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When I Was That Age Did Art Exist?

Essays

Stories of a writing life

Backstage

Nothing at All

A beautiful, beguiling memoir of growing up in a family marred by addiction but saved by love Nine years after her father's death, Helen holes up in her childhood home with her mother for a summer of eating, talking, telling stories and confronting ghosts. She unlocks the tragedy of her parents' marriage, her father's alcoholism, and how the emotional weather of childhood shaped the impulses of the young woman she has become. Funny and sorrowful, Helen is an attentive observer of lost boys, dead dads, children left to their own devices, and particularly her own mother, whose own gift for narrative is a complicated inheritance. 'Heartbreak is not so bad,' Helen's mother muses on a wet summer's day in southwest England. 'But a walled-up heart... why stay suffering?' In her childhood home, her father's briefcase, his office, and finally his desk - untouched since his death - loom in the wet atmosphere. She begins to open the drawers.

Things in Every Room

In the 1940s, it was believed that homosexuality had been becoming more widespread in the aftermath of war. A moral panic ensued, centred around London as the place to which gay men gravitated. Peter Parker's fascinating new compendium explores what it was actually like for queer men in London in this period, whether they were well-known figures such as Francis Bacon, Joe Orton and Kenneth Williams, or living lives of quiet - or occasionally rowdy - anonymity in pubs, clubs, more public places of assignation, or at home. It is rich with letters, diaries, psychological textbooks, novels, films, plays and police records, covering a wide range of viewpoints, from those who deplored homosexuality to those who campaigned for its decriminalisation. This second volume, from 1960 to 1967, shows how key elements in British society gradually changed their views on homosexuality, resulting in the landmark 1967 act by which it was no longer considered a crime if it took place between adults in private. This did not end violence, discrimination and prejudice, but it at least curbed official persecution. Some Men in London is a testament to queer life and its thriving, joyous subculture - a subculture without which the 1960s would have been immeasurably impoverished.

Some Men In London: Queer Life, 1960-1967

The Yale Nonfiction Book Prize

From the inaugural winner of the Yale Nonfiction Book Prize, a riveting exploration of illness and medicine that imagines a more humane form of care &nbsp; “What was wrong with them? That’s what we wanted to know.” So begins Jonathan Gleason’s prizewinning collection of essays on the human lives behind the corporate, legal, and cultural practices that shape disease. Drawing on his experiences as a medical interpreter and patient, and on a decade of historical research, he illuminates a stunning range of topics, including the racial dimensions of organ donation, the past and present of the AIDS crisis, the troubled relationship between state violence and mental illness, and the trial of a doctor accused of murdering his patients. Gleason shows how medicine is influenced, compromised, and enlivened by the cultural narratives, historical contexts, and complicated people who practice it. In her foreword, Meghan O’Rourke, judge of the Yale Nonfiction Book Prize, writes that “illness is often framed as a crisis to endure or overcome on the way back to a restored ‘intact’ self. But as Gleason’s work reminds us, illness is also a way of knowing. His essays speak to the precarious beauty of that knowing, and to the ways it connects us—to history, to culture, to one another.”

Field Guide to Falling Ill

Heartland Rock and the Fight for America

Won't Back Down

The Anatomy of Love

The Power and Beauty of Noticing

Turning to Birds

Canons

How do you prepare yourself, all alone, to enter an extraordinary state on an ordinary morning? In The Writing Life, Pulitzer Prize winning author Annie Dillard offers up her own trials in the pursuit of inspiration: the absurdity, the fierce determination and the sacrifices (warm feet; gainful employment; peace of mind). Her perennial guide, which wrestles with the hubris and insanity of the creative process, has been an inspiration and a comfort to writers for nearly forty years.

The Writing Life

THE SUNDAY TIMES AND NEW YORK TIMES BESTSELLERThe renowned author returns with a timely book about his journeys to three sites of conflict - Dakar, South Carolina, and Palestine - exploring how the stories we tell, and the ones we don't, shape our realities. 'A politically-charged meditation on the power of stories' Guardian ***Ta-Nehisi Coates originally set out to write a book about writing, but soon found himself grappling with deeper questions about the destructive myths that shape our world. First we join Coates on his inaugural trip to Africa - a journey to Dakar, where he finds himself in two places at once: a modern city in Senegal and the ghost-haunted country of his imagination. He then takes readers to Columbia, South Carolina, where he reports on the banning of his own work and the deep roots of a false and fiercely protected American mythology - visibly on display in its segregationist statues. Finally in Palestine, Coates sees with devastating clarity the tragedy that grows in the clash between the stories we tell and reality on the ground. Written at a dramatic moment in American and global history, this work from one of our most important writers is about the urgent need to embrace the liberating power of even the most difficult truths. ***'An earnest and intimate exploration of locations of extreme injustice' Oprah Daily

When I Was That Age Did Art Exist?

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