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Routledge Research in Music

Kevin Korsyn is a renowned music theorist, musicologist, and pedagogue who has taught at the University of Michigan since 1992. This book is a festschrift for Korsyn, comprised of essays that constellate around his numerous scholarly foci.

Perspectives on Contemporary Music
Theory

Perspectives on Contemporary Music Theory

Essays in Honor of Kevin Korsyn

IntroductionAn Interview with Kevin KorsynI. CLOSE READING AND THE PROBLEMATICS OF ANALYSISChapter 1. Extraordinary Measures: Disability and Metrical Conflict in Schubert's 'Der blinde Knabe'Chapter 2. Rethinking Self-referentiality in Schubert's Setting of Platen's 'Die Liebe hat gelogen,' D. 751 (op. 23, no. 1)Chapter 3. The E-Flat/B Complex in Nineteenth-Century Music and its Hermeneutic DimensionsII. COMPOSITIONAL CONSTRAINTS AND COMPOSITIONAL PROCESSChapter 4. Take It Away: How Shortened and Missing Sections Energize Rondo FormsChapter 5. Beyond Constraints: Bach's Fugue in G minor from Book 2 of The Well-Tempered ClavierIII. MUSIC AND INTERDISCIPLINARITYChapter 6. Chopin's Preludes, Creatures of Prometheus, and the PosthumanChapter 7. Walter Riezler on the Unity of the Arts: Unsiloing Art and Music in the Weimar EraChapter 8. Completing the Triad: Schenker and Kantian Practical PhilosophyChapter 9. Leni Riefenstahl's 'Ballet' Olympia

This is a pioneering work on the study of popular music in 19th-Century Spanish piano music, providing an exploration of specific folk-inspired works with an inquiry into the historical cross-pollination between popular and classical musical idioms. It will prove invaluable to pianists, scholars, performers and students in general.

Crossing Paths

Spanish Piano Music and Folklore from the Eighteenth to Early Twentieth Centuries

This edited collection explores recent insights into the experience and role of virtuosity in different contexts, via contributions from an intergenerational group of artists, academics, and artist-academics and offers a vision for the future that prioritises inclusive and overlapping practices and processes in music.

Contemporary Musical Virtuosities

This book explores music in contemporary monasticism, including instrumental use, composition, gender-related issues, along with music in neo-monastic communities. The result is a comprehensive study of the agency of music in the construction and expression of personal and community monastic identity.

Music and Identity in Twenty-First-Century Monasticism

Why do most musical performers and musical researchers continue to inhabit divergent epistemic spaces? This, and other related questions, form the central focus of this book with each chapter offering a fresh perspective on a particular topic in music performance studies.

Collaborations and Confrontations

Music Performance Encounters

From Stage to Studio: Performances versus Recordings in Classical Music presents a cultural study of classical music-making through the analysis of live and studio performances of orchestral and operatic repertoire conducted by Sir Charles Mackerras.

Performances versus Recordings in Classical Music

From Stage to Studio

Weida Wang explores how Western classical music has become increasingly popular in China, framing the industry as a complex entity embedded within China's political landscape, cultural economy, and cultural industries. The study delves into the mechanisms and underlying logics driving the rapid expansion of this market in contemporary China.

A Dialectical Crescendo

The Western Classical Music Industry in Twenty-First Century China

This book offers a rich exploration of the intersections between animation, video games, and music and sound, bringing together a range of multidisciplinary lenses.

Making Movement Sing

The Intersection of Animation, Video Games, and Music

Music, Place, and Identity in Italian Urban Soundscapes circa 1550-1860 presents new perspectives on the role music played in the physical, cultural, and civic spaces of Italian cities from the sixteenth to the nineteenth century, demonstrating how music and sound were intimately connected to changing social and political practices.

Music, Place, and Identity in Italian Urban Soundscapes circa 1550-1860

A contribution to the field of urban music studies, this book presents new interdisciplinary approaches to the study of music in urban social life. It takes musical performance as its key focus, exploring how and why different kinds of performance are evolving in contemporary cities in the interaction among social groups, commercial entrepreneur

Post-industrial Contexts in Europe and the United States

Musical Performance and the Changing City

This book explores the role of music in the some five hundred feature-length films on the Middle Ages produced between the late 1890s and the present day. Haines focuses on the tension in these films between the surviving evidence for medieval music and the idiomatic tradition of cinematic music. The latter is taken broadly as any musical sound

Authenticity vs. Fantasy

Music in Films on the Middle Ages

Schubert's Workshop offers a fresh study of the composer's compositional technique and its development, rooted in the author's experience of realising performing versions of Franz Schubert's unfinished works.

