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sonnets

Oxford World's Classics

'I never knew—I never imagined what mountains were before.' History of a Six Weeks' Tour (1817) is a volume of travel-writing by Mary Wollstonecraft Shelley and Percy Bysshe Shelley, two of the best-known authors of the English Romantic period. Comprising prose narrative, correspondence, and poetry, it is a highly engaging account of their 'adventures and feelings' during two journeys from England to Switzerland. The first part of History describes the titular 'tour' made by the not-yet married Mary and Percy in July-September 1814, when mainland Europe was once again accessible to British travellers at the end of the Napoleonic wars. The long descriptive letters which make up the second part of History recall the so-called 'Frankenstein summer' of 1816, some of which the Shelleys spent with Byron on the shores of Lake Geneva. This part of History also provides significant biographical and historical context for Mary's novels Frankenstein (1818) and The Last Man (1826), key sections of which are set in the Alps, and for two of Percy's most canonical poems, 'Hymn to Intellectual Beauty' and 'Mont Blanc', the second of which was published for the first time in History. This edition includes an introduction, detailed notes, maps, and appendices, placing the book in its historical and cultural context and showcasing the Shelleys' collaborative writing process. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

History of a Six Weeks' Tour (1817) is a volume of travel-writing by Mary Wollstonecraft Shelley and Percy Bysshe Shelley. Comprising prose narrative, correspondence, and poetry, it is a highly engaging account of their 'adventures and feelings' during two journeys from England to Switzerland at the end of the Napoleonic Wars.

Through a part of France, Switzerland, Germany, and Holland: with Letters Descriptive of a Sail Round the Lake of Geneva, and of the Glaciers of Chamouni

History of A Six Weeks' Tour

Dressays is an anthology of thought-provoking essays exploring how clothing can reveal the complex, deeply felt bonds we have with ourselves, our communities and the worlds through which we move. These deeply personal narratives demonstrate how, whether saturated with emotion or charged with political significance, dress both bears and shapes meaning. Collectively, they show how dress is as inextricable from shared cultures and histories as we are from the garments we wear. The contributions in this anthology articulate what is often felt but not seen when it comes to dress: how it ties us to other people, how it hides us even as it makes us visible, and how it helps us navigate and participate in our communities. They offer insight into a wide spectrum of human experiences, including how clothes relate to experiences of disability, chronic illness, religious faith, self-alienation and grief; of caring for a loved one, of being racialised, of coming to terms with one's sexuality, and of custodianship of the natural world. By revealing how garments and accessories form the threshold of our experience of the world, these essays show just how entangled with both they are.

An Anthology of Writing about Clothing

Dressays

'Your book is the "really good book. Just one" that Roger Butler would have wanted' - Sir Ian McKellen 'Absorbing and often very moving' - Peter Parker, Spectator 'Sir, we are homosexuals . . .' So began the letter penned by Roger Butler and sent to several British newspaper editors - some of whom were so shocked they thought it was a hoax - in June 1960. Writing such a letter seven years before the decriminalisation of homosexuality was a radical and dangerous move. It was a risk that set a major milestone in the fight for gay rights - one that has been almost entirely forgotten. This is the story of the first man to come out voluntarily, using his own name, to the entire British public, a decade before activists started petitioning gay people everywhere to 'come out proud'. Taking us through a criminalised underworld of gay pubs, parties and activist meetings, The Light of Day charts how Roger helped bring about the legalisation of homosexuality, but soon found himself marginalised from the movement he kickstarted after losing his sight in his early 30s. Enter Christopher - a student asked to visit and read to an old, blind man at the beginning of a new century. As their intergenerational friendship bloomed, Roger came to trust Christopher with his most precious possession: memoirs of his revolutionary past, locked away in his home. After Roger's death, Christopher opened a series of unsent letters, left in a pink folder, addressed to him. They contained Roger's final wish, for Christopher finally to bring his remarkable, hidden story into the light of day. 'Remarkable . . . a splendidly sprawling part biography, part autobiography, part history and part social commentary . . . the result, a true account, benefits greatly from a lightness, a candour untethered to any agenda or argument' - Times Literary Supplement 'Faithfully and beautifully told' - Mail on Sunday

the moving true story of the first man to come out as gay

The Light of Day

"A poet renowned for her "wit and complexity" (Poetry Foundation) explores the endless evolution and malleability of life on earth in her most curious, inventive collection to date Aren't we all shape-shifters? Is any animal, vegetable, or mineral-even a commonplace object-what it seems to be at any given moment? Who isn't juggling constant transformations, conflicting roles, changing loyalties, loves, perceptions, and selves, all while being pummeled by shifting devotions, emotions, and obsessions? Do even the dead continue to evolve in surprising ways? Reveling in these questions, Gerstler's latest protean poetry collection includes loose sonnets, shapely praise of Mae West, the lament of an actor who can't shed his costume, dramatic monologues, whiffs of gender slippage, a love lyric to the bride of Frankenstein, a lullaby for adults, and a ten-minute play"--

