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Byrne J: Useful Art

Useful Art

How Activist Artists Can Change the World

'The book we need right now' (David Tennant) - How to change minds, including your own

Six Conversations We're Scared to Have

A revised and updated edition of the ground-breaking work that became an essential read for non-Indigenous scholars and activists seeking solidarity with Indigenous struggles across the world

Dilemmas and Directions for Supporters of Indigenous Struggles

Decolonizing Solidarity

British Screen Stories

The Story of British Video Activism

A vast and fascinating chronicle of how gender and sexuality has been used to divide people around the world over the last fifty years &gt;"New movements are alive and moving in the world. Human beings in struggle are creating new feminisms, changing sexualities, and defying genocide. Hope stalks the heart. We have written this book for these new movements." --from the introduction The Sexual Politics of Capitalism offers a groundbreaking examination of how the global elite has used gender, sexuality, and violence to maintain control. Anthropologist Nancy Lindisfarne and writer Jonathan Neale trace the devastating effects of these tactics, showing how issues of gender and sexuality have been weaponized, especially since the 1980s, to make inequality appear inevitable, keeping the powerful in power and the marginalized fighting for survival. Spanning the globe, Lindisfarne and Neale explore the lived experiences of those on the front lines of this struggle. From mass incarceration in the United States to the resilience of queer communities in China, from Black women's battles for AIDS medication in South Africa to the fight against toxic masculinity in world leaders like Putin, Modi, Trump, and Netanyahu, this book provides a sweeping yet deeply personal account of resistance. The authors draw connections between diverse movements--union women in Nicaragua, farmers' widows in India, and bar workers in Vietnam--showing how global forces of capitalism exploit gender and sexuality to maintain power. At the same time, The Sexual Politics of Capitalism shines a light on the ongoing revolts against sexual harassment, rape, and reproductive injustice, as well as the fight for trans rights in the United States. With meticulous research and a passionate call for change, The Sexual Politics of Capitalism is more than a history--it is a manifesto for liberation. The authors invite readers to feel the grief and rage sparked by decades of oppression but also the solidarity and hope inspired by the global movements rising up in response. This radical work challenges us to confront the intimate and structural forces shaping our world and to join the fight for a more just and equitable future.

A Global History, 19802025

The Sexual Politics of Capitalism

A Clean Hell opens the doors of America’s most secretive prison and lets the reader step into the cell to experience all the horrors the Federal Bureau of Prisons tries to keep hidden underground.
In 1995 the Bureau of Prisons opened the ADX, its “escape-proof” supermax prison in Florence, Colorado. The nation’s most secure supermax prison, it was meant to hold the most high-profile prisoners. The “Alcatraz of the Rockies” has since been home to World Trade Center bombers, Oklahoma City and Boston Marathon bombers, gang leaders, disruptive prisoners, and those deemed “enemies of the state.”
Now, thirty years after the ADX first opened, A Clean Hell offers readers an up close and personal look at life in the most restrictive prison in the United States. After defying the odds and beating the government in a crooked criminal trial, antifascist prisoner Eric King found himself inside the ADX for eighteen months at the end of a ten-year bid. In telling his story of his trial and life inside this underground supermax, Eric vividly captures what life inside ADX is like for both the most infamous prisoners, as well as those prison rebels you have never heard of.
Whether you’re facing time in a federal prison, have clients or loved ones locked inside the ADX, are concerned about the United States prison machine, or are an abolitionist combating the carceral state, A Clean Hell presents a clear picture of survival under the most restrictive levels of state repression. It is both an indictment of American atrocities and an invitation to fight back.

Anarchy and Abolition in America's Most Notorious Dungeon

Clean Hell, A

This book is a blueprint for artists looking to engage with activist movements with a persistent longevity and a reminder that art has the power to be more dangerous than words.
Front Lines: A Lifetime of Drawing Resistance is Susan Simensky Bietila's story of her six decades as a movement artist and activist and a lifetime of artistic collaborations rooted in her activist experience. Growing up during McCarthyism, she rejected the nationalist masculinity of elite art and conformist culture and found feminism and collectivism as new forms of resistance. She became an artist in the New Left, creating illustrations for radical underground publications including RAT, Subterranean News, and comics for the anarchic World War 3 Illustrated.
With more than one hundred images, Front Lines documents her art on the page and in action featuring protest banners and giant puppets of birds and fish carried in the streets, masks of notorious dictators for street theater, posters pasted on walls and hung in radical spaces, community art builds, and more. Visual storytelling and detailed captions contextualize and bring to life her work with movements including antiwar protests during the Viet Nam era, Indigenous led antimine and antipipeline struggles, water protection, immigrant rights, anticorporate globalization convening, protests against the state and capital, Palestinian liberation actions, and collaborations with groups throughout the Great Lakes region and beyond. She agitates from the roots and the front lines to this day.

