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The Virgin Suicides

A celebration of the world's most cherished cinemas, from vintage movie houses to quirky start-ups. Grab your popcorn and settle in to the world of Silver Screens, where the magic of cinema lives on.Cinemas are where emotions come alive - where heartstrings are tugged, fears exposed, and joy explodes with every happy ending. Cinemas are a place of communal experience, of first dates and unforgettable reactions.Silver Screens captures that magic, celebrating remarkable movie houses and drive-ins around the world that are still showing films today. Part travel guide, part love letter to cinema, it whisks you across the globe through stunning photography.Step inside art deco masterpieces like Jaipur's Raj Mandir and Melbourne's Sun Theatre; visit icons such as Hollywood's Chinese Theatre and Madrid's Cine Doré; and uncover hidden gems in far-flung corners of the world. From the northernmost to the southernmost, from India's largest single screen to Italy's officially smallest, from Britain's oldest to the world's very first - Silver Screensis your ticket to cinema's most extraordinary destinations.

Spectacular Cinemas from Hollywood to Hong Kong

Silver Screens

BFI Film Classics

Upon its release, John McTiernan's Die Hard (1988) was met with immense commercial and critical success; breaking the $100 million mark at the box office in its first run, and resulting in four Academy Award nominations. Jon Lewis's study of the action classicclosely examines the film's novel and script adaptation, highlighting the influential role of producer Joel Silver. He delves into Silver's ground-breaking 'whammy theory', which redefined script structure by organizing scripts around timed 'beats' rather than traditional acts or scenes, tracing its impact not only in Die Hard, but also in other iconic franchises like Lethal Weapon, Predator, and The Matrix. Lewis goes on to consider the film's evocation of post-Vietnam male panic and its connection to the Iron John movement. He highlights Die Hard as a prime example of the 'male rampage film' genre, where white male protagonists express frustration with cultural antagonists like feminism, economic regulation, government bureaucracy, and political corruption. Finally, he reflects on how Die Hard resonated with its 1988 audience, looking for new antagonists in a changing world. The film's anticipation of European radical political groups and later terrorism rooted in North Africa and the Middle East foreshadows the era-defining 'war on terror' that would follow.

Die Hard

The instant New York Times Bestseller You knew their name. You didn't know the real story. The world knew Alyson Stoner as the charming tomboy from Cheaper by the Dozen, the iconic kid dancer with Missy Elliott, and the friendly face on Disney Channel hits like Camp Rock and Phineas and Ferb. But behind the scenes, a different story was unfolding-one of relentless pressure, family trauma, and a lonely battle to get help. Semi-Well-Adjusted is more than a Hollywood memoir, it's a fierce and unflinching look at what it takes to heal in a society that seems determined to break us. With bravely and hard-earned wisdom, Alyson shares their harrowing journey from an eighty-hour work week at age eight and stratospheric child stardom, to navigating religious trauma and rebuilding a life on their own terms. Now a mental health advocate, Alyson offers a masterclass in self-reclamation for anyone ready to break free from the narratives that have defined them. Semi-Well-Adjusted is a roadmap for finding your own voice and power-despite literally everything. * The instant New York Times Bestseller, based on sales from week ending 16/08/2025

The Instant New York Times Bestseller

Semi-Well-Adjusted Despite Literally Everything

In Richard Linklater's Before Sunrise (1995), two young lovers, the American Jesse (Ethan Hawke), and the Frenchwoman Celine (Julie Delphy), meet on a train travelling across Europe and spend a magical night together in Vienna before parting at dawn. Filmed in nine-year intervals, the film's sequels Before Sunset (2004) and Before Midnight (2013) forge an unexpected trilogy brimming with longing, second chances and resentments as the couple meet again and build a relationship. Lucas Hilderbrand reflects on the experience of falling in love with, living with and having one's own life shaped by the Before trilogy. Tracing the story of the films' production, he considers the contribution of the leading actors, particularly Delphy, to their screenplays. He offers a close reading of each of the Before films, considering the extent to which they operate beyond the generic norms of romantic comedy or melodrama, incorporating aspects of realism and emotional authenticity through their location shooting, long takes and near-real time temporality. Treating the films as time capsules of their respective historical moments, Hilderbrand considers how evolving politics and technologies impact or interrupt the characters' intimacy, while placing the trilogy in conversation with other films. All the while, he pays attention to the trilogy's subjective impact on viewers across its eighteen-year timespan - and its continuing afterglow.

The 'Before' Trilogy

A vivid showcase of work by more than thirty of the world¿s leading contemporary female documentary photographers. The photographic industry - its exhibitions, galleries, publications and auctions - employs thousands of women, but champions mostly men. To begin to redress the balance, here is a timely presentation of the work of over 30 female photographers working today. This book is predominantly a celebration of some of the most inquisitive, intelligent and daring photography being created now. The stories the photographers tell are the most pressing social, political and personal issues seen through the female lens. Firecracker, established in 2011 by Fiona Rogers, is a platform dedicated to supporting female photographers worldwide by showcasing their work. Building upon Firecracker's foundations, this book brings together photography that encompasses an eclectic variety of styles, techniques and locations, from Alma Haser's futuristic series of portraits that use origami to create 3D sculptures within the frame, to Laura El-Tantawy's filmic and intensely personal series on political protest in Cairo. There is a recurring theme throughout the book that serves to unite these extraordinary women and their work: the exploration of marginalized individuals and under-discussed subjects, seen by fresh eyes. Fiona Rogers and Max Houghton offer insightful and expert authorship and curation. In their respective, well-established roles in the industry they understand, influence and advocate for contemporary documentary photography today.

