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Aperture Ideas

"A collection of essays by Sunil Gupta offers an unparalleled firsthand account of the influential photographer and curator's practice since the 1970s"--

Gupta Sunil: We Were Here: Sexuality,
Photography, and Cultural Difference

We Were Here: Sexuality, Photography, and Cultural Difference

Selected essays by Sunil Gupta

"In her collection Strange Hours, the writer Rebecca Bengal considers over a century of photography that has defined our relationship to the medium. Through generous and in-depth essays, profiles, reviews, and interviews, Bengal contemplates photography's narrative power, from the radical intimacy of Nan Goldin's New York demimonde to Justine Kurland's pictures of rebel girls on the open road. Bengal brings us closer to several pioneering artists and the personal, political, and poetic stories that surround their photographs. Throughout Strange Hours, Bengal's prose is attentive to the alchemy of experience, chance, and pioneering vision that has always pushed photography's potential for unforgettable storytelling"--

Strange Hours: Photography, Memory, and the Lives of Artists

This is a collection of essays, reviews, and lectures - some of which have gained a cult following due to online postings by Tod Papageorge, one of the most influential voices in photography today.

Writings on Photography

Core Curriculum

Vicki Goldberg, one of the leading voices in the field of photography criticism, is well known for her cogent and perceptive writing, which is regularly featured in such national publications as "The New York Times." First published in 2005, "Light Matters" gathers a selection of this remarkable author's essays and criticism, culled from her writings published over the previous 25 years. Goldberg's take on photography is both insightful and encompassing: her subjects range from pop imagery to war journalism, from photo-booth portraits to manipulated digital imagery, from the boredom of voyeurism to the great preponderance of tragic photographs in the news. She brings new light to the work of the medium's "old masters," among them Walker Evans, Lotte Jacobi and Lartigue, writing with equal acuity about contemporary trailblazers such as Bill Viola, Daido Moriyama and Bastienne Schmidt. Goldberg also tackles provocative larger issues facing the medium, such as the potentially transgressive nature of photographs, and the camera's powerful role in a culture of commodification. Dismissing clichés and deftly negotiating the many diverging paths photography now follows, Goldberg demonstrates how to consider not just photographic images themselves, but their impact, and the meaning of that impact. "Light Matters" showcases a writer of great intelligence, wit and insight, whose understanding of this multifarious and evolving medium is unsurpassed. Vicki Goldberg is the author of numerous books, including "The Power of Photography: How Photographs Changed Our Lives" (1991). In 1997, she received the International Center of Photography's prestigious Infinity Award.

Light Matters

Twenty years ago, before the era of digital cameras, cell phones and the internet, Fred Ritchin outlined many of the ways in which the digital age would transform society. "In Our Own Image "was the first book to address the coming revolution in photography, and asked pointed questions that are increasingly relevant today, including whether democracy can survive the media's facile use of digital means. By the time a second edition was published in 1999, many of Ritchin's predictions had come true. Computer embellishment of imagery had become a staple in the media and had significantly diminished photography's role as a credible witness: "Newsday" had published the first "future" news photograph of two feuding ice skaters as they would meet the next day, and on its cover, "Time "magazine darkened and blurred an image of O.J. Simpson in order to lift "a common police mug shot to the level of art, with no sacrifice to truth." Now Aperture reissues this seminal text, which has continued to shape the debate about digital imaging since its initial publication. This twentieth-anniversary edition features a preface by the author that contextualizes the book for a contemporary audience. Fred Ritchin is Professor of Photography and Imaging at New York University's Tisch School of the Arts. He was picture editor of "The New York Times Magazine "(1978-82) and the founding director of the Photojournalism and Documentary Photography Program at the International Center of Photography (1983-86). Ritchin is the author of "After Photography "(2009), as well as numerous essays and the blog afterphotography.org.

