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Robinson D: Western Translation Theory
from Herodotus to Nietzsche

Western Translation Theory from Herodotus to Nietzsche

SUNY series in Contemporary Continental Philosophy

Original essays on Hans-Georg Gadamer's hermeneutical aesthetics and philosophy of art, written by some of the most important authors in this field, disclosing the possibility of a renewed understanding of Gadamer's thinking in the context of current aesthetic debates.
Hans-Georg Gadamer was one of the greatest intellectual figures of the twentieth century. As a philosopher trained in phenomenology, he established philosophical hermeneutics as one of the leading traditions of contemporary philosophy and opened new paths for philosophical reflection. Within the many dimensions of Gadamer's vast, complex, and multifaceted thinking, a special role is played by the question concerning the relevance of the various arts and the centrality of aesthetic experience in human life. Despite being one of the most relevant voices of twentieth-century philosophy, Gadamer's hermeneutics has at times been overlooked in contemporary philosophical debates. The firm conviction at the basis of this volume is that Gadamer's thought is still relevant today, especially regarding aesthetic questions concerning the persistent meaning and truth of art in the age of what he called "the shadow of nihilism" and in the age of the so-called "end of art." In contrast to the claim that Gadamer's philosophy is "anti-modern," or allegedly "out of date" in comparison to other philosophical approaches to aesthetic questions, Gadamer on Art and Aesthetic Experience aims to show that a renewed and critical confrontation with Gadamer's aesthetic thinking can offer stimulating and penetrating insights to understand the role of art in contemporary society in all its transformations and its challenging manifestations.

Rethinking Hermeneutical Aesthetics Today

Gadamer on Art and Aesthetic Experience

This volume considers how the act through which historians interpret the past can be understood as one of epistemological and cognitive translation. The book convincingly argues that words, images, and historical and archaeological remains can all be considered as objects deserving the same treatment on the part of historians, whose task consists exactly in translating their past meanings into present language. It goes on to examine the notion that this act of translation is also an act of synchronization which connects past, present, and future, disrupting and resetting time, as well as creating complex temporalities differing from any linear chronology. Using a broad, deep interpretation of translation, History as a Translation of the Past brings together an international cast of scholars working on different periods to show how their respective approaches can help us to better understand and translate the past in the future.

Case Studies from the West

History as a Translation of the Past

A deep dive into the nature of translation from one of its most acclaimed practitioners &nbsp; “Searls’s philosophy is ultimately one of freedom—to move beyond mere equivalence, to translate how a text communicates rather than simply what it says.”—Max Norman, New Yorker &nbsp; Avoiding theoretical debates and clichéd metaphors, award‑winning translator Damion Searls has written a fresh, approachable, and convincing account of what translation really is and what translators actually do. As the translator of sixty books from multiple languages, Searls has spent decades grappling with words on the most granular level: nouns and verbs, accents on people’s names, rhymes, rhythm, “untranslatable” cultural nuances. Here, he connects a wealth of specific examples to larger philosophical issues of reading and perception. Translation, he argues, is fundamentally a way of reading—but reading is much more than taking in information, and translating is far from a mechanical process of converting one word to another. This sharp and inviting exploration of the theory and practice of translation is for anyone who has ever marveled at the beauty, force, and movement of language.

The Philosophy of Translation

Alternative Sinology

Conceptualising China Through Translation

Fundamentals of Translation

Routledge Studies in Empirical Translation and Multilingual Communication

Fukuno illuminates the often-hidden journeys of individual translators and the moral, emotional and ideological complexities of their practice. It will help empower translators' moral autonomy in translation practices.Recognising and understanding translators' ethically and morally interpretive work cannot eliminate all uncertainties in inter- and cross-cultural communications, nor can it make the black box of translators' work completely transparent. However, to construct a meaningful discussion on how human translators, machine translation and people everywhere can cooperate to create a more just society, it is essential to acknowledge the diverse values, identities and practices as they are held, imagined and experienced by professional, human translators.This book will be valuable to all students and researchers of translation and intercultural communication.

Unpacking the Black Box of Translation Practice

Humanising Translator Ethics

Bloomsbury Advances in Translation

"Dissecting the radical impact of Walter Benjamin on contemporary cultural, postcolonial and translation theory, this book investigates the translation and reception of Benjamin's most famous text about translation, "The Task of the Translator", in English language debates around 'cultural translation'. It offers a clearer picture of the translation and reception processes that have generated the immense impact of Benjamin on contemporary cultural theory, as well as new perspectives for a way of reading that re-shapes the canonized texts themselves and holds the potential of disturbing, shifting and enriching their more 'traditional' readings"--

Examining a Controversial Legacy

Walter Benjamin and Cultural Translation

T&T Clark Handbooks

T&t Clark Handbook of Biblical Thomism

How is music affected by its translation, interpretation and adaptation with, through, and by dance? How might notation of dance and music act as a form of translation? How does music influence the creation of dance? How might dance and music be understood to exchange and transfer their content, sense and process during both the creative process and the interpretative process?


 Bringing together chapters that explore theory and practice, this book questions the process and role translation has to play in the context of music and dance. It provides a range of case studies across this interdisciplinary field, and is not restricted by genre, style or cultural location. As one of very few volumes to explore translation in relation to music and to overtly tackle this topic in terms of dance, it moves the argument from a broad notion of text and translation, to think critically about the sound and movement arts of music and dance, using translation as a model to better understand the collaboration of these art forms.

Music, Dance and Translation

Bloomsbury Studies in Classical Reception

Translations by Camillo Sbarbaro and Giovanna Bemporad

Greek Tragedy in 20th-Century Italian Literature

Apuleius' De Mundo ('On the Cosmos') has never been published in English translation. One reason for this may be that it has itself been viewed as a mere translation of a work that survives in the Aristotelian corpus, the Peri Kosmou (traditionally, but confusingly in this context, referred to as the De Mundo). But greater sensitivity both to the ideological implications of 'translation' (no translation is ever a 'mere' translation) and to the nuanced philosophical debates of the second century CE ought already to suggest that the work will have a lot to teach us-and all the more just because we have the Greek text it is working with. This volume offers the first English translation of the De Mundo, which it presents in parallel with a new English translation of the Aristotelian Peri Kosmou by the same team, so that even readers without Latin or Greek can get a keen sense of how the two works relate-and how substantially they diverge. It is accompanied by a series of ten new scholarly studies introducing the work and setting out a broad range of approaches to its study. Together they make a powerful case that the De Mundo is deeply informed by Apuleius' Platonism, especially a view of providence which differs substantially from that of the Peri Kosmou, and that it is an important text for understanding philosophical debate in the second century CE.

Apuleius on the Cosmos

Literatures, Cultures, Translation

Explores how Russian literature kindled the American imagination in the 20th century, told through case studies of émigré literary translators and editors.

Translators of Russian Literary Fiction, 1863-1984

Invading the American Canon

Western Translation Theory from Herodotus to Nietzsche

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