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Gesamtkatalog

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Looks at feminist resistance in the physical and digital space, exploring strategies and aesthetics that express dissent, as well as subversive uses of technology that support gender equality.

Grammatikopoulou C: Technofeminist
Resistance

Technofeminist Resistance

Aesthetics and Strategies of Dissent from the Streets to the Screens

1.Introduction: Technofeminist Aesthetics and Strategies of Dissent in the Expanded Physical/ Digital Space 2.Viral Gender Performances 3.Performance Activism and Aesthetic of Feminist Resistance 4.TransHackFeminist Strategies to Decolonize the Body 5.Feminist Artificial Intelligence and the Data Activism of Femicide.gr 6.Feminist Networks of Care in Greece 7.Defacing Patriarchy at the Framework of a Greek Feminist Collectivity: The Artivism of stORGI [care/RAGE] by Oestrogones by F. Tsibiridou and Christina Grammatikopoulou 8.Afterword. Technofeminist research as art practice Bibliography Index

Offers an arts-based, storying, textual and visual lens on gender-based violence in the UK and Mexico. This book is a unique image-based bilingual (English and Spanish) book of textual and visual narratives of gender-based violence (GBV) in the UK and Mexico, framed with a critical commentary that sets these stories in the context of GBV in both countries. Visual and textual stories convey the 'felt' experience of GBV, engaging readers and audiences in the apparently mundane as well as the shocking. Such stories help contest the prominence of crime statistics in evidencing GBV, statistics which often distort experience and reflect and maintain exclusionary policies and practices, particularly for minoritised communities. The transnational project on which this book is based invited artists and creative writers from diverse backgrounds in the UK and Mexico to respond to lived accounts of GBV in comic stories, short stories, poems, 3D installations, fine art photography, painting and film. This book brings together these visual and textual stories and sets out a series of readings and analyses that seek to further knowledge on GBV in different cultural contexts. This book is open access under a CC BY licence.

Storying the Immobilities of Gender Violence in the UK and Mexico

Conversations on Race, Justice, and the Future

Until Our Lungs Give Out

The spiky revenge narrative from Lolita's perspective

The Crustacean

Lover Girl

Kent State re-creates the divided cultural landscape of America during the Vietnam War and heightened popular anxieties around the country. On college campuses, teach-ins, sit-down strikes and demonstrations exposed the growing rift between the left and the right. Many students opposed the war, and were uneasy over poor and working-class kids drafted and sent to Vietnam in their place. Some developed a hatred for everything associated with authority, while others resolved to uphold law and order at any cost.
 
Focusing on the thirteen victims of the Kent State shooting and a painstaking reconstruction of the days surrounding it, Brian VanDeMark draws on new research and interviews-including the perspective of National Guardsmen who were there. The result is a complete reckoning with the tragedy that marked the end of the sixties.
&nbsp;
<ul>
<li>Longlisted for the 2024 National Book Critics Circle Award for Nonfiction 
 </li>
<li>A The New Yorker Best Book of 2024</li>
</ul>

An American Tragedy

Kent State

Praise of Psycho Housewives, Stage Parents, Momfluencers, and Other Women We Love to Hate

One Bad Mother

A Biography

Yoko

Through a series of newly-commissioned conversations by renowned artists, writers, and scholars, in produced in collaboration with the Georgia O’Keeffe Museum in Santa Fe, In New Light offers new entry points into the iconic American modernist. An extremely well-known painter and cultural figure, O’Keeffe’s persona and biography have remained as much a part of her story as her innovations within and contributions to modernist painting. What are the questions that need to be asked (and critiques to be raised and considered) about her work and legacy today?
 Included is a fully illustrated summary of O’Keeffe’s work — from very early pieces to her latest paintings, with both significant masterworks as well as less-known pieces. Photographs of the artist, her residence in Abiquiú, and other objects and ephemera in the Museum’s collection appear throughout this chronological plate section.
 In addition to the O’Keeffe Museum, the artist’s work is held in countless major public collections, including the Amon Carter Museum of American Art (Dallas),&nbsp;Art Institute of Chicago, Brooklyn Museum, Cleveland Museum of Art, Milwaukee Art Museum,&nbsp;National Gallery of Art (Washington), and The White House (Washington, DC).

Georgia O'Keeffe: In New Light

Reihe: Wie wir leben wollen

Frauen sind heute alles - Erfinderinnen, Unternehmerinnen, Präsidentinnen. Doch je ambitionierter, erfolgreicher und unabhängiger eine Frau ist, desto mehr hakt es in der Partnerschaft. Ob beim Dating oder in der Ehe - bricht die Rollenverteilung mit den Normen, bleiben diese beeindruckenden Frauen manchmal lieber alleine, statt sich kleiner machen zu müssen. Viele Männer fühlen sich überfordert vom ungewohnten Beziehungsgefälle und verweigern sich einem Update der Rollenbilder.&nbsp;Bianca Praetorius betrachtet den Drahtseilakt der Liebe aus feministischer Perspektive: Warum haben Männer Angst vor starken Frauen? Und was passiert, wenn Frauen&nbsp; 'nach unten' daten? Sie spricht mit betroffenen Frauen und Männern, porträtiert Paare jenseits von Rollenklischees, zeigt den Stand der Forschung und lässt Paartherapeut:innen zu Wort kommen. Ihr Buch liefert wichtige Denk- und Debattenanstöße und entwickelt die Vision gleichberechtigter Partnerschaften - damit die 'Female Success Penalty' nicht der letzte Endgegner im Kampf gegen das Patriarchat bleibt.&nbsp; 'Zu wenige Männer sind bereit, eine wirklich gleichberechtigte Beziehung zu führen.&nbsp;Wo liegt das Problem, und wie können wir das lösen? Bianca Praetorius hat dazu einige sehr kluge Ideen.' KRISTINA LUNZ 'Erfolgreiche Frau? Gern. Solange ich erfolgreicher bin... So ähnlich erwischte ich mich selbst beim Lesen und schämte mich. Hinter der Scham entdeckte ich dank Biancas klugen Fragen einen unfassbaren Beziehungsschatz.' WALDEMAR ZEILER

Warum starke Frauen mutige Männer brauchen | Schluss mit der Female Success Penalty

Beziehungsgefälle

Nafeesa T. Nichols analyzes how racialized and gendered spaces are presented in post-apartheid South African literature. Through the examination of four novels, Kopano Matlwa's Coconut (2007), Zukiswa Wanner's The Madams (2006), Niq Mhlongo's After Tears (2007), and Kgebetli Moele's Room 207 (2006), Popular Spaces in Post-Apartheid Literature highlights the interconnections between space, race, gender, and popular culture within the post-apartheid South Africa. Nichols not only explores how post-1994 literature attempts to represent the realities of the post-apartheid condition, but also reveals the innovative and radical contributions that these young authors of the early twenty-first century made within the literary world. This book mediates the dynamics and complexities of space in connection to race and gender, exemplifies the challenge of working with and in violent masculinist textual spaces, and conceptualizes the popular in connection with class, race, and gender struggles. Drawing on an interdisciplinary mix of Black feminist theory, feminist geographical perspectives, and spatial theory, Nichols provides a close reading of each of the selected texts, offering broader insights into the how Black subjects navigate various spaces of oppression. Through these novels, she shows how we are able to imagine the possibilities of liberatory spaces, celebrate local knowledge, creativity, the popular, and, most importantly, the beauty and resistance found in the everyday. In the end, this book contributes to the academic conversations that continue to take place surrounding gender, space, literature, and liberation in South Africa.

Technofeminist Resistance

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