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Routledge Research in Music

This edited collection explores recent insights into the experience and role of virtuosity in different contexts, via contributions from an intergenerational group of artists, academics, and artist-academics and offers a vision for the future that prioritises inclusive and overlapping practices and processes in music.

Contemporary Musical Virtuosities

1.Contemporary musical virtuosities 2. Virtue restored, virtue shared 3. Virtuosity, pleasure and violence 4. Songman? Considering virtuosity and Noongar song revitalisation 5. Virtuosity of the Self: Investigating how the disabled dancer develops singular virtuosity 6. Virtuosities of the native alien 7. The practice of social virtuosity 8. On The New Virtuosity Manifesto 9. Virtuosity and the Commons 10. Moving for machines: How performing with sensors results in a new virtuosity 11. Developing gestural virtuosity for electronic music 12. Always preparing for spontaneity 13. Virtuosity, post-instrumental practice, and collapse: A correspondence 14. Skills and sensitivities: Designing collaborative site-specific soundworks 15.'Rrrrreaaaaaaaaaarrrrrrrghhhhh!!!!': Evolving vocal virtuosity in extreme metal 16. The interrogation of instrumental technology in Liza Lim's 'Invisibility'

This is a pioneering work on the study of popular music in 19th-Century Spanish piano music, providing an exploration of specific folk-inspired works with an inquiry into the historical cross-pollination between popular and classical musical idioms. It will prove invaluable to pianists, scholars, performers and students in general.

Crossing Paths

Spanish Piano Music and Folklore from the Eighteenth to Early Twentieth Centuries

This book explores music in contemporary monasticism, including instrumental use, composition, gender-related issues, along with music in neo-monastic communities. The result is a comprehensive study of the agency of music in the construction and expression of personal and community monastic identity.

Music and Identity in Twenty-First-Century Monasticism

Why do most musical performers and musical researchers continue to inhabit divergent epistemic spaces? This, and other related questions, form the central focus of this book with each chapter offering a fresh perspective on a particular topic in music performance studies.

Collaborations and Confrontations

Music Performance Encounters

From Stage to Studio: Performances versus Recordings in Classical Music presents a cultural study of classical music-making through the analysis of live and studio performances of orchestral and operatic repertoire conducted by Sir Charles Mackerras.

Performances versus Recordings in Classical Music

From Stage to Studio

Weida Wang explores how Western classical music has become increasingly popular in China, framing the industry as a complex entity embedded within China's political landscape, cultural economy, and cultural industries. The study delves into the mechanisms and underlying logics driving the rapid expansion of this market in contemporary China.

A Dialectical Crescendo

The Western Classical Music Industry in Twenty-First Century China

This book offers a rich exploration of the intersections between animation, video games, and music and sound, bringing together a range of multidisciplinary lenses.

Making Movement Sing

The Intersection of Animation, Video Games, and Music

Music, Place, and Identity in Italian Urban Soundscapes circa 1550-1860 presents new perspectives on the role music played in the physical, cultural, and civic spaces of Italian cities from the sixteenth to the nineteenth century, demonstrating how music and sound were intimately connected to changing social and political practices.

Music, Place, and Identity in Italian Urban Soundscapes circa 1550-1860

Kevin Korsyn is a renowned music theorist, musicologist, and pedagogue who has taught at the University of Michigan since 1992. This book is a festschrift for Korsyn, comprised of essays that constellate around his numerous scholarly foci.

Essays in Honor of Kevin Korsyn

Perspectives on Contemporary Music Theory

A contribution to the field of urban music studies, this book presents new interdisciplinary approaches to the study of music in urban social life. It takes musical performance as its key focus, exploring how and why different kinds of performance are evolving in contemporary cities in the interaction among social groups, commercial entrepreneur

Post-industrial Contexts in Europe and the United States

Musical Performance and the Changing City

This book explores the role of music in the some five hundred feature-length films on the Middle Ages produced between the late 1890s and the present day. Haines focuses on the tension in these films between the surviving evidence for medieval music and the idiomatic tradition of cinematic music. The latter is taken broadly as any musical sound

Authenticity vs. Fantasy

Music in Films on the Middle Ages

Schubert's Workshop offers a fresh study of the composer's compositional technique and its development, rooted in the author's experience of realising performing versions of Franz Schubert's unfinished works.