Contemporary Female Photographers

Firecrackers

Disney/Pixar

This stunning book showcases the art, behind-the-scenes details, and making of the Disney and Pixar animated film Hoppers. The next in the fan-favorite, collectible Disney and Pixar Art of series, The Art of Hoppers presents the story behind the newest film from Pixar Animation Studios. It highlights the stunning artwork from the film's creation—including character designs, storyboards, color scripts, and much more—and features exclusive interviews with the creative team along with behind-the-scenes details. This book is the perfect gift for aspiring artists, animators, film buffs, and fans. © 2026 Disney Enterprises, Inc. and Pixar. &nbsp;All rights reserved.

Disney/Pixar The Art of Hoppers

Joan Micklin Silver's groundbreaking debut feature film, Hester Street (1975), vividly portrays the immigrant experience through the eyes of Gitl (Carol Kane), a young, Orthodox Jewish woman who arrives in New York City from Eastern Europe at the end of the nineteenth century. Reunited with her already-assimilated husband, Gitl finds they now have little in common and she is forced to adjust to a new way of life. Hester Street achieved international critical and commercial success, and Kane received a Best Actress nomination at the 1976 Academy Awards. Marking the film's 50th anniversary, Julia Wagner's landmark book is the first to focus exclusively on Micklin Silver's film. Wagner examines how, despite the sexism and prejudice that Micklin Silver faced, a low-budget, black-and-white, female-led, independent production with Yiddish dialogue became an unexpected box-office hit. Through close analysis, Wagner highlights the importance of Hester Street as a milestone in cinema and affirms Micklin Silver's status as a unique voice in the history of American film-making.

Hester Street

An essential introduction to the complexities of visual representation, this book offers a critical new framework for understanding and practicing photojournalism in a global digital context.

Contemporary Ethics and Practices

Critical Photojournalism

Digitale Gesellschaft

It is an open secret that the hardware in our smart devices contains plastics and raw materials mined from conflict regions. Can we move beyond this oppressive system of extraction to find ethical alternatives? Feminist hackers Patrícia Reis and Stefanie Wuschitz&nbsp;discuss developing technology through eco-feminist artistic tools, rooted in care economies, local knowledges and collective survival. Through an intensive knowledge-sharing process and collaboration with peers, they unpack eco-feminist theory and practices to propose resistance strategies grounded in ethical hardware and de-growth economies - contributing significantly to the new field of arts-based research.

Hacking and Artistic Practices Towards Ethical Technology

Hardware and Eco-Feminist Art

The iconic Star Trek character's lifestory appears for the first time in his own words; perfect for fans of the upcoming Star Trek: Strange New Words.

The Autobiography of Mr. Spock

THE INSTANT SUNDAY TIMES BESTSELLER Discover the story of Marilyn Monroe and take a deep dive into the shocking circumstances of her death... 'Electrifying . . . A spellbinding new account of the star's final days by the world's greatest thriller writer' - Daily Mail __________________________________ BORN IN THE SHADOWS. LIVED FOR THE SPOTLIGHT. WAS SHE MURDERED? Before Marilyn Monroe, there was Norma Jeane. No one would have thought that the girl who spent her childhood between foster homes and orphanages would one day become a global star. The Last Days of Marilyn Monroe tells the extraordinary story of Marilyn Monroe's life - and the shocking circumstances of her death. For decades, fans have speculated about the truth of her final days. Was it suicide? A tragic accident? Murder? Drawn from rigorous research, this book seeks answers. Told in vivid, dramatic scenes, James Patterson and Imogen Edwards-Jones uncover the life and death of the remarkable woman who was Marilyn Monroe. __________________________________ 'A poignant primer on the life and death of the Hollywood star... skilfully weaves the known details into a poignant biography.' - The Times 'Meticulously researched deep dive into the glamorous life of Marilyn Monroe - and the mysterious circumstances surrounding her death in 1962.' - The i Paper __________________________________ 5-STAR READER REVIEWS 'A fascinating read!' 5-star reader review 'I couldn't put it down.' 5-star reader review 'A thoughtful, impeccably well researched and written account.' 5-star reader review 'Captivating.' 5-star reader review 'One of the best books about Marilyn Monroe I have ever read.' 5-star reader review 'Pulled me in like a whirlwind - gritty, electric, and impossible to put down.' 5-star reader review

The Last Days of Marilyn Monroe

Richard Schickel's study of Billy Wilder's 1944 noir classic Double Indemnity traces in fascinating detail the genesis and realisation of the film: its literary origins in James M. Cain's hard-boiled crime novel, the difficult relations between Wilder and his scriptwriter Raymond Chandler, the casting of a reluctant Fred MacMurray, and the late decision to cut the expensively filmed execution sequence from the final release. Schickel places Double Indemnity in the context of early 1940s Hollywood and the emergence of a new kind of crime thriller that later became known as film noir. The film was a cornerstone of the genre: its script creates two unforgettable criminal characters, the cynically manipulative femme fatale Phyllis Dietrichson (Barbara Stanwyck) and the likeable but amoral Walter Neff (Fred MacMurray). Billy Wilder's direction enmeshes them in dramatic chiaroscuro, as bright California sunlight casts Venetian-blind shadows across dusty rooms and harsh lamplight slices through the night. In his afterword to this new edition, James Naremore pays tribute to Schickel's analysis of Double Indemnity and its contexts, and considers debates surrounding the film's conclusion.

Double Indemnity

The Virgin Suicides

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