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Ogden M: Warburg, Kandinsky, and Shestov
on Renewal of Art and Humanity

Warburg, Kandinsky, and Shestov on Renewal of Art and Humanity

Artistic, Philosophical, and Psychoanalytic Perspectives

Critical Theory and Contemporary Society

Critical Theory and Contemporary Technology

"The question antagonism, struggle and dissensus, their place, limits and value for democracy, has divided deliberative from agonistic theories, and remains the main source of the impasse between them. This open access book seeks to break this impasse by going back to their sources in Kant and Nietzsche, and reframes them as philosophers of conflict. For both philosophers, conflict is part of the 'deep structure' of reality at all levels, and their reflections on its constitutive, constructive and destructive potentials raise fundamental questions that democratic theories ill afford to ignore. The eBook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by the Dutch Research Council"--

Towards a Philosophy of Conflict

Nietzsche and Kant as Thinkers of Antagonism

Pushkin Press Classics

The Right to Heresy: Castellio against Calvin

Explores the increasing destitution of the human environment from a phenomenological perspective.

A Phenomenology of the Loss of the World

The Environmental Uncanny

A comprehensive presentation of the Yale University Art Gallery's collection of Italian paintings from the thirteenth to the fifteenth century &nbsp; The collection of Italian paintings at the Yale University Art Gallery is one of the largest and richest in the world. The first of four volumes on the collection, this sumptuously illustrated book features over seventy-five works dating from 1230 to 1420 by artists such as Taddeo Gaddi, Andrea di Cione (better known as Orcagna), Lippo Memmi, Pietro and Ambrogio Lorenzetti, and Lorenzo Monaco. In addition to discussions of each painting's meaning, function, and significance, entries provide published references, provenance, full technical notes, and detailed conservation histories. An introduction by Laurence Kanter chronicles the history of the collection, from the James Jackson Jarves Collection that was assembled in the nineteenth century-the earliest formed collection of Italian paintings in any American museum-to more recent gifts by Louis and Hannah Rabinowitz and Richard Feigen. While many of the works are from Florence and Siena, the volume also includes examples from Bologna, Rimini, Venice, and more. Through its wide-ranging holdings, the Gallery's collection provides a remarkable sense of the diverse visual culture of the time. &nbsp; Distributed for the Yale University Art Gallery

Volume 1: 1230-1420

Italian Paintings at the Yale University Art Gallery

Contemporary Philosophical Perspectives on Japanese Aesthetics

The Spanish Second Republic, 1931-1939, has been written about widely and remains mired in antifascist, anti-communist, and historical memory controversies. A deep dive into the Soviet, British intelligence and other European archives, this new book brings the majority consensus among historians of the Second Republic into question and sheds new light on the scale of Soviet communist activity in Spain before the outbreak of war in July 1936. Providing an in-depth analysis of Comintern (RGASPI) and other European archival documentation, much of which has not been discussed until now, Gustavo Martín Asensio here demonstrates the growing and fundamentally subversive activity of the Comintern within the socialist union and party, the armed forces and cultural influencers which culminated in the spring of 1936.

Warburg, Kandinsky, and Shestov on Renewal of Art and Humanity

Autres titres sur ce thème