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Robin Harrod

The Jewel of Knightsbridge

The Origins of the Harrods Empire

&lt;ul&gt;&lt;li&gt;Title&lt;/li&gt;&lt;li&gt;Copyright&lt;/li&gt;&lt;li&gt;Contents&lt;/li&gt;&lt;li&gt;Introduction&lt;/li&gt;&lt;li&gt;1 In the Beginning, there was a Draper&lt;/li&gt;&lt;li&gt;2 Out of Essex: The Origin of the Harrod Family&lt;/li&gt;&lt;li&gt;3 The First Grocery&lt;/li&gt;&lt;li&gt;4 The Move to Kensington&lt;/li&gt;&lt;li&gt;5 Charles Digby Takes Over&lt;/li&gt;&lt;li&gt;6 Out of the Ashes&lt;/li&gt;&lt;li&gt;7 Harrods Goes Public&lt;/li&gt;&lt;li&gt;8 Retirement&lt;/li&gt;&lt;li&gt;9 Charles Digby's Family&lt;/li&gt;&lt;li&gt;Epilogue&lt;/li&gt;&lt;li&gt;Acknowledgements&lt;/li&gt;&lt;/ul&gt;

Deviants

A haunting family memoir about what we owe our ancestors and our descendants, from an unforgettable new voice'Part of me knew what the hungry ghosts wanted all along, what they still want. It is not vengeance. No, they want something else, but we refuse to listen. They want us to face up to our broken obligations.' Every spring during the Qingming Festival, people return to their home villages in China to sweep the tombs of their ancestors, making offerings of food and incense to prevent them from becoming hungry ghosts that could cause misfortune. Yet for the past century, a time ruptured by war and revolution, many tombs have been left unattended. Following a record year of wildfires, Alice Mah returns to her family's rice village in South China, and discovers that her ancestors are almost forgotten, and there are no tombs left to sweep. Instead, there are incalculable clan debts to be paid. Here Mah chronicles her journey from the rice villages of South China to her home in post-industrial England, through the Chinatowns of Western Canada where she grew up, to the isles and industry of Scotland where she now lives. As years pass and fires rage on, she becomes increasingly troubled by her ancestors' neglected graves. Her research on pollution gives way to growing eco-anxiety, culminating in a crisis of spiritual belief. A haunting blend of memoir, cultural history and environmental exploration, Red Pockets confronts the hungry ghosts of our neglected ancestors, while searching for an acceptable offering. What do we owe to past and future generations? What do we owe to the places that we inhabit?

An Offering

Red Pockets

"'The women in this house are the same,' she said. 'When we love, we love with all of ourselves.'" Mai is navigating life in 90s London as a first generation British-Vietnamese teenager, caught between two cultures. Her mother, Trinh, is constantly reminding her to work hard and be grateful. But Trinh was young once too, living a vibrant and complicated life in Vietnam until forced to flee her war-torn home. Now her focus is the son she thought she'd lost, and the daughter she desperately wants to protect. She tries to forget the memories buried in the rubble of the life she left behind. Moving into young adulthood, Mai begins to follow her calling as a photographer, and falls in knotty but passionate love despite her mother's warnings about boys. When secrets from the past finally resurface, the family's bonds are truly shaken. But if Trinh and Mai can overcome their differences and stand together, then maybe there could be hope for a better, brighter future... An epic, heartwarming novel that explores love, the meaning of freedom and the importance of family, for fans of PACHINKO and ON EARTH WE'RE BRIEFLY GORGEOUS.

The epic, heartwarming, page-turning debut novel

Summer Rolls

'I couldn't put it down' RUKMINI IYER'I loved this book so much... Think: The Body Keeps the Score in practice not theory' ELLA RISBRIDGERSamantha's mother tongue is dying out. An urgent need to find out more becomes an expansive investigation into how to keep hold of her culture - and when to let it goThe daughter of Iraqi Jewish refugees, Samantha grew up surrounded by the noisy, vivid, hot sounds of Judeo-Iraqi Arabic. A language that's now on the verge of extinction. The realisation that she won't be able to tell her son he's 'living in the days of the aubergines' or 'chopping onions on my heart' opens the floodgates. The questions keep coming. How can she pass on the stories without passing on the trauma of displacement? Will her son ever love mango pickle?In her search for answers Samantha encounters demon bowls, the perils of kohl and the unexpected joys of fusion food. Her journey transports us from the clamour of Noah's Ark to the calm of the British Museum, from the Oxford School of Rare Jewish Languages to the banks of the River Tigris. As Samantha considers what we lose and keep, she also asks what we might need to let go of to preserve our culture and ourselves. This is a life-affirming memoir about resilience and repair, and the healing power of dancing to our ancestors' music, cooking up their recipes and sharing their stories. 'A moving and resonant lament for the past but also a thought-provoking siren call for the future' ANNE SEBBA'Urgent, alive, propulsive. I adored it' MARINA BENJAMIN

