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Plath S: The Poems of Sylvia Plath

The Poems of Sylvia Plath

"From TikTok phenomenon Whitney Hanson, a revised edition of her bestselling Climate, now with a new introduction and more than a dozen new poems i don't worry about the weather anymore when it rains, i dance when the sun shines, i dance through it all, i will dance -from Climate Honest, poignant, and relatable, Climate is a journey in embracing change both internally and externally. It guides us through all the weather we may face, from the stormy heartbreak to the foggy mental space to the sunny other side. Climate reminds us to embrace it all. The only constant in life is change, and that is a beautiful thing"--

Climate

A vivid and musical rendering of the poetry of Catullus, whose passionate verses have captivated readers for centuries &nbsp; “Catullus’s verses still ring true, reminding readers that the habits of the heart haven’t changed in millennia.”—Publishers Weekly &nbsp; In the fourteenth century, a manuscript surfaced in Verona that had been lost for more than a thousand years: the poems of Catullus (c. 84–c. 54 BCE), considered by many to be one of the greatest poets who ever lived. These poems, with their beauty, wit, tenderness, and heartbreak, are still as alive and moving today as they were two thousand years ago. &nbsp; They are dense, subtle, witty, ardent, fearless, deeply uncensored, nasty (sometimes), petty (sometimes), and always beautiful. It’s especially his love poems that have earned readers’ admiration over the centuries; the joy and the savage self-inflicted torments that he underwent in his “miserable, disastrous love affair” have been shaped into poems that for honesty and emotional power have few parallels in world literature. &nbsp; Stephen Mitchell, who is known for bringing ancient texts to vibrant new life, has now translated Catullus’s poems for a new generation of readers. These are the first translations of Catullus to reimagine his rhythms in English and thus to let contemporary readers hear the formal beauty of his verse as well as its content, which Robert Lowell calls “much more raw and direct than anything in English.”

Selected Poems

Catullus

The Bonfire Party

Longman Annotated English Poets

The appendices present a selection from the original sources, a list of variants from extant proofs, and key passages from Browning's fascinating and revealing correspondence. The aim is to enable readers not just to understand the poem as an object of study, but to take pleasure in its intellectual and emotional energies

The Ring and the Book, Books 7-12

The Poems of Robert Browning: Volume Six

The Margellos World Republic of Letters

From a trailblazing poet, a trilingual narrative in verse that bears witness to a devastating crime and testifies to the power of collective defiance &nbsp; In 2007, Mexican soldiers raped and left for dead a seventy-three-year-old Indigenous Nahua woman, Ernestina Ascencio Rosario, as she worked on her farm. Despite extensive evidence to the contrary, including eyewitness accounts, the courts ruled that Ascencio had died of natural causes. When journalists began to investigate, they discovered that there were numerous girls in the community who also had been raped by soldiers—girls as young as twelve who were already mothers. The reports sparked outrage throughout Latin America over violence against women and girls, violence against Indigenous communities, and military impunity. &nbsp; Stolen Flower, a contemporary classic originally written in Didxazá (Isthmus Zapotec), is Irma Pineda’s powerful sequence of poems memorializing the events and their ramifications. The poems, which appear here in Didxazá, Spanish, and English, are told through a chorus of fictionalized voices: of Ascencio herself, of the field where the rape occurred, of the forest that has seen generations of Indigenous villagers, of the village grappling with the terror. It is at once a lament and a call to arms, refashioning the testimonio into a tribute to Mexico’s Indigenous peoples and their lands, cultures, languages, and dignity.

Stolen Flower

allostatic load navigates the racialized interplay of chronic wear and tear during tumultuous years marked by global racial tensions, the commodification of care, and the burden of systemic injustice. Moving between diaristic intimacy and the remove of news reportage, Junie Désil's second poetry collection invites readers to hold the vulnerability and resilience required to navigate deep healing in a world that does not wish you well, in a world that is inflamed and consequently inflames us, in a world where true restoration and health must co-occur with the planet and with each other.

Allostatic Load

Picador Collection

Reissued in the Picador Collection, Hold Your Own is an incendiary reworking of the life of the mythical prophet Tiresias.

Hold Your Own

A love letter to Palestinian ancestors, their descendants, and their land, to all anti-colonial and anti-imperialist struggles, to a history that will never be forgotten, and to a future in which there thrives a free, free Palestine. 
 
Poetry has always served as a mode of resistance in Palestinian culture. In defiance of dispossession and decades of military siege, of a nakba that never ended, of historical and cultural obfuscation, of unrelenting violence and thousands of martyred people, the "power to narrate," as Edward Said wrote, remains a necessary tool for self-determination. The poems collected here reclaim that power, bridging borders, languages, and generations to forge new conversations around resistance and liberation. 
 
HEAVEN LOOKS LIKE US is a battle-cry against the annihilation of a people. As Palestinian history remains haunted by exile, violence, and grief, so, too, are the poems in this anthology. And yet, editors George Abraham and Noor Hindi present these realities alongside other themes that are also true: queer and feminist perspectives, eco-poetry, meditations on love and time, and lineages of protest. This anthology dares to imagine a future beyond a nation-state for Palestinian people everywhere. Contributors include Refaat Alareer, Mahmoud Darwish, Naomi Shihab Nye, Mohammed El-Kurd, A.D. Lauren-Abunassar, Lena Khalaf Tuffaha, Hala Alyan, Fady Joudah, and Heba Abu Nada, and many other voices, both established and ascending.

Palestinian Poetry

HEAVEN LOOKS LIKE US

Girl, Swooning

"The North American debut by cult favorite New Zealand poet Hera Lindsay Bird, Juvenilia wrangles the flamboyant, provocative pique of youth into a poetry collection highly focused and desperately alive. this impressive debut has established Hera Lindsay Bird as a good girl.........with many beneficial thoughts and feelings......... with themes as varied as snow and tears, the poems in this collection shine with the fantastic cream of who she is.........juxtaposing many classical and modern breezes Bird turns her prescient eye on love and loss, and what emerges is like a helicopter in fog.........or a bejewelled Christmas sleigh, gliding triumphantly through the desert......... this is at once an intelligent and compelling fantasy of tenderness......... heartbreaking and charged with trees.........without once sacrificing the forest......... Whether you are masturbating luxuriously in your parent's sleepout......... .........or pushing a pork roast home in a vintage pram......... this is the book for you........................... heroically and compulsively stupid............................................."--

Juvenilia

The extraordinary memoir from Dylan Thomas Prize-winning poet, Kayo Chingonyi.

Prodigal

The Poems of Sylvia Plath

Informations bibliographiques

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