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Dallach C: Neu Klang

Neu Klang

The Definitive History of Krautrock

Play It!

The authors of the popular Play It! series are back with a fun and easy guitar guide, with helpful instruction on beloved Christmas songs, perfect for the budding musician in your life.

A Superfast Way to Learn Awesome Songs on Your Guitar

Play It! Christmas Songs for Guitar

Raised on Radio

Urban Studies

Der Wohnungsbau der späten Moderne kann als Blaupause für eine zukunftsfähige Stadtentwicklung dienen. Die Beiträger*innen arbeiten die vielschichtigen Werte der Großwohnsiedlungen als baukulturelles Erbe heraus und stellen Akteure und Kontexte vor, die ihre Transformationsgeschichte geprägt haben. Aus interdisziplinärer Perspektive vergleichen sie die Historie und Qualitäten in West- sowie Ostdeutschland und schärfen den Blick für eine bewahrende Weiterentwicklung der Siedlungen - was nicht zuletzt Barrieren in Denken und Handeln überwindet und durch konkrete Möglichkeiten für eine integrierte, werteorientierte Zukunftsgestaltung von Siedlungsbeständen neue Türen für die Stadtplanung öffnet.

Werte, Ideen und Strukturen von Siedlungen der 1960er bis 1980er Jahre

Wohnquartiere der Moderne im Wandel

Bloomsbury Studies in Black Religion and Cultures

This book fills a gap in religious studies literature by providing a historical study of Black gospel music in Britain. While Black gospel music is a global phenomenon that evolved in many places, including the Caribbean, America and Europe, many still look to America for an understanding of its origin. Dulcie Dixon McKenzie challenges this approach, asserting that there is no universal, 'one-size-fits-all' historical account of Black gospel music. Instead, McKenzie offers an alternative to the American-dominated discourse, presenting Black gospel music as a tradition that was birthed in the churches founded by African Caribbean migrants during the post-war years in Britain. This book is structured around three main themes-context, culture and conservation-and features first-hand accounts from founding members of African Caribbean Pentecostalism, as well as from selected pioneers of singing and music within the various historic congregations. It explores topics such as the arrival and settlement of African Caribbean ancestors in Britain, the exporting of African Caribbean religious beliefs and practices, the growth of African Caribbean Pentecostal churches in Britain, and illustrations of a distinctive African Caribbean Pentecostal style of congregational worship.

Reclaiming its African Caribbean Pentecostal Roots

Black Gospel Music in Britain

Icons of Style

The story of a fashion legend

Icons of Style: Chappell Roan

"Blanco seeks out a point of unity between the primitive energy of mystical rite, the raw vitality of youth and the relationship between pop and urban culture." -VogueFrom the Silence of Duchamp to the Noise of Boys is the first book of poetry by New York-based performance artist and writer Mykki Blanco. Coinciding with the release of Blanco's two new albums-their first in four years-and two new queer anthologies, We Can Do Better Than This (Vintage, 2021) and The Queer Bible (HarperCollins, 2021) that include essays penned by Blanco, this reissue of the sold-out first edition of From the Silence of Duchamp features the original collection of poems with a new introduction by the author. Written over the course of six years with revisions and additions that span across different ages and locations, From the Silence of Duchamp draws heavily from folklore and oral traditions to convey the energy of rebellious youth and challenge a contemporary indifference to spirituality. Blanco, who came of age first in the Pacific Northwest and then as a 16-year-old runaway in New York City, refers in these poems as much to their own experience of life as to the more far-reaching worlds of mysticism, metaphysics and psychedelia. From the Silence of Duchamp is arranged and illustrated by Nikolai Rose, the New York-based creative team of Jacob Melinger and Alan Paukman, who experimented with wine and salt crystals to create the haunting ink washes that accompany Blanco's visceral words. Michael David Quattlebaum Jr. (born 1986), better known by the stage name Mykki Blanco, is a songwriter, musician, performance artist, poet and activist.

From the Silence of Duchamp to the Noise of Boys

Eyewitness to History

Documents of the Holocaust

Be More

Dance-floor-filling bangers, complete and radical optimism, killer style - we'd all love to be a bit more Dua Lipa. Since her breakout smash-hit 'New Rules', Dua Lipa has been churning out zeitgeisty dance tracks that have swept the world. From her mermaid cameo in Barbie to her critically-acclaimed book club, she is a multi-faceted popstar who constantly challenges and surprises her audience. With this gorgeously illustrated guide to Be More Dua, channel your inner pop queen, and find advice on how to live, dance, party and love like Dua.

New Rules to Dance the Night Away and Fill You with Radical Optimism

Be More Dua Lipa

Analyzes the relationship between Charles Manson, music, and 1960's counterculture.

The Beatles, the Beach Boys, and the Invention of the Sixties —or, No Sense Makes Sense

The Musical Lives of Charles Manson

Focus on World Music Series

Focus: Native American Music leans heavily toward Native peoples of the United States, but also includes information on First Nations of Canada. It synthesizes current research on Native American music, illustrated by photographs, figures, music notations, audio examples, and personal narratives of active performers.The outstanding features are its treatment of contemporary Native American/First Nations musical life, its overview of the history of Native American music, and its focus on the musical life of Woodland peoples in Oklahoma. It is distinctive in the range of styles and genres discussed, featuring sde-bar profiles of Native American singers, musicians, and dancers.

Focus: Native American Music

Christopher Isherwood Inside Out

New Approaches to Sound, Music, and Media

Nabeel Zuberi explores how popular music in the US and UK has mediated violence and racial conflict since 9/11. The text brings together studies from a range of contexts and genres: Hip-hop MCs on both sides of the Atlantic have rapped about the figures of the terrorist, refugee and immigrant, and commented on the surveillance and policing of racialized populations. Punk rock bands have lambasted anti-Muslim racism and Islamic orthodoxies. The sonic intensities of bass music have re-articulated the weaponization of music in torture and the soundscapes of military conflict. Pop stars have become sites for flame wars and memes in racialised discourse across social media. Through discussions of recording artists such as M.I.A., Das Racist, Swet Shop Boys, the Kominas, The Bug, Burial, Vatican Shadow, Fatima Al Qadiri, and Zayn Malik, this book engages with recent scholarship in media and communication studies, popular music studies, sound studies, ethnomusicology, and sociology.

Popular Music, Race, and Media Since 9/11

Neu Klang

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