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A warm, sharply written memoir about embracing one's truest self in a world that demands gender fit in neat boxes.

A warm, sharply written memoir about embracing one's truest self in a world that demands gender fit in neat boxes.

Radclyffe O: Frighten the Horses

Frighten the Horses

A Memoir of Transition

Chosen Family

A collaboration between Jess T. Dugan (photographer of To Survive On This Shore) and curator Charlotte Cotton, Love Pictures centers around conversations about themes informing Dugan’s practice, including gender and identity, family and politics, writing and language, relationships and community, the book as object, and the dynamics of the exhibition space. These initial dialogues then prompted subsequent conversations with others in Dugan’s and Cotton’s respective communities: friends, colleagues, mentors, and subjects of Dugan’s work—including Dawoud Bey, Kelli Connell, Dorothy Moss, and Catherine Opie, among others. Transcriptions of these intimate and in-depth exchanges are woven with the first comprehensive survey of Dugan’s work in book form. Dugan's work is in the permanent collections of over sixty museums, including the Denver Art Museum, Getty Research Institute, Harvard Art Museums, International Center of Photography, Leslie/Lohman Museum of Gay and Lesbian Art, Minneapolis Institute of Art, Museum of Fine Arts Boston, Museum of Fine Arts Houston, Nelson-Atkins Museum of Art, National Gallery of Art, and San Francisco Museum of Modern Art.

Jess T. Dugan and Charlotte Cotton: Love Pictures

Why the Fight for LGBTQ+ Equality Is Not Yet Won and What We Can Do About It

Outrage

This reframes the familiar concept of love languages as a more fluid and flexible method of communication that we all engage with at different times, in different moods, and with different people. From romantic partners to close friends, from family to co-workers, this book shows how love languages don't have to be a one-size-fits-all approach. Existing love languages are re-examined and new ones introduced as equally powerful tools for expressing respect, admiration, and care in our most valued relationships.

A Fresh Look at the Languages of Love

Love Lessons

THESE VIOLENT DELIGHTS meets THE GILDED WOLVES in this historical fantasy set in a darkly twisted 1920s Harlem, THIS RAVENOUS FATE is an enemies-to-lovers sapphic love story that transcends death itself.

a decadent romantic fantasy set in Jazz Age Harlem!

This Ravenous Fate

Unti Nonfiction

We Call Them Witches

A Death on Location

Ginmokusei

Ubuki has taken over Ginmokusei, a long-established haberdashery in Ginza, he inherited from his grandfather. But unlike when his grandfather was in charge, the shop is now dead!
So when a handsome man named Theo comes to visits the shop, Ubuki is elated! But his joy is cut short when he is told that his customer service is not up to par.

Ubuki has taken over Ginmokusei, a long-established haberdashery in Ginza, he inherited from his grandfather. But unlike when his grandfather was in charge, the shop is now dead!
So when a handsome man named Theo comes to visits the shop, Ubuki is elated! But his joy is cut short when he is told that his customer service is not up to par.

Haberdashery Ginmokusei, Part 1

"From TikTok phenomenon Whitney Hanson, a revised edition of her bestselling Climate, now with a new introduction and more than a dozen new poems i don't worry about the weather anymore when it rains, i dance when the sun shines, i dance through it all, i will dance -from Climate Honest, poignant, and relatable, Climate is a journey in embracing change both internally and externally. It guides us through all the weather we may face, from the stormy heartbreak to the foggy mental space to the sunny other side. Climate reminds us to embrace it all. The only constant in life is change, and that is a beautiful thing"--

Climate

Yale Drama Series

The seventeenth winner of the Yale Drama Prize, a deeply personal celebration of trans identity and the magic it takes to define yourself in our world &nbsp; After one night together in the desert, Grace uproots their life to chase after Brahm, a person who is slowly becoming a cactus. Not known for having a green thumb, Grace tends to Brahm and the seeds of their own doubt. Can the desert be a place for love to grow, or are they both just waiting for rain? This deeply personal play aims to provide nourishment to those hiding in the shadows and create a space of recognition and magic for all. &nbsp; Of this year’s prizewinning play, Yale Drama Prize judge and award-winning playwright Jeremy O. Harris says, “In this time of immense political and social upheaval when it feels as though hopelessness is a cloud that hangs heavy over all our interactions, this dry spell hit me like a cleansing rain.”

this dry spell

Frighten the Horses

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