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Relational Acts

Performance Practices and Media of Documentation

This book is a Machine-Generated Literature Overview of performance management.This book highlights some of the current trends with respect to employee performance management in the current organizational climate. It discusses the trend of aligning personal goals with the organizational goals, as a strategic initiative to link employee performance with organizational goals and sheds light on the relevance of continuous feedback, as a trend, in providing direction to the employees to improve their performance. It proposes the trend of separating rewards from the pay-structure to maintain employee motivation and morale. The book propagates, upskilling and reskilling employees, as a trend, so that they get opportunities of learning and development to support good performance. It discusses the relevance of ongoing-evaluation as a trend, so that performance-rating is done for every project rather than doing it once a year. The concept of employee wellbeing is also covered in the book asthis is a much talked-about trend in the recent times. The book will be useful to students, practitioners and researchers in the area of performance-management who are keen to transform the upcoming field of performance management.The auto-summaries have been generated by a recursive clustering algorithm via the Dimensions Auto-summarizer by Digital Science handled by Subject Matter Experts and the editor(s) of this book. The editor(s) of this book selected which SN content should be auto-summarized and decided its order of appearance. Please be aware that these are extractive auto-summaries, which consist of original sentences, but are not representative of its original paper, since we do not show the full length of the publication. Please note that only published SN content is represented here, and that machine-generated books are still at an experimental stage.

A Machine-generated Overview

Contemporary Trends in Performance Management

An Introduction

Cultural Theory and Popular Culture

Regensburger Klassikstudien

Der Band geht auf eine am Zentrum für Klassikstudien der Universität Regensburg im Wintersemester 2021/22 veranstaltete Ringvorlesung zurück. Untersucht werden Zeugnisse, Begriffe, Denkformen, Verfahren und Vorstellungen, welche eine engere oder freiere Beschäftigung mit der Frage "Was ist Wahrheit?" repräsentieren. Die Beiträge orientieren sich für die Auseinandersetzung mit dieser Frage an der für die europäische Geistesgeschichte leitenden Dichotomie von Sein und Schein. Im Zentrum stehen textliche und bildliche Quellen, welche aus philosophischer, kunsthistorischer sowie aus literaturwissenschaftlicher Perspektive untersucht werden. Der dabei im Fokus stehende Schein erweist sich sowohl als eine Möglichkeit, Wahrheit zu bestimmen, als auch als ein Phänomen, das im gegenwärtigen einerseits technischen, andererseits postfaktischen gegenwärtigen Zeitalter in seinem Wahrheitsbezug offenbleiben muss.

Sein und Schein in Philosophie, Literatur und Kunst

Zur Wahrheit

From geological maps to photographs and films of snow, ice, clouds, and coral reefs, visual inscriptions mediate the construction and codification of extractive modes of seeing Earth's subterranean depths and aerial heights. Tracing the territorial ambitions of the archipelagic empires of Japan and the United States in the twentieth century, Archives of the Anthropocene explores crucial moments of overlap between the geoscientific history of studying Earth's deep time and the geopolitical history of territorialization, militarization, and extraction in the Pacific and polar regions. By engaging with contemporary critiques of settler colonialism, liberal humanism, and nonhuman labor from the perspective of environmental media studies, Yuriko Furuhata unsettles the universalist narrative of the Anthropocene, calling us to instead imagine an anticolonial and anti-imperial future for the planet.

Visual Grammars of Deep Time

Archives of the Anthropocene

A radical assessment of the racial motives underlying the conception of photography and cinemaConventional histories have long traced the origins of photography and cinema to the goal of reproducing the visible world. Black Light offers a radical counter to this understanding. Investigating the optical, cosmological, and racial thought that surrounded their conception, Christophe Wall-Romana argues that these media developed out of a desire to visualize what cannot be seen.Taking as its starting point the concurrent invention of the telescope and industrialization of the transatlantic slave trade, Black Light shows how photography and cinema are entangled with two key preoccupations of the Enlightenment: visualizing the mysteries of the cosmos and managing Blackness. Wall-Romana uses literary and technological sources to demonstrate how racial and astronomical thinking interwove throughout the long development of our modern visual media. Retracing the impulses behind nonmimetic photoimaging and dynamic modeling, he exposes the racial underpinnings of research on photosensitive compounds such as silver nitrate and the racist lenses applied in post-Copernican cosmology.Black Light charts the pivotal period from the seventeenth through the nineteenth century when Europeans were reckoning with "multiple worlds" and natural philosophy was giving way to "mechanical objectivity." Wall-Romana shows how engagement with the nature of light was always entangled with racist discourses on Blackness - especially after the 1801 discovery of the invisible spectrum and its paradox of "black light." Deprovincializing media archaeology, this book presents a groundbreaking historical framework with which to reenvision our dominant modes of seeing and understanding the world.Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions.

