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David Sheff: Yoko

Yoko

A Biography

A Memoir

You with the Sad Eyes

Meet Khaira, who in her marriage encounters hurdles she never would have fathomed and discovers herself in becoming a pariah. Meet Noor, a successful woman who breaks up with the man she loves most in the world because of her dedication to God. Meet Mira, someone who is independent, modern and entirely different to her mother and grandmother, but still tied by the traditions that have guided her family for centuries. Womanhood cannot be contained or summarised neatly, and each of these three women are fighting to carve out exactly what it means to them. The records of their lives offer insight into generational divides, unspoken duties and unmet needs, and is an honest and moving map for anyone wanting to better understand their place and purpose. For fans of Three Women, Want and Love in Colour, through stepping into the shoes of each of these women this book will inspire empathy, rage and care and is a manifesto to let women be whomever they want to be. Interrogating what Womanhood has historically meant, we can shape what it could be in the future.

Lessons in Loving, Giving and Being Too Much

Womanhood

A No-BS Journey to Mindfulness and Meditation

Sit with Me

The Story of Fashion

From its debut in the 1920s to its reinvention on the runway, this timeless two-piece has come to define the effortless sophistication of the Chanel woman. This book traces the evolution of the Chanel suit through rare archival photography, detailed design analysis, and exclusive insights into the craftsmanship at the heart of the Chanel ateliers. It explores the suit's signature elements - the boxy jacket, braided trim, silk lining, and gilt buttons - and how each has been reinterpreted across decades by designers from Gabrielle 'Coco' Chanel to Karl Lagerfeld and Virginie Viard. Highlighting standout collections, collaborations, and couture creations, the book also celebrates the women who have worn the suit as a statement of power and poise - from Jackie Kennedy to Princess Diana, Kristen Stewart to Beyoncé. With chapters on tailoring techniques, styling tips, and the suit's lasting influence on fashion, feminism, and film, this is the ultimate homage to one of the most iconic garments in history.

The Story of the Chanel Suit

One man’s adventures in cancerland

The Leopard in my House

Feminist Media Histories

Archiving the Past&nbsp;uncovers&nbsp;the story of the women in&nbsp;France who, from the 1920s to the 1970s, played critical roles in the production of global cinema's history: as&nbsp;archivists&nbsp;charged with collecting films and other materials, as&nbsp;witnesses&nbsp;tasked with remembering their own film careers, and as&nbsp;activists&nbsp;committed to recovering women's contributions to film history. Reflecting on how gender politics informs the production of film history, Aurore Spiers&nbsp;recasts the film archive as a site of women's agency, modeling strategies for inclusivity, recuperation, and liberation within feminist film historiography.

Women's Film History in France, 1927–1978

Archiving the Past

The Fractured Art of British Housebuilding and How to Build the Homes we Need

Where We Live

In the aftermath of loss, a mother and her young son cross the ocean to a remote strip of land on the North Atlantic. Viewed from the edge, where land meets sea, coastlines become sites of constraint as well as of flux and change. Through art, philosophy, poetry, geology and Minecraft, Coutts starts to imagine new ways of being and a new existence for her small family. With the precision and clarity of the camera, Coutts combines the real with the fictional, interweaving folk song, maps and island lore to present a devastating and fierce reflection on intimacy and separation, parenthood, photography and the fragility and strangeness of our environment. What Did the Deep Sea Say? is a stunning meditation on how the physical world can bring us back to earth from the edge of grief.

What Did the Deep Sea Say?

Before there was Cher or Madonna, Iran had Googoosh. For the first time, one of the biggest pop stars of the 20th century tells her story: her rise to fame in pre-revolution Iran, her arrest and imprisonment by Revolutionary forces, her twenty-year exile, and finally, her triumphant return to the global stage.

A Sinful Voice

Googoosh

Architects of the Soul

*Longlisted for the Cundill History Prize* What would women do with their lives if they had more time? The riveting, untold story of a revolutionary campaign to change the way work is valued 'The women of the world are serving notice. We want wages for every dirty toilet, every indecent assault, every painful childbirth, every cup of coffee and every smile. And if we don't get what we want, we will simply refuse to work any longer!' Across the globe in the 1970s, a network of feminists distilled their struggles into a single demand: Wages for Housework! Today, it remains a provocative idea, and an unfulfilled promise. Here historian Emily Callaci tells the story of this campaign by exploring the lives and ideas of its key creators, tracing their wildly creative political vision over the past five decades: from the early 1970s, when Selma James, a working-class political organizer, and Mariarosa Dalla Costa, a scholar-activist, started laying the foundations of Wages for Housework in London and Italy; through philosopher Silvia Federici reframing the campaign in the context of New York City's fiscal crisis; to Wilmette Brown, lesbian poet and anti-war activist, and Margaret Prescod, community organizer, who brought the insights of Black feminism to the movement. Drawing on new archival research and extensive interviews, Callaci takes us deep inside the heart of the movement as it reached across Europe, America, Africa and the Caribbean. For these women, the wage was more than a demand for money: it was a starting point for remaking the world as we know it, imagining potential futures under capitalism - and beyond. Then as now, Wages for Housework poses profound questions. What would it be like to live in a society that prioritizes care rather than production? How would this change our relationship with the natural world? And what would women do with their lives if they had more time?

Yoko

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