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Shimada Soji: Murder in the Crooked
House

Murder in the Crooked House

The Wrecker’s Girl

Salomé was bullied for years and no one did a single thing to help her.One day she finally snapped.Now at just sixteen years old, she''s being held in a secure unit for young offendersSalomé''s counsellor, the man whose good opinion is key to her release, is best known for his racist gaffes on reality TV. Her father has recently been diagnosed with liver cancer and her elder sister Miriam''s main preoccupation is to get out of their small, close-minded village as soon as possible. Both at home and in the unit, things are unbearably tense.Salomé finds it hard to keep her temper and harder still to think about the crime she is charged with committing. But as time passes, she finds new strength to delve into the reasons for her rage and arrive at her own understanding of punishment, penitence and the paradoxical demands made on her existence as a Black woman. Raw and unsentimental, Confrontations is a powerful depiction of racism and resilience from one of the Netherlands'' most exciting new literary voices.

Confrontations

The brand new psychological thriller featuring an obsessive serial killer from the Top 10 Sunday Times bestselling author

Make You Mine

SOAS Studies in Music

With the abrogation of the Zen Buddhist Fuke sect during Japan's modernisation process in the late nineteenth century, the raison d'être for the shakuhachi (Japanese vertical bamboo flute) as a spiritual tool for mendicant monks suddenly vanished. Thereafter, playing the shakuhachi changed from spiritual practice to professional musicianship or musical hobby. The fact that the instrument had been modified and 'improved' has been a well-kept secret. The old style shakuhachi, now named jinashi shakuhachi, became a marginalised instrument for eccentrics. However, during the past decade it has gained popularity, especially outside Japan, where it is considered to be 'the real thing' as opposed to the modernised jinuri shakuhachi. Kiku Day examines how the jinashi shakuhachi, although constructed according to the principles current prior to the Meiji Restoration, itself has been modified to adapt to the needs of modern players. In order to place the instrument into the modern world in its own right, the author, a professional jinashi shakuhachi player, describes her recent collaboration with five international composers on a performance project with the aim of creating a new repertoire. This process of cross cultural creation is described against the background of action research, Theory U, and the theory of flow.

The Instrument Today and the Creation of a Contemporary Repertoire

The Jinashi Shakuhachi

A Gift Before Dying

And Other Dystopian Novellas

The Portrait of My Double

The Man with Many Names

The razor-sharp debut thriller from Anna Sharpe. You couldn't save your sister, but maybe you can avenge hers...

‘A high-octane, page-turning thriller’ Jennie Godfrey

Notes on a Drowning

The Dog Meows, The Cat Barks

Louis Warlock returns in this rollicking adventure that is John Le Carré meets Arthur Conan Doyle.

Warlock's Apocalypse

Life of a Counterfeiter

Murder in the Crooked House

Informations bibliographiques

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Informations bibliographiques

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