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MacDonald A: The Last Witch on the Knock
/ LF

The Last Witch on the Knock

'I urge you to read every syllable' JO BRAND 'Reads like a thriller' DAILY TELEGRAPH 'Illuminating and frequently chilling' JAMES O'BRIEN 'Urgent' EMMA LOUISE-BOYNTON AI is here, bringing a seismic shift in the way our society operates.With misogyny baked into their design, new AI-driven technologies are putting women and marginalised groups in danger, their rights and safety sacrificed at the altar of profitability and reckless speed. In&nbsp;The New Age of Sexism,&nbsp;Sunday Times&nbsp;bestselling author and campaigner Laura Bates takes us deep into the heart of this rapidly evolving world, where power remains largely in the hands of a few rich, white men. She explores the metaverse, confronts deepfake pornography, travels to cyber brothels, tests chatbots, and hears from schools in the grip of online sexual abuse, showing how our lives - from education to work, sex to entertainment - are being infiltrated by easily accessible technologies that are changing the way we live and love. What she finds is a wild west where existing forms of discrimination, inequality and harassment are being coded into the future. Gripping, courageous and eye-opening,&nbsp;The New Age of Sexism&nbsp;exposes a phenomenon we can't afford to ignore any longer.&nbsp;Our future is on the line. We need to act now, before it is too late.'Laura Bates explains how they built the future - and forgot to put women in it' CAITLIN MORAN'All men must read this book if they have any interest in a truly just, fair and equal society' ROBIN INCE**From the Sunday Times bestselling author of Men Who Hate Women and Fix the System, Not the Women**

How the AI Revolution is Reinventing Misogyny

The New Age of Sexism

The unmissable, award-winning debut novel. A moving and funny exploration of family, grief and queer identity. Can you imagine me there in the front row in Saint Peter's Square? The lesbian sister of a literal saint. Brought up in a devout household in Ireland, Jay is now living in London with her girlfriend, determined to live day to day and not think too much about either the future or the past. But when she learns that her beloved older brother, who died in a terrible accident, may be made into a Catholic saint, she realises she must at last confront her family, her childhood and herself . . . Inspired by the author's own devout upbringing, Ordinary Saints is a brilliant debut novel from a fresh, exciting new voice which asks - who gets to decide how we are remembered, and who we will become?

An unmissable, moving and funny exploration of family, grief and queer identity. Shortlisted for the Waterstones Debut Fiction Prize 2025

Ordinary Saints

THE SUNDAY TIMES NUMBER ONE BESTSELLER'EVERYONE WILL BE TALKING ABOUT THIS BOOK' - BELLA MACKIE'NIGHTMARISH, SHOCKING, BRILLIANT' - STYLIST'MADDENING, MESMERISING, INGENIOUS' - NEW YORK TIMES'INTELLIGENT, INCISIVE, INSANELY READABLE' - JENNIE GODFREY'DERANGED, DARING, CLEVERLY WRITTEN' - VOGUE'My name is Natalie Heller Mills, and I was perfect at being alive...'Natalie lives a traditional lifestyle - and her followers are sick with envy. Her charming farmhouse on her working ranch is artfully cluttered, her husband is a handsome cowboy, her homemade sourdough boules are each more beautiful than the last. So what if there are nannies and producers and industrial-grade ovens behind the scenes? What her followers don't know won't hurt them.Then, one morning, Natalie wakes up in a strange, horrible version of reality. Her home, her husband, her children-they're all familiar, but something's off. Is this a hoax? A reality show? A test from God? Natalie knows just two things for sure: this isn't her perfect life, and she must escape, by any means possible.As darkly funny as it is shocking and gripping, Yesteryear is an electrifying examination of tradition, fame, faith and the grand performance of womanhood, from a thrilling new talent in fiction.NOW BEING ADAPTED INTO A MAJOR FILM STARRING ANNE HATHAWAY'WICKEDLY FUNNY, FRIGHTENINGLY PERCEPTIVE'ABIGAIL DEAN'INVENTIVE, ADDICTIVE, A WILD RIDE' ASHLEY AUDRAIN'SHOT THROUGH WITH HUMOUR, LACED WITH DARKNESS' CLARE MACKINTOSH'THE STEPFORD WIVES MEETS THE HANDMAID'S TALE' HANNAH DEITCH