Towards an Early Maturity

Schubert's Workshop: Volume 1

Mastery and Beyond

Schubert's Workshop: Volume 2

* INSTANT NEW YORK TIMES BESTSELLER *A sweeping and evocative memoir from the Rock &amp; Roll Hall of Famer, Grammy Award-winning, platinum selling singer-songwriter Michael McDonald, written with his friend, Emmy Award-nominated actor, comedian, and&nbsp;#1 New York Times&nbsp;bestselling author Paul Reiser. Doobie Brothers. Steely Dan. Chart topping soloist. Across a half-century of American music, Michael McDonald's unmistakably smooth baritone voice defined an era of rock and R&amp;B with hit records like "What A Fool Believes," "Takin' It to the Streets," "I Keep Forgettin'," "Peg," "It Keeps You Running," "You Belong to Me," and "Yah Mo B There."In his candid, freewheeling memoir, written with his friend, the Emmy Award-nominated actor and comedian Paul Reiser, Michael tells the story of his life and music. A high school dropout from Ferguson, Missouri, Michael chased his dreams in 1970's California, a heady moment of rock opportunity and excess. As a rising session musician and backing vocalist, a series of encounters would send him on a wild ride around the world and to the heights of rock stardom-from joining Steely Dan and becoming a defining member of The Doobie Brothers to forging a path as a breakout solo R&amp;B artist. Interwoven with the unforgettable tales of the music, Michael tells a deeply affecting story of losing and finding himself as a man. He reckons with the unshakeable insecurities that drove him, the drug and alcohol addictions that plagued him, and the highs and lows of popularity. Along the way he relays the lessons he's learned, and that if he's learned anything at all it's that there's often little correlation between what you get and what you deserve. Filled with unbelievable stories and a matchless cast of music greats including James Taylor, Ray Charles, Carly Simon, and Quincy Jones, What a Fool Believes is a moving and entertaining memoir that is sure to be a classic.&nbsp;

What a Fool Believes

Heart Life Music&nbsp;shares the stories of a kid from small town East Tennessee with a dream fueled by the sports and music around him. When high school football came to an end, he knew there must be something more. In college, Kenny Chesney found himself on a barstool with a guitar and an unexpected connection between people, life, and songs. His heart caught fire. With Nashville's vibrant creative scene, characters, legends, and places now long gone from the city he encountered in those early days, Chesney explores the quest to find himself as an artist and a man, as well as a sense of home anywhere there's an ocean. These are the stories of the unlikely&nbsp;game changer who became the sound of coming of age in the 21st century, made friends with his heroes, rocked stadiums, and founded a No Shoes Nation.

Heart Life Music

Devil in a Coma

Ashgate Popular and Folk Music Series

What musical elements define the unmistakable, yet constantly evolving, 'U2 sound'? This book addresses this question in a three-tiered music -theoretical dissection of the band's unique sound. Endrinal's analyses reach beyond the traditional focus on melody, harmony and rhythm, drawing on new computer assisted analytical techniques to explore texture, timbre and instrumentation. More than a study of one band, then, this book offers new analytical methods for the study of popular music.

