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Slavonic and East European Music Studies

This book is a result of decades-long research into declassified files, offering a unique perspective for writing post-World War Two cultural history through the lens of the political police.

Szőnyei T: Popular Music and the Secret
Service in Hungary, 1945–1990

Popular Music and the Secret Service in Hungary, 1945–1990

Records, Files and Uncovered Stories

<ol> <li>Intro</li> </ol>1.1. Preface1.2. Historical Background1.3. The Goals, Methods and Means of the Secret Services1.4. The Institutional System of Popular Music2. Fear and Fighting in the 1940s and 1950s2.1. The Sovietisation of Sounds2.2. Singers Seeking Refuge in Exile3. Troubles with the Old and the Young in the 1960s3.1. Sorrowful Songsmiths under Surveillance3.2. The Lure of the West3.3. Beat Bands, Youth Gangs and the Long Arm of Law4. Daydreams to Nightmares: 1968 and After4.1. Lefties, Hippies and Religious Rockers in the Crosshairs4.2. Attempts at Disrupting Three Top Bands5. Dangerous Dances in the 1970s5.1. The Consequences of March Riots and Careless Words5.2. Fear of the Folk Dance Houses5.3. Fear of the Disco6. Tough Times in the 1980s6.1. Policing the Crowd and Hunting for the Black Sheep of Hard Rock6.2. New Waves of Dissent6.3. Punks and Skinheads on Trial6.4. Foreign Guests are Welcome and Watched7. Outro7.1. Survival and Surveillance in the Socialist Bloc7.2. Concluding Remarks8. Appendix8.1. Archival Sources8.2. Abbreviations8.3. Index of Names8.4. Acknowledgements

Organisation, Stars and Representation

Polish Estrada Music

This volume focuses on the circumstances of women's music-making in the diverse environment of Habsburg Central Europe, especially Bohemia and Lower Austria, during the 19th century. It sheds light on little-known women musicians, and reconsiders well-works and composers from woman-centric perspectives.

Apostles of a Brighter Future

Women in Nineteenth-Century Czech Musical Culture

The Routledge Handbook to the Music of Alfred Schnittke is a comprehensive study of the work of one of the most important Russian composers of the late 20th century. Each piece is discussed in detail, with particular attention to the composer's groundbreaking polystylism, as well as his unique approach to musical symbolism and his deep engagement with Christian themes. 

This is the first publication to look at Schnittke's output in its entirety, and for most works it represents either the first ever published analysis or the first in a language other than Russian. The volume presents new research from the Ivashkin-Schnittke Archive at Goldsmiths, University of London and the collection of Schnittke's compositional sketches at the Julliard Library in New York. It also draws on the substantial research on Schnittke's music published in the Russian language. Including a work list and bibliography of primary and secondary sources, this is an essential reference for all those interested in Russian music, 20th-century music and performance studies.

The Routledge Handbook to the Music of Alfred Schnittke

Singing Soviet Stagnation: Vocal Cycles from the USSR, 1964-1985 explores the ways in which the aftershock of an apparent crisis in Soviet identity after the death of Stalin in 1953 can be detected in selected musical- literary works of what has become known as the 'Stagnation' era (1964-1985). Richard Louis Gillies traces the cultural impact of this shift through the intersection between music, poetry, and identity, presenting close readings of three substantial musical-literary works by three of the period's most prominent composers of songs and vocal cycles:

¿ Seven Poems of Aleksandr Blok, Op. 127 (1966- 1967) by Dmitri Shostakovich (1906-1975)
¿ Russia Cast Adrift (1977) by Georgy Sviridov (1915-1998)
¿ Stupeni (1981-1982; 1997) by Valentin Silvestrov (b. 1937).

The study elaborates an interdisciplinary approach to the analysis of musicalliterary artworks that does not rely on existing models of musical analysis or on established modes of literary criticism, thereby avoiding privileging one discipline over the other. It will be of particular signifi cance for scholars, students, and performers with an interest in Russian and Soviet music, the intersection between music and poetry, and the history of Russian and East European culture, politics, and identity during the twentieth century.