Yesteryear

YOUR NEXT READ FROM THE INSTANT SUNDAY TIMES BESTSELLING AUTHOR of ROMANTIC COMEDY, PREP and AMERICAN WIFE'Messy and delicious' New York Times'Sittenfeld is in a league of her own' Guardian'One of my favourite authors' KATE ATKINSON, author of Death at the Sign of the Rook'Anything Sittenfeld writes, we'll read' People'She understands women so well; like having someone look straight into your soul' Reader review*****______Razor-sharp, glittering tales exploring marriage, fame and female friendship, from the Sunday Times bestselling author. In this compulsive collection of twelve witty stories, Sittenfeld shows why she's as beloved for her short fiction as she is for her novels, as she conjures up characters so real that they seem like old friends. In 'The Patron Saints of Middle Age,' a woman visits two friends she hasn't seen since her divorce. In 'A for Alone,' a married artist embarks on a project intended to disprove the so-called Mike Pence Rule, which suggests that women and men can't spend time alone together without lusting after each other. And in 'Lost but Not Forgotten,' Sittenfeld gives readers of her novel Prep a new window into the world of her beloved character Lee Fiora, decades later, when Lee attends an awkward school reunion. Witty, confronting and full of tenderness, Sittenfeld peels back layer after layer of our inner lives, keeping us riveted to the page with her utterly distinctive voice. READERS CAN'T GET ENOUGH OF CURTIS SITTENFELD:'Small windows into modern life and as such highly entertaining. Curtis, you're a star!' *****'Sittenfeld understands women so well, it's like having someone look straight into your soul'*****'Devoured! You'll recognise yourself and others in these pages' *****'No-one else writes with such precision and amusement' Red Magazine

Show Don't Tell

In a small, sleepy town, a mediocre witch, in a mediocre marriage, tries to pass on her gifts to her twin daughters, who, it becomes immediately apparent, have skills far beyond her own. 'NDiaye at her most dazzling' Katie Kitamura 'This is NDiaye at her disquieting best' New York Magazine Lucie comes from a long line of witches, powers passed down from mother to daughter. Her own mum was formidable in her powers, but ashamed of her magic. Perhaps as a result, Lucie's own gift is weak: she can see into the future, sometimes - but more often, she can only see the present of some other location. Not very useful. And the worst part? All she can ever see are insignificant details - a scrap of outfit, the colour of the sky. Lucie's own children are initiated into their family's peculiar womanhood when they reach twelve years of age, and in a few short months, Maud and Lise are crying the curious tears of blood that denote their magical powers. Having learned, they take off quickly and fly the nest. Literally. Witty, dreamlike, vaguely unsettling, and utterly enchanting (pun intended), The Witch brings the mysteries of womanhood and motherhood into sharp relief and leaves us teetering on the edge, unbalanced by questions as seemingly unbreakable relationships break down left and right. Who is to blame for family failures? And how can you - can you? - build a nest that no one wants to fly?

Shortlisted for the International Booker Prize 2026

The Witch

The rivetingly tense and timely conclusion to the Arkady Renko series - an iconic character from a titan of the political crime thriller genre. When Arkady Renko is charged with investigating the murder of Alexei Kazasky, the Deputy Minister of Defence, he knows he has to tread carefully. Alexei Kazasky is a high-profile politician and has a complicated relationship with Putin. This investigation clearly has Kremlin approval, but, as with everything in Russia, things are not always what they seem. Already preoccupied with his developing Parkinson's, Arkady finds he has more to worry about. The war in Ukraine is gaining momentum, and his adopted son Zhenya has become involved with the Black Army, a Russo-Ukrainian group of hacktivists. Moreover, as Arkady digs deeper into Kazasky's murder, he realizes that the man's death may have been more politically motivated than he first assumed. Now it seems that the people behind the killing have him firmly in their crosshairs - but this time Arkady's life is not the only one on the line. PRAISE FOR MARTIN CRUZ SMITH: 'Does more on a page than most writers manage in a chapter. He is unique and irreplaceable' MICK HERRON 'Among the first of a new generation of writers who made thrillers literary' GUARDIAN 'One of those writers that anyone who is serious about their craft views with respect bordering on awe' VAL McDERMID¿ 'The undisputed master of the political crime thriller' ABIR MUKHERJEE 'One of the finest writers of our age' CHARLOTTE PHILBY&nbsp;

The final Arkady Renko novel, from one of the undisputed masters of the political thriller