on losing and preserving culture

Chopping Onions on My Heart

'Rich, moving and wryly funny... a delight' Observer *Graphic Novel of the Month* 'Brilliant, witty and endlessly inventive' Joe Dunthorne, author of Submarine A road-trip across Europe and back in time: the debut graphic memoir from the prize-winning author of A Funeral In Freiburg. When her imperious, chain-smoking German Jewish grandmother dies, it falls to Astrid and her father to drive a hire van to the Black Forest and collect the family heirlooms from Gisela's nicotine-stained apartment. In Freiburg, they are faced with several lifetimes' worth of belongings to sort through - infested Persian rugs, mysterious photographs, a toy monkey that started a marriage - and a grasping landlord, impatient to renovate. As the list of demands from uncles, sisters and cousins grows longer, the rabbit-holes of history and memory grow deeper. Long-buried secrets and tales of survival are revealed - from Nazi Germany to colonial Africa - and old feuds are reignited, as father and daughter struggle with the responsibility of preserving the family legacy. More importantly, will they be able to fit everything into a medium wheel-base transit van? Funny, bittersweet and beautifully drawn, The Crystal Vase is an odyssey of family arguments, identity crises, and late discoveries.

The Crystal Vase

*Longlisted for the 2026 Women's Prize for Non-Fiction* Named a Book of the Year by Financial Times, Sunday Times, Prospect, TLS, Washington Post, NPR 'Stunningly multilayered... explores what happens when philosophies meet history, when decisions have to be made at the point of a gun' Prospect From the acclaimed author of Free comes an imaginative investigation into historical injustice, dignity and truth -- told through the story of a family from the fall of the Ottoman Empire to the dawn of Communism in the Balkans 'There is something about the human spirit, she would say, that withstands all attempts at offence, injury or humiliation ... we call it dignity' When Lea Ypi discovers a photo of her grandmother, Leman, honeymooning in the Alps in 1941 posted by a stranger on social media, she is faced with unsettling questions. Growing up, she was told records of her grandmother's youth were destroyed in the early days of communism in Albania. But there Leman was with her husband, Asllan Ypi: glamorous newlyweds while World War II raged. What follows is a thrilling reimagining of the past, as we are transported to the vanished world of Ottoman aristocracy, the making of modern Greece and Albania, a global financial crisis, the horrors of war and the dawn of communism in the Balkans. While investigating the truth about her family, Ypi grapples with uncertainty. Who is the real Leman Ypi? What made her move to Tirana as a young woman and marry a socialist who sympathized with the Popular Front while his father led a collaborationist government? And why was she smiling in the winter of 1941? By turns epic and intimate, profound and gripping, Indignity explores what it means to survive in an age of extremes. It reveals the fragility of truth, both personal and political, and the cost of decisions made against the tide of history. Through secret police reports of communist spies, court depositions, and Ypi's memories of her grandmother, we move between present and past, archive and imagination, fact and fiction. Ultimately, she asks, what do we really know about the people closest to us? And with what moral authority do we judge the acts of previous generations?