Let Me In The Sound

The Sonic Signature of U2

"Blanco seeks out a point of unity between the primitive energy of mystical rite, the raw vitality of youth and the relationship between pop and urban culture." -VogueFrom the Silence of Duchamp to the Noise of Boys is the first book of poetry by New York-based performance artist and writer Mykki Blanco. Coinciding with the release of Blanco's two new albums-their first in four years-and two new queer anthologies, We Can Do Better Than This (Vintage, 2021) and The Queer Bible (HarperCollins, 2021) that include essays penned by Blanco, this reissue of the sold-out first edition of From the Silence of Duchamp features the original collection of poems with a new introduction by the author. Written over the course of six years with revisions and additions that span across different ages and locations, From the Silence of Duchamp draws heavily from folklore and oral traditions to convey the energy of rebellious youth and challenge a contemporary indifference to spirituality. Blanco, who came of age first in the Pacific Northwest and then as a 16-year-old runaway in New York City, refers in these poems as much to their own experience of life as to the more far-reaching worlds of mysticism, metaphysics and psychedelia. From the Silence of Duchamp is arranged and illustrated by Nikolai Rose, the New York-based creative team of Jacob Melinger and Alan Paukman, who experimented with wine and salt crystals to create the haunting ink washes that accompany Blanco's visceral words. Michael David Quattlebaum Jr. (born 1986), better known by the stage name Mykki Blanco, is a songwriter, musician, performance artist, poet and activist.

From the Silence of Duchamp to the Noise of Boys

The Beatles, the Beach Boys, and the Invention of the Sixties —or, No Sense Makes Sense

The Musical Lives of Charles Manson

The Study of Sound

Bringing concepts from early film theory into dialogue with the vibrant field of contemporary sound studies, Wild Sound turns an analytic eye and ear to the role of the soundscape in cinema, particularly the way that film soundtracks capture, create, represent, and even critique our sonic environment. Listening beyond music and dialogue, this book draws attention to the oft-ignored background soundscape-film's "wild sound"-which plays a quiet but substantial role in determining how film audiences feel about certain places, people, and processes. It explores the relationship between location sound and wider practices of phonographic field recording in the creation of a cinematic sonic environment. The latter half of the book shifts attention from from the controlled soundscapes of cinema to the relatively chaotic sonic environments of the world around us. Michael Pigott ultimately demonstrates how a theory of cinematic soundscapes helps us develop practical strategies for investigating the sonic environment in our personal and natural sound worlds, beyond the cinema auditorium.

Wild Sound

Kids, Wait Till You Hear This!

Analyzes the relationship between Charles Manson, music, and 1960's counterculture.

SOAS Studies in Music

Musical improvisation is a complex form of creative human expression. In this book, Sabina Rakcheyeva explores the logical outcomes of performance, relating them to existing theories and expanding those theories with new findings. Rakcheyeva begins with an examination of the attributes of musical improvisation, how it is practised, its logic, the creativity of the process and the role of the audience in performance. The book's second half is devoted to a description of a performance-based research project involving the author, a violinist, and members of her ensemble. A self-referent endeavour involving cross-cultural and cross-disciplinary analyses, investigates aspects of improvisation in recent musical practice, juxtaposing this onto the author's own performance experience and elaborating, in particular, on how improvisation encapsulates processes of imagination, creation, and collaboration among musicians from different music backgrounds. Taking the music performance to a next stage, the author explores the ways of how musical collaboration as a tool of public engagement can contribute to promoting understanding and preventing and resolving conflict, in a search of methodology for improving the effectiveness of current practices

Music as Cultural Diplomacy: Using Improvisation as a Creative Tool

Music and Sound on the International Screen

Throughout the Cold War, the films produced on both sides of the Iron Curtain both reflected and were shaped by the ideologies of their respective countries. Music played a key role defining the messages sent by these films. The essays in this book offer the first extended look at the relationship between music and ideology in the European cinema of the Cold War era. With contributions from an international array of scholars, this volume examines cinematic productions from Britain, East and West Germany, France, Yugoslavia, Poland, the Soviet Union, and Francoist Spain. The contributors explore the interactions between music, ideology, and cinema that shaped mass culture in the Cold War.

1940s to 1980s

Music, Ideology, and Commerce in European Popular Cinema

Contemporary Musical Virtuosities

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