Revealing the Hidden History of Photography and Cinema

Black Light

Fünf Monate nach seiner Ankunft in New York schrieb Uwe Johnson im Herbst 1966 an seinen Freund Hans Magnus Enzensberger einen "Brief aus New York". Enzensberger war begeistert und veröffentlichte das kurze Prosagedicht im Kursbuch. Darin verdichtet Johnson seine Beobachtungen über das Leben in der amerikanischen Metropole - "Gelb wohin du blickst". Diese Farbe, Sinnbild für Stadtlicht und soziale Brüche, wird zum Leitmotiv seiner Reflexion über Rassismus, Gewalt, Krieg und Identität. 
Der Künstler Matthias Dettmann verwandelt den Text in 20 zweifarbige Siebdrucke, die Johnsons Themen in die Gegenwart holen. Auch hier wird die Farbe Gelb zum zentralen Motiv. Ausgewählte Zitate strukturieren die Bilderfolge - ein eindrucksvoller Dialog zwischen Literatur und Kunst, Vergangenheit und Jetztzeit. 
Mit einem Essay von Antje Pautzke (Uwe Johnson-Forschungsstelle Rostock) zur Entstehungs- und Wirkungsgeschichte.

Ein Brief aus New York

A Local and Global History of the Book

Textiles in Manuscripts

Locating Media/Situierte Medien

Globale Vernetzungstechnologien verändern Religionen und ihre Organisationsformen. Anhand heiliger Orte, islamisch-mystischer Gruppierungen und ihrer Praktiken zeichnet Rukiye Canl¿ diese Transformationsprozesse sowie ihre Aushandlungen in situ nach. Die Spurensuche nach politisch umstrittenen Ritualen führt zu vielfältigen Phänomenen an der Schnittstelle zwischen geheimer und gezeigter Kultur. Geografisches Herzstück der Forschung bildet die türkische Stadt Konya mit der Grabstätte des spirituellen Meisters Rumi. Dabei werden auch die Auswirkungen dieser Phänomene im In- und europäischen Ausland untersucht. Da spirituelle Lehreinrichtungen in der Türkei im Jahr 1925 geschlossen wurden, ist die Studie, die auf Gesprächen mit Schüler*innen der letzten Funktionäre dieser Einrichtungen basiert und soziopolitische Umbrüche dokumentiert, ein zeitgeschichtliches Zeugnis.

Transformationen religiöser Kulturpraktiken zwischen Europa und der Türkei

Medien des Sufismus

What nobody tells you about power, money, and winning in business There is a moment most executives recognize but rarely talk about. You're sitting in a meeting where the language is polite, the slide deck is professional, and everyone in the room knows someone is about to get destroyed. The budget. The team. The product. The career. They call it a strategic review. What it actually is? A knife fight with better lighting. Business isn't fair. Meritocracy is largely a fiction. The people who talk like sages are usually improvising behind the scenes, and the gap between the official version of how companies work and what actually happens inside them is exactly where careers are built-or quietly ended. The Trick Is Not Minding That It Hurts is the book that lives in that gap. It is a blunt, unsentimental field guide to how the system actually works and how to survive it without losing your sanity. After two decades inside the world's most competitive environments-including senior leadership roles at Facebook, Alibaba, and Expedia, followed by years in the private equity trenches-Lee McCabe has seen how power is built, how decisions are really made, and why the "official story" is often the most dangerous one to believe. If you are ready to stop being naive and start navigating the real world of business, this is your guide.

What Nobody Tells You About Power, Money, and Winning in Business

The Trick Is Not Minding That It Hurts

Capitalism is the most powerful, creative and destructive social system the world has ever seen. Vigorously celebrated and fiercely contested, it provides the backdrop for the pipelines and platforms that supply audiences with entertainment, information and connection. This book provides an accessible introduction to the key characteristics of capitalism and illustrates how they shape and distort our media and communications landscapes. Exploring concepts including accumulation, exploitation, ideology, oppression, commodification and colonization, the book discusses the impact of these processes on everything from our experiences online and the dynamics of algorithms to the power of oligarchs and the media's role in the escalating environmental crisis. At a time when technology is often heralded as either the cause or the solution to issues of polarization, disinformation and atomization, an understanding of the simultaneous resilience and fragility of capitalism is essential. Capitalism and the Media is important reading for students of media, communications, cultural studies and politics and provides a valuable resource for scholars and activists.

Relational Acts

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