A Life Reimagined

Indignity

Wry and exhilarating, Chutzpah is a fearless exploration of what is possible when one person simply refuses to choose between abandoning their roots and abandoning themselves. LONGLISTED FOR THE 2026 WINGATE PRIZE "Clear-sighted and courageous, with an extremely dry sense of humour" DAVID BADDIEL, author of Jews Don't Count "Delightfully written: wry, moving, controlled, with a great instinct for pace and telling detail" TLS "A gutting, brave story, written with exquisite candour." Dr. Sara Glass, author of Kissing Girls on Shabbat Yehudis Fletcher was six years old when she decided to find out if there was actually a G-d. One Sabbath evening, she dared to defy a fundamental rule. She didn't wash her hands before breaking bread. At the table, Yehudis braced herself for a terrible, biblical punishment: being swallowed by the ground or consumed by fire. But nothing happened. It was at this moment that she discovered a spark within that would grow to make her invincible. As the daughter of a rabbi raised in an Orthodox Jewish community, Yehudis struggled to conform to the strict expectations placed upon her and her siblings. Outspoken, curious and desperate to know more about G-d, she felt fenced in by arbitrary rules and questions left unanswered. As she grew older, these restrictions intensified and her questions for G-d hung heavier than ever. Repeatedly let down by those who were supposed to protect her and pushed on to a path that seemed to take her further away from who she really was, she began to yearn for a life where she could embrace all facets of herself. When Yehudis's sexuality came to blows with the expectations of her family and her community, the pressure to inhabit a binary position reached fever pitch. Confronted with either losing the faith she loved or losing herself, Yehudis made the most daring decision of all: she decided to stay. "Chutzpah is a brilliant and fascinating insight into an ultra-orthodox Jewish community." Harriet Wistrich, author of Sister in Law "Yehudis's resilience is truly inspirational." Ashley Blaker, author of Normal Schmormal

A memoir of faith, sexuality and daring to stay

Chutzpah

'THIS KIND OF TROUBLE is a spellbinding tale of family secrets and how the influence of past generations impacts on the present. Eze expertly weaves together the elements that show how, over the course of a century, a family can break apart and heal. An excellent debut' Louise Hare, author of This Lovely City 'Tochi Eze is a storyteller that the ancestors would be proud of. With masterful strokes, she knits together a beguiling story of history, tragedy, family and destiny. Her characters live on beneath my skin - truly unforgettable' - Jendella Benson, author of Hope &amp; Glory A riveting, emotionally-charged tale of forbidden love, centred on an estranged couple who are brought together to reckon with the events that tore their family apart decades ago. In 1960s Lagos, a city enlivened with its newfound Independence, headstrong Margaret meets British-born Benjamin, a man seeking his ancestral roots after the death of his half-Nigerian father. Their connection is immediate, but as the two begin to fall in love, they discover that their pasts are more interwoven than they imagined due to a series of devastating events that transpired in their ancestral community. The shadow of these events, combined with Margaret's deteriorating mental health eventually tear them apart. By 2005, the couple have been estranged for forty years. Margaret has retired to an upscale gated community in Lagos, and seemingly happy Benjamin lives alone in Atlanta, managing his heart problems but feeling unmoored when faced with the question of who to name as his next of kin. But their attempt at a settled life is shattered when their grandson begins to show ominous signs that echo the struggles Margaret once faced. Now, Margaret and Benjamin must finally reunite to confront the buried secrets that they had dismissed in the passion of their youth-secrets that continue to ripple through their family. Their reunion becomes a journey into the past-one that forces them to grapple with both the personal and ancestral burdens that have followed them through generations. A startling and propulsive tale of forbidden love, THIS KIND OF TROUBLE traces the intertwined legacies of one family's history, exploring the complex relationship between tradition, modernity and the ways we seek healing in a changing world. Spanning a tumultuous century, the story moves us to consider the ways we are beholden to the past and what we owe the future. With this debut novel, Tochi Eze announces herself as a dazzling new literary voice in world literature.

This Kind of Trouble

"Important and timely ... Paul Lashmar uses the story of the Drax family's history as enslavers in Barbados as a microcosm of Britain's involvement in the transatlantic slave trade" Laura Trevelyan, journalist and author of A Very British Family"A family story straight out of Game of Thrones ... Old-school investigative reporting married with a fearless historian's eye for the truth. A brilliant book that anyone still trying to defend Britain's colonial history in the Caribbean will choke on" Alex Renton, author of Blood Legacy"A timely retelling of the story of how one Englishman led the introduction of sugar and racial slavery to the Caribbean, as well as an eye-opening exploration of how the vast resulting profits were consolidated and enjoyed by generations of his descendants" Matthew Parker, author of The Sugar Barons"This book is a must-read" Jon Lee Anderson, journalist, The New Yorker Spanning 400 years, Drax of Drax Hall is a story of a plantation owning dynasty that has never been told. It all started when James Drax, one of the first settlers in Barbados in 1627, founded the British sugar industry. His descendants went on to write the book on how to run a slave plantation. For more than two hundred years, the family enslaved up to 330 people at any time and became enormously rich. Today, the bloodline is unbroken, and former Tory MP Richard Drax heads the family from his vast Charborough Estate in Dorset. With physical assets worth at least £150m--not to mention the 621-acre sugar plantation in Barbados--he was the wealthiest landowner in the House of Commons. Today, he remains a hero amongst traditionalists and culture warriors for his refusal to make any public reparations for his family's historical role in slavery. Drax of Drax Hall lifts the lid on a grotesque period of the family's history. Through enclosure at home and enslavement abroad, their exploits expose the ugly realities of colonialism and empire--the legacies of which we have yet to confront. PAUL LASHMAR is an investigative journalist and Reader in Journalism at City St George's, University of London. He has taken an interest in the history of slavery since he developed a Channel 4 series on Britain's slave trade in 1999. Paul has been on the staff of The Observer, Granada Television's World in Action current affairs series and The Independent. He is the author, co-author or co-editor of six books and lives in Dorset.