Singing Soviet Stagnation: Vocal Cycles from the USSR, 1964–1985

Polish estrada music dominated Polish popular music throughout the state socialist period but gained little attention from popular music scholars because it was regarded as being of low quality and politically conformist. Ewa Mazierska carefully examines these assumptions, considering those institutions which catered for the needs of estrada artists and their fans, the presence of estrada in different media and the careers and styles of the leading stars, such as Mieczys¿aw Fogg, Irena Santor, Violetta Villas, Anna German, Jerzy Pöomski, Maryla Rodowicz, Zdzis¿awa Sönicka, Zbigniew Wodecki and Izabela Trojanowska. Mazierska also discusses the memory and legacy of estrada music in the postcommunist period. The book draws on Poland's cultural and political history and the history of Polish popular music and media, including television and radio. Mazierska engages with concepts such as genre, stardom and authenticity in order to capture the essence of Polish estrada music and to provide a comparison with popular music produced in other countries.

During the last thirty years Eastern Europe has been a place of radical political, economic, and social transformation, and these changes have affected the cultural industries of its countries. This volume consists of twelve chapters by leading international researchers. Stories are documented of various organisations that once dominated the 'communist music industries' - such as state-owned record companies, music festivals, and collecting societies. The strategies employed by artists and industries to join international music markets after the fall of communism are explained and evaluated. Political and economic transformations that coincided with the advent of digitalisation and the Internet intensified the changes. All these issues posed challenges both to record labels and artists who, after adjusting to the rules of the free-market economy, were faced with the falling record sales of records caused by the advent of new communication technologies. This book examines how these processes have all affected the music scene, industries, and markets in various Eastern European countries.

From State Control to Free Market

Eastern European Music Industries and Policies after the Fall of Communism

Black Sea Sketches is a portrait of some of the diverse musical cultures surrounding the Black Sea and in its hinterlands. Its six separate chapters follow a very broad trajectory from close-ups of traditional music (chapters 1-4) towards wide-angle studies of art music (chapters 5-6), and each of them opens windows to big, border-crossing themes about music and place. A wide variety of repertoires is discussed: ancient layers of polyphonic music, bardic songs, traditional music from the coasts and mountains, the sacred music of Islam and Orthodox Christianity, the art music of Europe and West Asia, and present-day popular music 'scenes'. The usual practice is for each chapter to begin with a Black Sea coastal location before reaching out into the hinterlands. The result is a collection of six relatively discrete essays on different locations and topics, but with underlying thematic continuities, and offering a wide-ranging commentary on cultural difference. Firmly grounded in ethnographic and documentary research, this is an important study for scholars and researchers of Ethnomusicology, as also of Caucasian and Russian/East European Studies.

Music, Place and People

Black Sea Sketches

Popular Polish Electronic Music, 1970-2020 offers a cultural history of popular Polish electronic music, from its beginning in the late 1960s/early 1970s up to the present day, in the context of Polish economic, social and political history, and the history of popular music in this country. 

From the perspective of production, scene, industry and consumption, the volume considers the issue of access to electronic instruments in the 1970s and 1980s, and the variety of inspirations, such as progressive rock and folk music, that have contributed to the development of Polish electronic music as it is known today. The widespread contribution of Polish electronic music to film is also considered. 

This is a valuable resource for scholars and researchers of electronic music, popular music and (Eastern) European music and culture.

A Cultural History

Popular Polish Electronic Music, 1970–2020

This comprehensive survey of music and musical life of the entire Soviet era, from 1917 to 1991, takes into account the extensive body of scholarly literature in Russian and other major European languages. In this considerably updated and revised edition of his 1998 publication, Hakobian traces the strikingly dramatic development of the music created by outstanding and less well-known, 'modernist' and 'conservative', 'nationalist' and 'cosmopolitan' composers of the Soviet era. The book's three parts explore, respectively, the musical trends of the 1920s, music and musical life under Stalin, and the so-called 'Bronze Age' of Soviet music after Stalin's death.

Music of the Soviet Era: 1917-1991

Reclaiming Intimacy in a Disconnected World

The Love Fix

Routledge Interdisciplinary Perspectives on Literature

This book explores zombies, vampires, and witches in contemporary popular culture from a feminist perspective, analyzing a range of novels, television series, and films. Though some popular texts (from Harry Potter to Twilight) still use historically inherited conventions, many millennial texts (like True Blood, Maleficent, and The Walking Dead) utilize feminist-friendly monster-figures to critique regressive patriarchal ideologies, champion female monstrosity and female agency, and/or envision alternative socio-cultural formations. This book contributes to discussions in feminism, popular culture, gender and sexuality studies, cultural studies, film studies, and contemporary literature.

