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Fairweather Jack: The Prosecutor / B

The Prosecutor

One Man’s Battle to Bring Nazis to Justice

An Annotated Critical Edition

Past and Thoughts

*Longlisted for the Cundill History Prize* What would women do with their lives if they had more time? The riveting, untold story of a revolutionary campaign to change the way work is valued 'The women of the world are serving notice. We want wages for every dirty toilet, every indecent assault, every painful childbirth, every cup of coffee and every smile. And if we don't get what we want, we will simply refuse to work any longer!' Across the globe in the 1970s, a network of feminists distilled their struggles into a single demand: Wages for Housework! Today, it remains a provocative idea, and an unfulfilled promise. Here historian Emily Callaci tells the story of this campaign by exploring the lives and ideas of its key creators, tracing their wildly creative political vision over the past five decades: from the early 1970s, when Selma James, a working-class political organizer, and Mariarosa Dalla Costa, a scholar-activist, started laying the foundations of Wages for Housework in London and Italy; through philosopher Silvia Federici reframing the campaign in the context of New York City's fiscal crisis; to Wilmette Brown, lesbian poet and anti-war activist, and Margaret Prescod, community organizer, who brought the insights of Black feminism to the movement. Drawing on new archival research and extensive interviews, Callaci takes us deep inside the heart of the movement as it reached across Europe, America, Africa and the Caribbean. For these women, the wage was more than a demand for money: it was a starting point for remaking the world as we know it, imagining potential futures under capitalism - and beyond. Then as now, Wages for Housework poses profound questions. What would it be like to live in a society that prioritizes care rather than production? How would this change our relationship with the natural world? And what would women do with their lives if they had more time?

The Story of a Movement, an Idea, a Promise

Wages for Housework

In this coming-of-age comedy, a 17-year-old virgin film nerd, Joseph Caldo, who sees himself as a real-life art film, experiences first love, first sex, and first heartbreak in the surreal setting of South Florida while trying to make sense of Shakespeare’s stupid plays.
Caldo has no real social life, unless arguing about film online counts. Having seen so many films while struggling romantically, he has formed a theory that women pick romantic partners the way they pick which movie to watch. He’s definitely not a blockbuster, a rom com, or even a horror film, he’s more of an indie art film that is unfortunately funny. He worries he’ll never find the person who will accept and love him, the way that he accepts and loves his favorite obscure films.
That is until he meets Alexia at his grandmother's retirement home. Alexia was court-ordered to do volunteer work for her DUI but it's cool, Caldo has issues too, and it feels like they have a real connection. But there's also Valerie. The new girl at Caldo's awkwardly small school. She's a straight-A student who is attending on scholarship and is assigned the difficult task to mentor him in Shakespeare's plays. The two opposites have nothing in common except for being romantics who do nothing but fail at romance.
With first jobs that go very wrong, untimely food poisoning, and fake prom dates, Caldo unintentionally reenacts Shakespearian tropes in the heart of South Florida. Humor award-winning author Christoph Paul’s Shakespeare in South Florida is a quirky romantic comedy about being 17 and falling in love.

Shakespeare in South Florida

A pathbreaking history of how the Netherlands became a centre of neoliberalism.

A History of the Dutch Neoliberal Turn

No Nonsense

Pocket Guide

Lonely Planet Pocket Munich

Should nonhumans have rights in law and politics? How personhood for corporations and everything else exploits us today.

Giving Rights to Trees, Corporations and Robots

The Problem of Personhood

Children of the Third Reich

Dark Pasts, Golden Futures

Contact, Variation and Maintenance

German as a Heritage Language

Laws of Love and Logic

Bloomsbury Philosophy Dictionaries

While his work speaks very powerfully to the contemporary age, the language of Emmanuel Levinas can seem difficult to approach. This dictionary gives you access to terms he used to build his overall argument, including those he employed idiosyncratically and invented. The dictionary also includes terms from phenomenology to which he gave new meanings, and which focused his critique of Western philosophy. The Levinas Dictionary also makes the work of this central figure in 20th-century philosophy more easily readable in translation by including the original French words he used. Each term explored belongs to one or more of three periods of the work he regarded as properly philosophical: 1) pre-1940; 2) 1940-1960, including the writing of his magnum opus Totality and Infinity and 3) 1960-1995, including his second great work, Otherwise than Being. Entries show how the terms appear, develop, or mutate over the course of his work in the phenomenology of radical ethics. Including an intellectual biography and a chronology of Levinas' life and work, a list of primary sources in French and English, as well as secondary sources and a glossary, The Levinas Dictionary will provide a broad and far-reaching introduction to a thinker whose work has only become more relevant to contemporary theory and practice.

The Prosecutor

Informations bibliographiques

Mots-clés

Informations bibliographiques

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