.The key themes include: <ul><li>Trust as the primary currency (earned, measured, defended).</li><li>Moments as the flywheel that turns attention into adoption.</li><li>Networks as the distribution logic for ideas, products, and reputation.</li></ul>This is the playbook to building trust-first brands that travel across markets and media. Chapters include executive frameworks that leaders can apply immediately, and a clear way to lead through AI acceleration, cultural volatility, and the post-attention economy without whiplash.

The platform-backed blueprint for building the next generation of market-leading brands.

Leadership, Human Connection, and Creating What Comes Next

The Future Possible

Digital Culture & Society

Technology has the power to colonize our visions of the future. But those visions are always socially situated, relational, and enmeshed in societal sense-making from the past to the present. It is this social embedding that has the power to bring future ideas into material existence. How do communities around the world rethink techno-futures through friction, re-appropriation, spirituality and, possibly, wholesome change? This issue brings together articles exploring popular techno-futures from international and interdisciplinary perspectives, including cultural and media studies, science and technology studies, and related disciplines. The contributors decenter the discussion on socio-technical futures and the role of popular culture, aesthetics and media in their (re)production.

Vol. 11, Issue 2/2025 – Towards Popular Techno-Futures: A Global Culture Perspective

Digital Culture & Society (DCS)

Laboratorium Aufklärung

Was stellen wir uns vor, wenn wir von Aufklärung sprechen, und welche konkreten Vorstellungsbilder verbinden wir damit? Aufklärung ist ein historisches Phänomen und zugleich eine bis heute wirkmächtige soziale Imagination. Um ihre Attraktivität zu verstehen, richtet dieser Band den Blick auf die kollektiv geteilten Vorstellungsbilder der Aufklärung. Er untersucht, mit welchen Mitteln sie erzeugt wurden und werden, wie sie kulturelle Orientierung stiften und wie sie gemeinsame Handlungs- und Denkräume eröffnen. Die Beiträge aus Geschichts-, Kultur- und Literaturwissenschaft, Kunstgeschichte und Soziologie beziehen sich sowohl auf die Formationsphase der Aufklärung im 18. Jahrhundert als auch auf ausgewählte Stationen ihrer Wirkungsgeschichte. Aufklärung als soziale Imagination zu analysieren, ermöglicht neue Erkenntnisse über ihre Entstehung und ihren Durchsetzungserfolg, aber auch über die ästhetischen Qualitäten und Dynamiken der beteiligten Bilder und Texte, Medien und Praktiken.

Was stellen wir uns vor, wenn wir von Aufklärung sprechen, und welche konkreten Vorstellungsbilder verbinden wir damit? Aufklärung ist ein historisches Phänomen und zugleich eine bis heute wirkmächtige soziale Imagination. Um ihre Attraktivität zu verstehen, richtet dieser Band den Blick auf die kollektiv geteilten Vorstellungsbilder der Aufklärung. Er untersucht, mit welchen Mitteln sie erzeugt wurden und werden, wie sie kulturelle Orientierung stiften und wie sie gemeinsame Handlungs- und Denkräume eröffnen. Die Beiträge aus Geschichts-, Kultur- und Literaturwissenschaft, Kunstgeschichte und Soziologie beziehen sich sowohl auf die Formationsphase der Aufklärung im 18. Jahrhundert als auch auf ausgewählte Stationen ihrer Wirkungsgeschichte. Aufklärung als soziale Imagination zu analysieren, ermöglicht neue Erkenntnisse über ihre Entstehung und ihren Durchsetzungserfolg, aber auch über die ästhetischen Qualitäten und Dynamiken der beteiligten Bilder und Texte, Medien und Praktiken.

Theorieskizze und interdisziplinäre Studien

Aufklärung als soziale Imagination

From Media Shy To Media Savvy

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