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Women’s Agency and Ontology in Nineteenth-Century Iranian Photography

A Mirror for Princesses

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This study argues that photographs from Qajar Iran (1785-1925) of harem women, royal women, and public women, such as sex workers, musicians, singers, and dancers, make profound statements on the institution of the harem in a time of flux and modernization.

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avril 2025, env. 274 Pages, Routledge History of Photography, Anglais
Taylor and Francis
978-1-032-88420-2

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