Hotel Ukraine

Deviants

When their summer settlement is flooded without warning, a family of Sámi women must fight for their way of life in a changing world, in this powerful, haunting novel. 'Heartachingly beautiful' Lisa Ridzén, author of WHEN THE CRANES FLY SOUTH '[An] intimate story of infuriating discrimination' Guardian Every summer, Ingá, her mother Rávdná, and her Aunt Ánne travel west to their village on the lake. But the summer Ingá is thirteen, they arrive to find their home and possessions have disappeared under water, the land flooded by a dam built to supply hydropower to a society that has continually stolen from them. The Home of the Drowned follows these women's fortunes over forty years - from 1942 to 1982 - as the water their people have lived near for centuries is transformed into a menacing force that threatens all they hold dear. Defying the authorities, Rávdná decides to build a house on the lake to replace what was lost, becoming an unlikely activist. Meanwhile, Ánne's health is in decline, and a concerned Ingá merely longs to live like everyone else - an impossible wish when the Swedish state is relentlessly drowning her world. Elin Anna Labba's debut novel brings Sámi history to the fore, revealing connections between land, water and people that hauntingly reverberate with the question: what is it that makes a home? Translated by Elizabeth Clark Wessel 'Powerful... explores memory, marginalisation and what happens when collective wisdom is washed away' Financial Times 'In this story of the struggle of a family of Sámi women... the great saga of humanity seems mystically encoded. . .With the heft of myth and the urgency of activism, this book is a clear-eyed portal into a world of wonder, injustice, resilience, and hope' Damian Le Bas, author of THE DROWNED PLACES

The Home of the Drowned

'This shape-shifting, time-stitching novel grants us special kinds of double-vision: across eras and between species. Under its spell, Amitav Ghosh helps us begin to live multiple lives - to become aware of the porosity and mystery of being, rather than of its fortifications and frontiers' Robert Macfarlane, author of Is a River Alive? 'A magical realist novel that believes in magic' Sunday Times'Amitav Ghosh has written with equal distinction in two genres - as a novelist and as a commentator on the climate emergency - and his supple new novel combines both to impressive effect' TLS 'A gripping story of youth and self-knowledge' Abdulrazak Gurnah, winner of the Nobel Prize in Literature and author of Afterlives Calcutta, September 1969Varsha Gupta wants fish for her lunch. Her family can't understand it; the three-year-old has never tasted fish in her life. The Guptas are strict vegetarians and don't allow it inside their Calcutta mansion. But Varsha claims she can remember another life, a mud house by a river where she caught and cooked fish with a different mother. Perplexed, the Guptas turn to Dr. Shoma Bose, a psychiatrist who has been investigating what are known as 'cases of the reincarnation type' for years. But her understanding of the world is changed forever by Varsha's revelations. Half a century later, Varsha's therapeutic case file catches the attention of a group of environmental activists, and Shoma's nephew Dinu is drawn inexorably into their plans. And as Dinu finds himself caught up in the search for Varsha, buried memories of his own past begin to surface.Travelling between late-sixties Calcutta and present-day Brooklyn, Ghost-Eye is an urgent and expansive novel about family, fate and our fragile planet.'Amitav Ghosh's intellectual panache and serene mastery of form make him one of the last great practitioners of the novel of ideas. Captivating' Pankaj Mishra

Ghost-Eye

WATERSTONES SCOTTISH BOOK OF THE MONTH (FEBRUARY 2026) 'Beguiling and elegiac' Lucy Steeds, author of The Artist 'A gritty tale of secrets, guilt and desire' Observer 'Completely enthralling' Lucy Rose, author of The Lamb 'An extraordinary sense of place and time, written by an exciting new voice' Radio Times (Best Books 2025) ____ 1915, the Cabrach. In the fierce, wild beauty of this remote corner of Scotland, an isolated community makes a discovery: an ancient body in a peat bog, perfectly preserved. Two people haul the body from the ground: Lizzie, the wife of a wealthy local landowner, and Johnny, a nomadic singer and farm hand. Soon afterwards, strange events begin to occur. At hearthside and inn, people whisper: what have we unearthed? As tensions run high and men leave for war, old fears and secrets emerge. But in a place where judgement is swift, who is truly without sin? 'A striking debut, filled with folkloric mystery and yearning' Amy Twigg, author of Spoilt Creatures 'Scapegoats, suspicion and secrets...a haunting picture of a small, intense environment where isolation can breed solidarity and warmth as easily as superstition and exclusion' Financial Times 'A simmering tale of outcasts and buried secrets, love and redemption' Danielle Giles, author of Mere 'A striking and atmospheric debut' The Times 'Sets a beautifully atmospheric scene from its opening lines to its final moments' PA MEDIA WHAT READERS ARE SAYING: 'An earthy, folkloric tale, where superstition is rife...a captivating read. Highly recommended' 'A gothic literary experience, rural and immersive, that thrums with tension, mystery and forbidden love' 'A deeply immersive reading experience, and one of the best elements of this book is how the atmosphere and environment of rural scotland, the small farms, the fields, the bog, the changing of seasons - nature itself becomes a character' 'Beautifully written, chilling and disturbing, the book is an engrossing read from start to finish' 'Sometimes you come across a book that is note perfect; very readable and entirely relatable but still beautifully, poetically written. This is such a complete novel, it is hard to believe it is the author's debut' 'This was a stunningly beautiful novel. Dark and creepy and wonderfully realised, and the character voices were next-level good'