Radical Monstrosity in Literature, Film, and TV

Feminist Perspectives on Contemporary Zombies, Vampires, and Witches

Ashgate Interdisciplinary Studies in Opera

Although Gustav Holst is rarely thought of as an opera composer, his operatic works provide a gateway to the exploration of how a budding opera composer negotiated the British operatic world across his career and how his synthesis of a myriad of cultural influences in his operatic works affected his reputation and success as a composer. This interdisciplinary study provides a kaleidoscopic view of how overlapping and often contradictory cultural influences such as imperialism, religion, literature, indigenous theatre, philosophy, folk culture, nationalism, and historiography are reflected in Holst's operas and figure into his reception as a composer of operas.

From Bayreuth to Aldeburgh

Gustav Holst and British Operatic Culture

My Memories Of Public Image Ltd

POPTOME

Stories Behind The Songs, Tours and Rise of an Icon

The Stories Behind the Songs, Tours and Rise of an Icon

Ariana Grande

Elliot Carter

Why X Matters S.

A poignant consideration of the material aspect of sound and how it fundamentally shapes our experience of the world, both in its presence and absence &nbsp; From the joyous communal connections fostered through shared auditory experience to the devastating impact of noise pollution in the deep sea, musician and author Damon Krukowski urges readers to reconsider the significance of sound and its role in both our personal and collective well-being. He looks despairingly at how the multipronged efforts of urban dwellers to mitigate city noise have led to increased isolation, loss of community, and a sense of physical detachment from one’s surroundings. He considers the consequences of the commodification of sound in the digital era. And he looks at what’s at stake in trying to preserve the world’s dwindling quiet places. &nbsp; Interspersed with personal reflections from years of working in the music business, this book investigates sound’s role in the environment, its value as a material, its relationship to labor, and how it affects our interactions with one another. Krukowski invites you to hear the world anew and renew your relationship with one of our most precious natural resources. So listen up!

Why Sound Matters

Routledge Advances in Film Studies

Through a geographically expansive series of case studies, tracking film performers from the United States, the Americas, Europe and parts of the Pacific Rim, this book explores the varieties and meanings of contemporary Hollywood stardom as it has become increasingly deterritorialized.

Stardom in Contemporary Global Hollywood

SOAS Studies in Music

Musical improvisation is a complex form of creative human expression. In this book, Sabina Rakcheyeva explores the logical outcomes of performance, relating them to existing theories and expanding those theories with new findings. Rakcheyeva begins with an examination of the attributes of musical improvisation, how it is practised, its logic, the creativity of the process and the role of the audience in performance. The book's second half is devoted to a description of a performance-based research project involving the author, a violinist, and members of her ensemble. A self-referent endeavour involving cross-cultural and cross-disciplinary analyses, investigates aspects of improvisation in recent musical practice, juxtaposing this onto the author's own performance experience and elaborating, in particular, on how improvisation encapsulates processes of imagination, creation, and collaboration among musicians from different music backgrounds. Taking the music performance to a next stage, the author explores the ways of how musical collaboration as a tool of public engagement can contribute to promoting understanding and preventing and resolving conflict, in a search of methodology for improving the effectiveness of current practices

Music as Cultural Diplomacy: Using Improvisation as a Creative Tool

A stunning, official book of pictures from George Michael's life by renowned music photographer Brian Aris. It includes many unseen images of George at different stages of his career.

George Michael: A Life in Pictures

33 1/3 Japan

Widely recognized as the most innovative and influential Japanese group since the Second World War, Yellow Magic Orchestra (YMO) is seeing a revival among music listeners around the world, along with the works of its three members: Academy Award-winning composer Sakamoto Ryuichi, Hosono Haruomi as the central figure of the Japanese "city pop" revival, and Takahashi Yukihiro, who plays drums for METAFIVE with Towa Tei and Oyamada Keigo (Cornelius). This is the first book in English on Yellow Magic Orchestra, positioning its first album as the nexus of jazz fusion, new wave, and hip hop music. YMO's debut album provides a lens on transpacific dialogue on technology, race, and intellectual history. Examining the cultural negotiations between African American and Japanese musicians since the 1970s, this book considers the album as a nascent work of Afro-Asian futurism.

Yellow Magic Orchestra’s Yellow Magic Orchestra

Electronic Dreams, Desiring Machines and Tomorrow’s Music Today

Futuromania

Popular Music and the Secret Service in Hungary, 1945–1990

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Autres titres de la collection: Slavonic and East European Music Studies

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