A poet renowned for her “wit and complexity”&nbsp;(Poetry Foundation) explores the endless evolution and malleability of life on earth in her most curious, inventive collection to date Aren’t we all shape-shifters? Is any animal, vegetable, or mineral—even a commonplace object—what it seems to be at any given moment? Who isn’t juggling constant transformations, conflicting roles, changing loyalties, loves, perceptions, and selves, all while being pummeled by shifting devotions, emotions, and obsessions? Do even the dead continue to evolve in surprising ways? Reveling in these questions, Gerstler’s latest protean poetry collection includes loose sonnets, shapely praise of Mae West, the lament of an actor who can’t shed his costume, dramatic monologues, whiffs of gender slippage, a love lyric to the bride of Frankenstein, and a ten-minute play.

Is This My Final Form?

Gemini Gift Women's Poetry

Explore the enigmatic life and poetry of a timeless figure in American literature, Emily DickinsonLuxury gift edition includes ribbon and sprayed edgesThis volume offers an insight into Dickinson's most iconic poems. With over 100 poems organised into thematic sections which illuminate her contemplations on individuality, spirituality, nature, love and the afterlife.From the haunting stillness of 'Because I Could Not Stop for Death' to the vibrant celebration of nature in 'A Narrow Fellow in the Grass', this collection explores the historical and social context behind each.Curated by poet and literary critic Pelé Cox, readers are offered a greater understanding of Dickinson's solitary life and the quiet genius that has captivated generations of readers.Women in PoetryPairing powerful poems with illuminating literary criticism, Pelé Cox celebrates the work and lasting influence of some of the most important women in poetry. The perfect gift for literary lovers.

Over 100 poems on life and love

Emily Dickinson

Following the success of her Diary of a Romantica series, Celia Martinez returns to further explore love and all of its magnificent beauty. In A Magnificently Ordinary Romance (AMOR), self-proclaimed hopeful romantic Celia Martinez poetically tells the story of a man and woman who fall in love too quickly, only to realize--rather chaotically--that they are coworkers who work in the same building. What do they do to overcome the situation? They write, but not to each other... A charming and heartfelt exploration of love and miscommunication from young people healing, growing, and exploring love in all its forms, AMOR is a kind shoulder to lean on when your tired heart needs rest and understanding.

A Poetry Collection

A Magnificently Ordinary Romance

Two roads diverged in a wood, and I-I took the one less travelled by,And that has made all the difference.-Robert Frost

Poems to Change Your Life – Poetry for Life, Business, and Inspiration

The Poetry Business School

100 Poems

This collection of 100 poems is here to be your biggest cheerleader. Whether you need a push towards inspiration for the big or little things in life, there's a poem to help you through it. From calling on a higher power for support and reminders of who you are to meditations on the difference between confidence and arrogance, there are a variety of perspectives to learn from in this collection.

100 Poems to Grow Your Confidence

Goatsong

Looking at Women, Looking at War

'A beautiful and immensely powerful book about love, grief and finding a way to be in a forever altered world' Julia Samuel 'The Flower Bearers goes to some dark places, but there is joy, too . . . simultaneously a love story, a portrait of sisterhood and a visceral depiction of violence, loss and emotional devastation' Guardian On September 24, 2021, Rachel Eliza Griffiths married her husband, the novelist Salman Rushdie. On the same day, hundreds of miles away, her closest friend, Kamilah Aisha Moon, who was expected to speak at the wedding, died suddenly. Eleven months later, as Rachel Eliza was learning to exist without her, a brutal attack nearly killed her husband. As trauma compounded trauma, Rachel Eliza realized that to survive her heartbreak, she would need to mourn not only her friend, but the woman she had been on her wedding day. And so Rachel Eliza chronicles her seventeen years of friendship with Aisha. From the moment they met in a college library, she knew she had found a soul sister. Their life together was filled with music: they danced to records in their apartments and skipped from one sticky jazz bar to another. Sitting side-by-side at poetry circles, reading Toni Morrison and Alice Walker, marching through Harlem protesting lost Black lives, Rachel Eliza drew inspiration and strength from her friend. Together they learnt to embrace themselves, as writers, artists, and Black women. Rachel Eliza interweaves this love story with another, that of her relationship with Rushdie, of the challenges they have faced and the depth of their connection. Celebrating the ways that these two extraordinary people have transformed her life, she reflects on the beauty and pain that come with opening oneself fully to love.

The Flower Bearers

Joy Is My Middle Name

frank

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