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This monograph is the first international, major publication to survey Bent Rej's seminal photographs of 1960s rock legends including The Rolling Stones, The Beatles, The Who, The Kinks, The Animals, Jimi Hendrix, Bob Dylan, and more.

Rej Bent: Musik

Musik

The 1960s Photographs

A deeply personal work of photojournalism from one of Britain's most exciting young photographers working today "The power and intensity of Asafe's work are recognizable from the first instance of setting eyes on his images. The activism that underpins it makes for an even more impactful aesthetic." --Izabela Radwanska Zhang, editorial director of British Journal of Photography For many queer people, exile begins at home. The search for safety and freedom to express themselves drives millions of LGBTQIA+ people across borders. Their stories are full of contrasts--between isolation and community, freedom and nostalgia. In their stunning compositions, photographer Asafe Ghalib explores the identities of members of the LGBTQIA+ immigrant community in Britain with striking beauty and poise. Brought up in a religious family, Ghalib draws from their own experience of leaving Brazil behind to depict the rich lives of their subjects who live at the intersections of multiple cultures. Their work, which evokes black-and-white newspaper photographs and classic portraiture that has been present since the dawn of photography, immortalizes the lives of a community that has been misrepresented for decades. The latest in a groundbreaking series of photobooks that highlight queer lives and communities around the world, Shine invites the viewer to enter the world of Britain's many queer communities and, in doing so, to challenge common misconceptions and prejudices about LGBTQIA+ people. An act of both confrontation and pride, this book is also an exploration of immigration as a human right and, above all, a celebration of the triumphs of a defiant community. Shine was designed by Emerson, Wajdowicz Studios (EWS).

Portraits in Queer Resilience, Embracing New Dimensions

Shine

JUNK

Ashgate Popular and Folk Music Series

What musical elements define the unmistakable, yet constantly evolving, 'U2 sound'? This book addresses this question in a three-tiered music -theoretical dissection of the band's unique sound. Endrinal's analyses reach beyond the traditional focus on melody, harmony and rhythm, drawing on new computer assisted analytical techniques to explore texture, timbre and instrumentation. More than a study of one band, then, this book offers new analytical methods for the study of popular music.

Let Me In The Sound

The Sonic Signature of U2

An Intimate Portrait

Picturing Prince

This lavishly illustrated book offers a comprehensive overview of the work of the great Malian photographer Seydou Keïta, one of the most important portraitists of the 20th century.

Seydou Keita

The first major biography on Anni Albers traces the complex personality and influential artistic career of the groundbreaking modern artist &nbsp; Anni Albers (1899–1994) was a pioneer of twentieth-century modernism. As a textile designer, weaver, writer, and graphic artist, she inspired a reconsideration of fabrics as an art form, both in their functional roles and as wall hangings, and took the processes of printmaking into uncharted territory. This intimate biography draws on personal conversations with Albers from the 1970s as well as unprecedented archival research to tell a fresh and full story of Albers’s life and the development of her unique and influential artistic vision. &nbsp; Capturing Albers’s extraordinary perspective about the world around her, whether the milieu she was observing was the wealthy bourgeois Berlin of her childhood or the Mexican villages where she came to feel remarkably at home, Nicholas Fox Weber brings the artist’s pithy wit and imaginative mind to life. Weber presents a riveting narrative that follows Albers’s trajectory from her time at the Bauhaus and at Black Mountain College to her later years in New Haven, Connecticut; considers her relationship with her famous husband, Josef Albers; discusses her encounters with luminaries such as Walter Gropius, Wassily Kandinsky, Paul Klee, Buckminster Fuller, and John Cage; and foregrounds Albers’s perpetual curiosity, originality, and humor, as well as her novelistic sense of the world around her.