A Lifetime of Drawing Resistance

Front Lines

Art as worldmaking is both a tribute to the distinguished art historian Alex Potts and a searching response to his important work on realism as a critical aesthetic, most notably the 2013 book Experiments in modern realism. The collection comprises twenty original essays by leading scholars in the field, written from a variety of theoretical and critical perspectives. They test Potts's recasting of realism, developed primarily through interpretations of European and American postwar art, against art produced in different media, places and periods, from eighth-century Chinese gardens to twenty-first-century video work by the Russian collective Radek Community. Individual chapters offer novel readings of classic instances of pictorial realism by Menzel and Eakins, and reconsider the question of nineteenth-century realism's historical antecedents. Overall, though, the volume has a contemporary orientation, in that it is concerned with the questions that sculpture, photography and non-traditional media pose for realism as an aesthetic norm. Featuring contributions from T. J. Clark, Thomas Crow, Briony Fer, Tamar Garb, Lisa Tickner and Anne M. Wagner, along with other established and emerging scholars, Art as worldmaking is a bold contribution to a central question in art theory and history. It is compelling reading for anyone concerned with art's truth value, or more broadly with conceptual problems of representation and the intersections of art and politics.

Critical Essays on Realism and Naturalism

Art as Worldmaking

Food, Health, and the Environment

Expansive and Intersectional Visions

Nurturing Food Justice

A groundbreaking compilation of actual restorative justice dialogues, with a foreword by Howard Zehr, author of the bestselling Little Book of Restorative Justice "America's best-kept secret of what justice should look like." --Howard Zehr, author of The Little Book of Restorative Justice The use of restorative justice is becoming more commonplace around the country. This practice brings victims together with offenders to discuss the impact of the offense, restore breaches of community, and draw up a plan for repair. Unlike proceedings in a court of law that prioritize punishment, restorative justice addresses victims' desire for accountability, understanding, and healing. But it is also a confidential process--rarely videotaped or accessible to those who want to know: What actually happens in a restorative justice session? Restorative Justice Up Close is the first book to relate stories of actual dialogues, in the words of participants. Affecting and direct, the book features stories from K-12 school staff about restorative circles that got to the root of misbehavior without suspensions, and from skeptical police and probation officers who learn that a facilitated dialogue can produce better outcomes than a prosecution ever could. And in stories that will make readers cry, Restorative Justice Up Close recounts meetings between survivors of violent crime and those responsible, where both parties emerge with a sense of relief and healing. A book for educators, justice reformers, and anyone curious about a more humane approach to wrongdoing, Restorative Justice Up Close offers a compelling picture of what it truly means to "do justice."

FirstPerson Accounts of an Approach That Works

Restorative Justice Up Close

Routledge Advances in Sociology

Philanthropy, Art and Society investigates the socio-economic and cultural factors shaping philanthropy, historically and at present, from tax incentives and government policy to norms, values and laws. Critically evaluating the social consequences and impact of philanthropy, the book shows that it is a phenomenon that leads to fundamental changes in the way we think about how to belong, and how we experience the world around us.

Philanthropy, Art and Society

How to Think About Museums: A Guide with Exercises is a lively introduction to the key issues in the contemporary multidisciplinary field of museum studies. It covers the museum profession as a whole, including training, education, research, and practice. The book spans both practical and theoretical aspects of the field and examines the social meanings of museums as public institutions, both historically and in their present, multifaceted forms. Topics of interest include how museums create meaning, produce knowledge, and interact with civic power structures. Other important questions include: <ul> <li>How do museums shape national, local, and other forms of identity? </li> <li>How do museum collecting practices respond to new thinking in material cultures studies? </li> <li>What kinds of knowledge do museums construct and what types of learning occur in them? </li> <li>How do museums reconfigure their colonial pasts? </li> <li>Can museums speak historical and emotional "truth" to the civic power structures that endow and promote them?</li> </ul>

A Guide with Exercises

How to Think About Museums

Useful Art

Informations bibliographiques

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