How One British Family Got Rich (and Stayed Rich) from Sugar and Slavery

Drax of Drax Hall

'Ingenious' - The Sunday Times 'I genuinely could not put this down' - Stacey Halls 'A tour de force of a gothic thriller. I devoured it' - Gillian McAllister A Victorian gothic thriller from Elizabeth Macneal, the Sunday Times bestselling author of The Doll Factory. London, 1839. Bonnie is running from a terrible crime. She and her lover Crawford have gone too far this time, and now she needs to disappear. When Crawford secures her a position as lady's maid in a grand house on the Thames, Bonnie thinks she has found safety. But Endellion is a strange place, haunted by the recent death of its mistress. As Bonnie comes to understand the family who live here, she begins to question what secrets might be lying behind the house's paper-thin walls. Because Crawford is watching, and perhaps he is plotting his greatest trick yet . . . 'Gothic and gripping, full of twists and turns. I was hooked from the first page' - Flora Carr 'A book to sink into and relish. Dark, clever, with a twist worthy of your attention' - Kiran Millwood Hargrave 'Taut, propulsive, beautifully done' - Susan Stokes-Chapman

The Burial Plot

The Lewis Walpole Series in Eighteenth-Century Culture and History

A monumental cartographic history of the African slave trade, updated and expanded in a new edition &nbsp; In the first edition of Atlas of the Transatlantic Slave Trade, two leading historians explored details of the 350-year history of African slave traffic to the New World. They showed, with nearly 200 original maps, where the captives came from, how long the journeys lasted, how many died on the voyages, and what the ports and destinations were. They also presented details about the trade itself, including the economics. &nbsp; In this groundbreaking revised edition, 25 new maps locate the major language groups involved in the traffic and show the movement of Africans from the interior of the continent to the Americas, as well as from one part of the Americas to another. Accompanying the maps, as in the first edition, are revealing illustrations and contemporary literary selections, including poems, letters, and diary entries. &nbsp; With up-to-date information drawn from the database Slave Voyages (www.slavevoyages.org), with its records of more than 36,000 voyages, the atlas provides the fullest possible picture of the extent and inhumanity of one of the largest forced migrations in history.

Atlas of the Transatlantic Slave Trade

'What makes this brilliant, considered book worthwhile is not its breadth but how thoughtful it is.' Financial Times 'The book is stunning. He is an extraordinary writer. Such erudition. Wisdom. Humanity. And humour. ' Fergal Keane, BBC News Tim Franks spent years as the BBC's Middle East Correspondent covering Israel and the occupied Palestinian territories. During that time, he was attacked as a self-hating Jew and as an Islamophobe - as a tool of competing, malign agendas. He always tried to respond with a journalist's detached curiosity, drawing a clear line between his identity and his work. Up to the point that he asked himself: is that necessary? Beyond the judgments of others: what does it mean to be Jewish? It was a question he struggled to answer. As a child in 1970s Birmingham, Tim was a practising Jew with hardly any relations or sense of lineage. And so he embarked on a search for his ancestral roots, from Constantinople to Curaçao, from Amsterdam to the death camps, from Lithuania to Downing Street. Framing each part of his journey through what he has learned as a journalist, Tim discovers ancestors who all speak to a part of the Jewish story: there are the refugees and the risk-takers; the artists, rabbis, soldiers and revolutionaries; there is even a route to the Conservative Party's unlikeliest leader, Benjamin Disraeli. This book is a deeply empathetic memoir which encourages us all to confront the lines we draw.

The Journalist, the Jew and an Argument About Identity

The Lines We Draw

The Jewel of Knightsbridge

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