A Life

Anni Albers

Icons, Legends, and Muses

Moments

Lee Friedlander's latest monograph captures the irony and complexity of American life, past and present. Since the 1960s, Lee Friedlander has created incisive, often witty photographs of the American social landscape, shaping our appreciation of the quirks, charms, and idiosyncrasies of everyday life. In his latest monograph, Life Still, he brings together rarely seen and never-before-published images from his vast archive alongside compelling new work, staging a visual dialogue between past and present. From fractured, disorienting reflections in shop windows and car mirrors to deadpan observations of domestic scenes and street signage, Friedlander's polychronic vision of American ubiquity is as comforting as it is alienating. Through the contradictions in the commonplace, Friedlander presents us with the enduring riddle of US culture: How does America seem, at once, so small and big, quiet and loud, phony and true? In Life Still, he reveals that these stubborn paradoxes of the American consciousness--the irony, humor, and self-conflict--remain as vivid today as they always have been.

Lee Friedlander: Life Still

Photofile

Letizia Battaglia

The first monographic study of American artist Alison Knowles, a significant yet overlooked cofounder of the Fluxus movement. Alison Knowles stands out as the sole female artist among the founders of Fluxus, yet she has remained an enigmatic, underrecognized figure in the history of art. Performing Chance fills a gap in the record, bringing to light Knowles's transformative body of work as it evolved from abstract painting in the late 1950s, to silkscreens, print media, and performance in the early 1960s, to groundbreaking works in digital poetry, acoustical art, and large-scale installations in the late 1960s-70s. Through her access to previously unpublished archival materials and direct interviews with the artist, Nicole L. Woods provides close readings of pivotal works, disclosing the ways Knowles instituted formal tactics that moved beyond modernist painting, championed principles of indeterminacy and chance, and fostered sociopolitical consciousness. Situating Knowles's innovations in various media within the distinct cultural contexts of Wiesbaden, London, Paris, New York City, and Los Angeles, Performing Chance brings this key artist back to her rightful place as a leader of the postwar avant-garde and provides a nuanced history of the role of women artists in Fluxus and beyond.

The Art of Alison Knowles In/Out of Fluxus

Performing Chance

The first bilingual monograph dedicated to Sophie Rivera, a trailblazing artist at the center of feminist engagement, Latine art, and contemporary US photography.Renowned for her portraits of everyday Puerto Ricans taken from her home studio in Upper Manhattan, Sophie Rivera (1938-2021; born in New York) began her career in the 1970s, becoming part of a coalition of artists who sought to counter negative depictions of Latinos in US popular culture. These portraits, later exhibited under the title Revelations for a public art presentation in the New York City subway, as well as her street photographs, abstract cityscapes, graffiti art images, and experimental self-portraits, bolstered Rivera's standing as a trailblazing artist who engaged with feminist and political consciousness. Sophie Rivera: Double Exposures brings together photographs, contact sheets, and artist statements with vivid scholarship that place Rivera at the center of Latine and feminist art and within the history of contemporary photography in the US. Double Exposures is published on the occasion of the first museum survey dedicated to Sophie Rivera, presented by El Museo del Barrio, New York, in 2026.

Sophie Rivera: Double Exposures

A showcase of innovative new photo-based work by an acclaimed contemporary artist &nbsp; While best known for large-scale ephemeral installations, performances, and public projects, Ann Hamilton (b. 1956) has regularly explored photography throughout her four-decade career. Over the past ten years, photography has become an increasingly important aspect of her practice, with scanning as the dominant medium in several recent projects, including her most recent photo-based series, still and moving • the tacile image. The work, featured in this volume, was created from 2021 to 2025 in response to small-scale figural sculptures in the collection of the Cleveland Museum of Art. Hamilton’s images focus on the glance, the fragment, and the gesture—elements that imbue the sculptures with movement and expression—and return time to her still subjects. &nbsp; A visual essay by Hamilton connects related compositions in a format recalling a filmstrip that hints at, but never supplies, a narrative. The images are interspersed with fragments of found text and scans of fabric that recall curtains drawn between acts and recall the prevalence of drapery in depictions of the human figure. The visual essay is followed by a scholarly essay by Barbara Tannenbaum that sets Hamilton’s new work in the context of the artist’s career-long practice of photography. It discusses the ways that, for Hamilton, the processes used and the experience of making an artwork are essential components of its meaning. &nbsp; Distributed for the Cleveland Museum of Art &nbsp; Exhibition Schedule: &nbsp; Cleveland Museum of Art (December 14, 2025–March 29, 2026)

still and moving • the tactile image

Ann Hamilton

Musik

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