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Mays O: Sit with Me

Sit with Me

A No-BS Journey to Mindfulness and Meditation

A Memoir

Mainline Mama

The Hidden History of the Weight Loss and Wellness Industries--And the Lies They Sold Us

Maintenance Phase

Ownership, Coercion and Agency in Muslim Societies and Beyond

Female Body Politics

Why Read Them Today

Why Read Wollstonecraft Today?

A Cultural History

The Italian Renaissance

African Ritual, Tradition and Sankofa in the Bedroom

Seeking Sexual Freedom

THE SUNDAY TIMES AND NEW YORK TIMES BESTSELLERThe renowned author returns with a timely book about his journeys to three sites of conflict - Dakar, South Carolina, and Palestine - exploring how the stories we tell, and the ones we don't, shape our realities. 'A politically-charged meditation on the power of stories' Guardian ***Ta-Nehisi Coates originally set out to write a book about writing, but soon found himself grappling with deeper questions about the destructive myths that shape our world. First we join Coates on his inaugural trip to Africa - a journey to Dakar, where he finds himself in two places at once: a modern city in Senegal and the ghost-haunted country of his imagination. He then takes readers to Columbia, South Carolina, where he reports on the banning of his own work and the deep roots of a false and fiercely protected American mythology - visibly on display in its segregationist statues. Finally in Palestine, Coates sees with devastating clarity the tragedy that grows in the clash between the stories we tell and reality on the ground. Written at a dramatic moment in American and global history, this work from one of our most important writers is about the urgent need to embrace the liberating power of even the most difficult truths. ***'An earnest and intimate exploration of locations of extreme injustice' Oprah Daily

The Message

The extraordinary creative energy of Renaissance Italy lies at the root of modern Western culture. In this study, Virginia Cox offers a fresh vision of this iconic moment in cultural history. This book explores key artistic, literary and intellectual developments, as well as histories of food and fashion, map-making, exploration and anatomy.

Conversations with Remarkable Mothers

Dear Minnie

Biography and memoirs

A Boarding School Memoir

One Boy!

In this humorous memoir, New York Times bestselling author Father James Martin, SJ shares summer by summer, job by job, how a former paperboy, lawnmower, busboy, dishwasher, caddy, usher, waiter, bank teller, assembly-line worker, corporate tool became a Jesuit priest.Work in Progress is a snapshot of several years--from a boy, then a teenager, and finally a young adult--of being thrown into a series of jobs that Father Martin had zero training. He never once set foot in a restaurant kitchen before working as a busboy; never stepped onto a golf course before working as a caddy; and never once seen a factory floor before working as an assembly-line worker. He almost always felt uncomfortable, unsettled, and uneasy. But, we've all done jobs we didn't love because we needed the money.This is a come of age in the 1960s and 1970s story but not all aspects. It is a lighthearted tale for readers that enjoy personal narratives and is unlike anything Father Martin has written before. As he puts it, "This is a spiritual memoir from a different angle, then told "slant" as Emily Dickson might say."Each chapter features treasured photos of memories and milestones throughout Father Martin's life. If you're an aficionado of snafus, you won't be disappointed. He's not the hero in these stories, more a hapless teenager who learns in each job, even the ones he loathes, something about the value of work, about what it means to be an adult, about people, and about life overall.Work in Progress teaches us small lessons that we should all practice: work hard, be on time, don't be mean, apologize when you need to, forgive frequently, ask if you don't know something, don't misuse power, pay attention to those struggling, be kind, and listen.

Confessions of a busboy, dishwasher, caddy, usher, factory worker, bank teller, corporate tool, and priest

Work in Progress

“We stand up and we split”

Violence and Rebellion in Contemporary French Women’s Autofiction

Sit with Me

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