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Paul Barron: The Sin Beneath His Suit

The Sin Beneath His Suit

Political Struggle and Activist Art in the Uk, 1960-Present

Grassroots Artmaking

Arden Shakespeare Insights

Visualising Material Culture

Shakespeare's Objects

Movement Training as a Catalyst for Change

Physicality and Acting

This book is a blueprint for artists looking to engage with activist movements with a persistent longevity and a reminder that art has the power to be more dangerous than words.
Front Lines: A Lifetime of Drawing Resistance is Susan Simensky Bietila's story of her six decades as a movement artist and activist and a lifetime of artistic collaborations rooted in her activist experience. Growing up during McCarthyism, she rejected the nationalist masculinity of elite art and conformist culture and found feminism and collectivism as new forms of resistance. She became an artist in the New Left, creating illustrations for radical underground publications including RAT, Subterranean News, and comics for the anarchic World War 3 Illustrated.
With more than one hundred images, Front Lines documents her art on the page and in action featuring protest banners and giant puppets of birds and fish carried in the streets, masks of notorious dictators for street theater, posters pasted on walls and hung in radical spaces, community art builds, and more. Visual storytelling and detailed captions contextualize and bring to life her work with movements including antiwar protests during the Viet Nam era, Indigenous led antimine and antipipeline struggles, water protection, immigrant rights, anticorporate globalization convening, protests against the state and capital, Palestinian liberation actions, and collaborations with groups throughout the Great Lakes region and beyond. She agitates from the roots and the front lines to this day.

A Lifetime of Drawing Resistance

Front Lines

Shakespeare and Adaptation

Negotiating Cultural Value

Shakespeare and Comics

Freire in Focus

Anti-Oppression and Healing in the Arts and 'Marília', a Play

Freire and Drama

Apparatus, Nostalgia, Obsolescence

Theatre as Technology

Affirmations for Artists is designed to inspire and motivate creatives on their artistic journey. Combining powerful affirmations with reflective prompts and resonant quotations, it offers readers the chance to reconnect with their creative essence and reinforce their unique visions. 
Each affirmation is crafted to cultivate confidence, banish self-doubt, and renew a sense of purpose, helping artists of all mediums—painters, writers, musicians, craftspeople—to overcome creative blocks and embrace their work with resilience and joy. Readers receive a wellspring of inspiration through these intentional, carefully-crafted affirmations that can be used for daily renewal and positive focus.
 The book addresses core artistic challenges, like managing rejection, cultivating discipline, and discovering self-worth beyond external validation. Readers are encouraged to pause, absorb each affirmation, and consider how it resonates with their current journey. 
Accompanied by inspirational quotes and thoughtful exercises, Affirmations for Artists is an empowering resource for both seasoned creatives and those just beginning to explore their potential. With regular use, artists can cultivate a mindset of positivity and possibility, transforming their doubts into fuel for growth and exploration. 
This book is a classic companion on the journey to fully realizing creative potential—supporting artists not only in what they create but in the courage that it takes to keep creating. Each affirmation speaks to the heart of an artist’s experience, from the thrill of creation to the vulnerability of self-expression, making this powerful book a transformative tool for anyone engaged in the creative process.

A Complete Guide to Building a Positive Creative Mindset

Affirmations for Artists

Practical Strategies for a Career in Art

The Artist's Roadmap

This book tells the relatively unknown story of Mura Dehn (1902- 1987) a white, Jewish dancer from Russia, once deemed among the most beautiful classical dancers in Europe, who emigrated to the United States in the 1930s. For the first time the efforts of Dehn to record, analyse and champion the development of jazz dance in America during the 1930s, 40s and 50s are brought to life. The book celebrates and explores her long-term commitment to supporting and nurturing Black American jazz dancers, and devoting her life to heralding and chronicling its innovators and creators through performance, teaching and film-making. This work includes both first-hand accounts with people who knew and worked with Dehn, including her company manager Allen Blitz, friend Eiko Otake, and notable urban dance scholars such as Sally Sommer; and material from Dehn's archival collection in the New York Public Library. The book offers a flavour of the dance halls, the first places of social-racial integration in America, where jazz was born out of African-American social dances, and gives credence to the growing acceptance of this form of art as equivalent to classical dance and music.

The Sin Beneath His Suit

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