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Routledge History of Photography

This book is devoted to the phenomenon of removal of people declared "public enemies" from group photographs in Stalin's Russia.

Skopin D: Photography and Political
Repressions in Stalin’s Russia

Photography and Political Repressions in Stalin’s Russia

Defacing the Enemy

Introduction 1. Stalin's Repressions: Historical Overview and Theoretical Examination 2. "Portrait" Criminal Cases 3. Group Portraits: Ontological and Political Backgrounds of the Genre 4.&nbsp;Collapse&nbsp;of Interpersonal and Family Relationships&nbsp;During the Terror: Editing Photographs of Friends and Family Members&nbsp;5. The Photographs of "Former People" in the NKVD Card Indexes and Edited Photographs of the Secret Police Officers Conclusion

This study argues that photographs from Qajar Iran (1785-1925) of harem women, royal women, and public women, such as sex workers, musicians, singers, and dancers, make profound statements on the institution of the harem in a time of flux and modernization.

A Mirror for Princesses

Women’s Agency and Ontology in Nineteenth-Century Iranian Photography

This study presents the history of the Market Photo Workshop (MPW) in Johannesburg and works produced by its new generation of photography students.

Remaking Histories

The Market Photo Workshop in South Africa and the 'Born Free' Generation

The Domestic Interior and the Self in Contemporary Photography

This collection of essays investigates the effects of mobility and place on a range of photographic archives and explores their potential for cross-disciplinary dialogue.

Photo Archives and the Place of Photography

By entering and critically re-activating the Zionist photographic archive established by the Division of Journalism and Propaganda of the Jewish National Fund, this research examines its rippling impact on civil landscapes prior to 1948 in Palestine, and its lasting impact on the region to date.

Pre-State Photographic Archives and the Zionist Movement

Focusing on the creation of the concept of whiteness, this study links early photographic imagery to the development and exploitation that was common in the colonial Atlantic World of the mid- to late-nineteenth century.

The Visual Cultures of White Atlantic Worlds

The Photographic Invention of Whiteness

This book offers an analysis of the socio-historical conditions of the rise of post-war Italian photography , considers its practices and traces its destiny.

Its Legacy and Aftermath

Italian Neorealist Photography

Drawing on a panorama of materials from 1930s France, Eroticism and Photography in 1930s French Magazines takes a new approach to studying a certain type of image from a certain type of time.

Risqué Shop Windows

Eroticism and Photography in 1930s French Magazines

Through a variety of case studies by global scholars from diverse fields of study, this book explores photographic album practices of historically marginalized figures from a range of time periods, geographic locations, and socio-cultural contexts.

“These Are Our Stories”

Diverse Voices in Photographic Albums

Looking beyond the impact photographs have on the perpetuation and expression of social norms and stereotypes, and the influence of the act of taking a photograph, this new collection brings together international scholars to examine the camera itself as an actor.

Photography and the Embodiment of Technology

The Camera as Actor

With an emphasis on photographic works that offer new perspectives on the history of American social documentary, this book considers a history of politically engaged photography that may serve as models for the representation of impending environmental injustices.

The Image of Environmental Harm in American Social Documentary Photography

This book grapples with fundamental questions about the evolving nature of pictorial representation, and the role photography has played in this ongoing process.

Jeff Wall and the Concept of the Picture

Lenscratch: Topics in Contemporary Photography

This book is the first of its kind to bring together and showcase contemporary photographers' bodies of work, moving beyond the survey approach so often seen in photography today.

30 Profiles of Artists Photographing [Two Themes TBD], Book 2

Lenscratch - Contemporary Themes in Photography

Bollingen Series

Its Mythology and Transformations, Volume 2 (Plates)

The Art of Indian Asia

BASEES/Routledge Series on Russian and East European Studies

This book explores the ideological and institutional conflict surrounding the development and role of property, the focus being placed upon the legislative provisions implemented to promote the private ownership of land.

Before and After Communism

Land Ownership in Russia

The Routledge Companion to Contemporary Art Histories and Globalisation

Considers the enduring legacy of California Conceptualism, known for its lax approaches to creating, writing about, and exhibiting art. Moving away from making objects, and turning instead to staging scenes, the artists associated with California Conceptualism--including Eleanor Antin, John Baldessari, David Lamelas, Tony Ramos, Ilene Segalove, and William Wegman--behaved indifferently toward their art, denied making it and knowing what it was about, and displayed a lack of concern for its future. Their casual attitude and aesthetic transformed relationships between artists, critics, and viewers, separating those who could recognize these practices from those who could not. Contemporary artists have continued this trajectory, finding new ways to act casually through their "stance." In the humanities, this term is often taken to mean the beliefs, values, and intentions of authors, and it has offered a useful way to think about how artists position themselves toward their work and audiences. Jacob Stewart-Halevy builds on recent social theory to show how artists, critics, and other members of the art world wield stance to make sense of artworks and their social circumstances, arguing that, through the rise of conceptual art, stance has come to supplement--and in some cases replace--the aesthetic quality of artworks.

Downplaying Art Since California Conceptualism

The Casual

The Best-Kept Secret of the Cold War

The CIA Book Club

Clark Studies in the Visual Arts

An examination of how engagement with the nuances of Caribbean intellectual thought could reshape art history

Seeing Art History from the Caribbean

Beyond Boundaries

Selected Poems

The Meadow Where Time Stands Still

Routledge Research in Gender and Art

A provocative letter from a prominent eighteenth-century British noblewoman, Henrietta Howard, to her close friend Mary Hervey is a rare survivor of the informal, collaborative satires created by court women in this period. This particular June 1729 artifact contains a witty and light-hearted list of imaginary portraits, most of which refer to a notable political figure through references to specific paintings, sculptures, engravings, ceramics, textiles and book illustrations. Through a close reading of archival manuscripts, published correspondences and art historical treatises, Eric Weichel explores the cultural milieu and historical legacy of this remarkable text. Constrained by strict standards of moral propriety, the writer's overt discussions of sexuality in this letter are encoded through a system of embedded jokes and mythological references. Weichel argues that through Lady Hervey's mention of popular works of art, such as the Hampton Court tapestry cartoons by Raphael, the 'Jupiter and Ganymede' motif in country house décor, or the illustrated fables of Jean de La Fontaine, she alludes specifically to her wider circle's knowledge of adultery, queerness, sexual violence, and divorce among their peer group. In her imaginary portraits, Hervey also shows an interest in feminist education and literature, political and religious patronage, and contemporary news events.

An Eighteenth-Century Lady-in-Waiting’s 'Collection of Pictures'

Art, Sex and Politics at the Early Georgian Court

Cultural Histories of Theatre and Performance

Culture and Experiment in the Irish Free State

Performing Modernity

A reprint of the sold-out 2007 first edition with a new introduction, Mapping Water embraces uncharted artistic terrains.&nbsp;Tuwaletstiwa writes, “In this vast desert, a thin membrane separates the daily world and the world of spirit. This elemental landscape holds a deep reservoir of the unconscious, continually reminding me of the fragility and tenacity of life. Whether writing, painting, working with fiber, sand, or glass, I seek to embody the elusive images that emanate from the unconscious.”The first section in Mapping Water explores the etymology of the word “genesis” alongside paintings that relate (and don’t relate) to parts of the text, evoking thoughts on the “genesis” of ideas. Subsequent sections continue this exploration with content that varies from the deconstruction of an iconic Holocaust photograph to the construction of a series using feathers and bones to honor the spirit of a dead crow.

Judy Tuwaletstiwa: Mapping Water (Reprint)

Photography and Political Repressions in Stalin’s Russia

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