In Our Own Image

If looking at photographs is a pleasurable activity, it is pleasurable in a complex, transformative, frequently unsettling sense. It is not pleasure unalloyed, for no profound pleasure is pure…Like many truly enriching pleasures…photography has its dark, troubling, even dangerous aspects. –Gerry Badger The Pleasures of Good Photographs is an intellectual and aesthetic excursion led by Gerry Badger, one of the field's eminent critics and popular writers and the author of more than a dozen books including both volumes of The Photobook: A History. In this new volume of essays, Badger offers insight into some of his favorite images, artists and themes, drawing upon nearly three decades of experience writing and thinking about photography. With deep discernment and a readable blend of scholarly finesse and wit, Badger elucidates works by dozens of photographers, from Dorothea Lange and Eugène Atget to Martin Parr, Luc Delahaye, Susan Lipper and Paul Graham. Among the broader topics discussed are the photobook, where Badger believes photography sings its loudest and most complex song, and Photoshop's role in art-making. An interlude at the heart of the book pairs the author's evocative meditations with nearly a dozen particular images. Alongside some of Badger's classics, The Pleasures of Good Photographs showcases primarily new essays, making it an important addition to the canon of photographic writing.

The Pleasures of Good Photographs

We are pleased to announce Aperture's reissue of "Crisis of the Real," Andy Grundberg's classic collection of writings on photography-an essential work for anyone seeking clarity and insight into photography's place in today's world. Known internationally for his articles in "The New York Times" and other publications, Andy Grundberg has been one of the most respected and widely read voices in photography and the visual arts for nearly 30 years. His interpretations and critical opinions have helped shape the broad understanding of photography's complex roles in art and the media. Over the course of the 50 essays and articles in this authoritative collection, Grundberg questions the nature of photography and how we perceive it, reevaluates some of the great photographers of our time and brings into focus the major debates in photography at the end of the twentieth century. Although some essays were originally written more than 30 years ago, the issues and concerns addressed by Grundberg remain relevant today.

Crisis of the Real

By Peter C. Bunnell. Foreword by Malcolm Daniel.

Writings on Twentieth-Century Photography

Inside the Photograph

In Photography After Frank, former New York Times writer and picture editor Philip Gefter narrates the tale of contemporary photography, beginning at the pivotal moment when Robert Frank commenced his seminal works of the 1950s. Along the way, he connects the dots of photography's evolution into what it is today, forging links between its episodes to reveal unsuspected leaps. Gefter takes Frank's The Americans as a decisive challenge to photographic objectivity, with its grainy, off-hand-seeming spontaneity and its documentation of life beyond the picket fence. Thus viewed, The Americans provides Gefter with a bridge to the phenomenon of the staged document and Postmodernism's further challenge to image fidelity. Other areas of discussion include photojournalism, the recent diversity of portraiture styles, the influence of private and corporate collections on curatorial decisions and how the market shapes art making. Throughout Photography After Frank, Gefter deftly demonstrates Frank's legacy in the work of dozens of important individual artists who followed in his wake, from Lee Friedlander and Nan Goldin to Stephen Shore and Ryan McGinley. The book includes texts written exclusively for this publication as well as essays drawn from Gefter's critical writings, reviews and even obituaries. Photography After Frank offers a page-turning approach to a subject that will appeal to students and art world aficionados alike.

Photography After Frank

On Photography and Social Media

The Social Photo

Focusing on the presence of the photographer's gaze as an integral part of constructing meaningful images, Roswell Angier combines theory and practice, to provide you with the technical advice and inspiration you need to develop your skills in portrait photography.

A Practical and Theoretical Introduction to Portrait Photography

Train Your Gaze

Marking the fortieth anniversary of the duo's first release--"West End Girls"--Pet Shop Boys Volume presents the group's entire visual output to date in a contemporary literary format.

PS Volume

Photography and Film in the Fiction of J. M. Coetzee

Photography, Film, and the Politics of Representation

War Faces on Screen

Routledge Research in Art History

Diversifying the current art historical scholarship, this edited volume presents the untold story of modern art by exposing global voices and perspectives excluded from the privileged and uncontested narrative of "isms."

Historical Narratives of Global Modern Art

Disruptions

Considering the visual coverage of the war in Ukraine, this book provides critical insights into how newsrooms make use of visual materials, how visuals partake in journalistic storytelling in a modern wartime context, and how visual journalism practices affect the news media's role as arbiter of accuracy and ethics.

Norwegian and Swedish News Outlets Covering Ukraine

Visual Journalism and Verification at War

The Universe at Our Feet

Macro Photography

Drawing on original research and industry experience, this book studies the historical debates and controversies underpinning photojournalism and those facing it today.

We Were Here: Sexuality, Photography, and Cultural Difference

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