Greater Sins

An atmospheric speculative suspense novel following a mysterious society offering its members the chance to relive the death of another person—and the self-destructive woman determined to uncover its secrets This ambitious, genre-bending debut is perfect for fans of time-travel ﬁction including Matt Haig’s The Midnight Library and Gareth Brown’s The Book of Doors A Publisher's Marketplace Spring/Summer 2026 Buzz Book! A People Best Books of February 2026! An Allstora Shelf Care Society Book Club Pick! For twenty years, Greta Davenport has lived with the guilt of surviving the accident that killed her parents. She’s tested the limits of her own mortality ever since, but little gives her the dopamine rush she craves. Not until the night she almost drunkenly crashes her car into a tree, and a peculiar blank card slides under her front door—an invitation to the Found Object Society. What she discovers there is beyond comprehension: an opulent, subterranean playground filled with aisles of objects from different eras and regions of the world. Pick an object and go on a voyage to relive the final moments of the person who died holding it, along with an unparalleled, irreplicable high. Greta’s hooked, but she can't quiet her questions about the society and its enigmatic creators, the answers to which have implications far beyond her growing dependence on the voyages. Death is addictive, and what she uncovers will put her entire life into question. A fever dream of a novel with episodic, time-traveling chapters told from multiple points of view, The Found Object Society examines the depraved whims of the ultrarich and the breadth of unresolved trauma—all while asking how grief and the choices we make in its aftermath can change the course of our lives. Michelle Maryk’s wholly original and ambitious debut opens an impeccably wrought speculative world of greed, power, and destiny.

A Novel

The Found Object Society

*Shortlisted for Footnote x Counterpoints Writing Prize* A moving and personal memoir telling the story of a family grappling with trauma and identity in the wake of the Holocaust. A finely honed journey across time and place, affecting and powerful, and deeply relevant for our times.' - Philippe Sands 'Simon Weisz's evocation of heartless mid-twentieth-century Europe, as public and private worlds so devastatingly collide, is compelling; his account of the jarring miscomprehensions between himself and his parents, as the evasions and false comforts mount up, is poignantly tragi-comic; and his staunchly unsentimental portrait of his glamorous mother - victim, monster, human - is masterly and deeply moving.' - David Kynaston 'A beautifully written memoir full of startling vignettes... a vivid portrait of Holocaust survival, rich with postwar period detail. A compelling story' - Jewish Chronicle 'Striking... a subtle, loving and poignant portrait.'- Matthew Reisz, Times Literary Supplement ********************* For the first eighteen years of Simon Weisz's life his parents were at pains to keep their past concealed from him. All he knew for sure was that they had grown up in Hungary and that they had arrived in Britain after the Second World War. It was only as he reached manhood that they started to confide their carefully guarded secrets to him: that they were Jewish, and that his mother had experienced the appalling horrors of Nazi persecution.In conversations over the following decades, Simon's mother gradually, often reluctantly, revealed more of her past: from the growing oppression her family had had to endure in the late 1930s, to her deportation first to Auschwitz and then to Ravensbrück, to the brutal death march she withstood from the ruins of Berlin in 1945. As he pieced her testimony together, Simon came to realise how the memories she had fought so hard to suppress continued to haunt her in the form of terrifying flashbacks and moments of extreme frustration and anger. And he started to understand how her concealed trauma had, in turn, shaped his own development and the course of his life. Himmler's Curtains is both a visceral account of a Holocaust survivor's experiences, and an impressive study of the impact of suffering on two generations of a family. It also movingly reveals the high psychological price exacted by silence.

A Memoir of Loss and Concealment

Himmler’s Curtains

The Last Witch on the Knock

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