Towards an Early Maturity

Schubert's Workshop: Volume 1

Mastery and Beyond

Schubert's Workshop: Volume 2

Electronic Dreams, Desiring Machines and Tomorrow’s Music Today

Futuromania

Ashgate Popular and Folk Music Series

What musical elements define the unmistakable, yet constantly evolving, 'U2 sound'? This book addresses this question in a three-tiered music -theoretical dissection of the band's unique sound. Endrinal's analyses reach beyond the traditional focus on melody, harmony and rhythm, drawing on new computer assisted analytical techniques to explore texture, timbre and instrumentation. More than a study of one band, then, this book offers new analytical methods for the study of popular music.

Let Me In The Sound

The Sonic Signature of U2

Afrofuturism and Science Fiction in Early Hip-Hop

Electro-Rap

Bloomsbury Aesthetics

Aesthetics and Music

The Fast Life and Slow Death of Jerry Garcia

The Last American Bohemian

Why X Matters S.

A poignant consideration of the material aspect of sound and how it fundamentally shapes our experience of the world, both in its presence and absence &nbsp; From the joyous communal connections fostered through shared auditory experience to the devastating impact of noise pollution in the deep sea, musician and author Damon Krukowski urges readers to reconsider the significance of sound and its role in both our personal and collective well-being. He looks despairingly at how the multipronged efforts of urban dwellers to mitigate city noise have led to increased isolation, loss of community, and a sense of physical detachment from one’s surroundings. He considers the consequences of the commodification of sound in the digital era. And he looks at what’s at stake in trying to preserve the world’s dwindling quiet places. &nbsp; Interspersed with personal reflections from years of working in the music business, this book investigates sound’s role in the environment, its value as a material, its relationship to labor, and how it affects our interactions with one another. Krukowski invites you to hear the world anew and renew your relationship with one of our most precious natural resources. So listen up!

Why Sound Matters

California Studies in Music, Sound, and Media

Negotiating Musical Creativity in a Technological Age

Automatic Artistry

The Study of Sound

Bringing concepts from early film theory into dialogue with the vibrant field of contemporary sound studies, Wild Sound turns an analytic eye and ear to the role of the soundscape in cinema, particularly the way that film soundtracks capture, create, represent, and even critique our sonic environment. Listening beyond music and dialogue, this book draws attention to the oft-ignored background soundscape-film's "wild sound"-which plays a quiet but substantial role in determining how film audiences feel about certain places, people, and processes. It explores the relationship between location sound and wider practices of phonographic field recording in the creation of a cinematic sonic environment. The latter half of the book shifts attention from from the controlled soundscapes of cinema to the relatively chaotic sonic environments of the world around us. Michael Pigott ultimately demonstrates how a theory of cinematic soundscapes helps us develop practical strategies for investigating the sonic environment in our personal and natural sound worlds, beyond the cinema auditorium.

Wild Sound

Music Theory in Britain, 1500–1700: Critical Editions

The critical edition of John Playford's Introduction to the Skill of Musick (1672, Sixth edition) represents the contents of Playford's seminal pedagogical treatise in the middle of its development. Although Playford's Introduction was one of the most famous music texts of the period, a satisfactory modern edition of its contents has not yet been published. This is due, in part, to the fact that the interior contents of the Introduction changed markedly throughout its publication run from 1654 to 1730 (though post-1694 changes are minimal). This edition addresses this issue by presenting not only the transcription of the 1672 edition, but detailed contents of the entire publication run to better understand the shifting contents of the major sections of the work from its beginnings to the turn of the century. The contents include an introductory essay concerning the development of the series, divided according to the main sections of the text: The Grounds and Rules of Musick, Instructions and Lessons for the Bass Viol, and The Art of Descant. The body is a full transcription of the 1672 edition with images. Two appendices contain 1) critical notes on the text and a comparison of the major changes-section changes, major wording and style changes, repertoire lists, along with significant codicological amendments-between editions using 1672 as the model, and 2) a list of all of the music in the different editions of the Introduction, including information regarding in which editions the pieces may be found and a reference to modern editions on those works.

John Playford’s Introduction to the Skill of Musick, 1672

Focus on World Music Series

Focus: Native American Music leans heavily toward Native peoples of the United States, but also includes information on First Nations of Canada. It synthesizes current research on Native American music, illustrated by photographs, figures, music notations, audio examples, and personal narratives of active performers.The outstanding features are its treatment of contemporary Native American/First Nations musical life, its overview of the history of Native American music, and its focus on the musical life of Woodland peoples in Oklahoma. It is distinctive in the range of styles and genres discussed, featuring sde-bar profiles of Native American singers, musicians, and dancers.

Focus: Native American Music

Anthem Impact in Music Business, Technology and Culture

When people develop technologies to distribute music, records act like it will destroy music. This book shows these narratives are about reconfiguring power.

From Taping to Napster to TikTok

Music Technology Panic Narratives Beyond Piracy

Perspectives on Contemporary Music Theory

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