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Half a century after his shocking samurai-style suicide, Yukio Mishima (1925-1970) remains a deeply controversial figure. Rankin sets out to demonstrate the intelligence and seriousness of Mishima's work and thought.

Rankin A: Mishima, Aesthetic Terrorist

Mishima, Aesthetic Terrorist

An Intellectual Portrait

Bloomsbury Introductions to World Philosophies

An ideal introduction for students new to Japanese philosophy and aesthetics, Phenomenology of Tea invites readers into a dialogue throughout the fascinating aesthetic worlds of the Japanese tea ceremony, delving into its rich history, its philosophical influences and religious backgrounds all synthesized into a ritual, which brings Japanese culture to one of its highest expressions. 

Tea guests begin their tour by discussing the deep intercultural challenges with foreign intellectual and artistic traditions, considering phenomenology and Kyoto School philosophy as means for bridging Eastern and Western worlds. Throughout the journey, the astonishing elements of the ceremony provoke discussion on the aesthetics of landscape gardening, of stone, vegetation, and water, and their philosophical significance in Buddhism, Daoism and Shintoism. Once inside the hut, the profound beauty of tea is revealed through traditional aesthetic practices of calligraphy, poetry, architecture, flower arranging, and pottery. As the plenitude of philosophic and aesthetic experience culminates in the first sip of matcha, readers are transported by way of Buddhist ideas into the world of Japanese cinema, where all ideas about the ceremony dissolve into emptiness. 

 Featuring a conversational style, discussion questions, further readings, and meticulous illustrations, this book also provides a phenomenological reading of the tea ceremony, and offers new avenues for research and teaching in the field.

A Dialogue on Japanese Aesthetics

Phenomenology of Tea

Why human nature is an aesthetic phenomenon—and why we need art and philosophy to understand ourselves

In The Entanglement, philosopher Alva Noë explores the inseparability of life, art, and philosophy, arguing that we have greatly underestimated what this entangled reality means for understanding human nature.

Life supplies art with its raw materials, but art, Noë argues, remakes life by giving us resources to live differently. Our lives are permeated with the aesthetic. Indeed, human nature is an aesthetic phenomenon, and art—our most direct and authentic way of engaging the aesthetic—is the truest way of understanding ourselves. All this suggests that human nature is not a natural phenomenon. Neither biology, cognitive science, nor AI can tell a complete story of us, and we can no more pin ourselves down than we can fix or settle on the meaning of an artwork. Even more, art and philosophy are the means to set ourselves free, at least to some degree, from convention, habit, technology, culture, and even biology. In making these provocative claims, Noë explores examples of entanglement—in artworks and seeing, writing and speech, and choreography and dancing—and examines a range of scientific efforts to explain the human.

Challenging the notions that art is a mere cultural curiosity and that philosophy has been outmoded by science, The Entanglement offers a new way of thinking about human nature, the limits of natural science in understanding the human, and the essential role of art and philosophy in trying to know ourselves.

How Art and Philosophy Make Us What We Are

The Entanglement

Object Lessons

Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. A quintessential feature in Western gardens and landscaping, the lawn is now at the center of a climate change controversy. The large carbon footprint maintenance, its unquenchable thirst for fertilizers, weedkillers, and water, and the notorious unfriendliness towards all forms of wildlife have recently attracted criticism and even spurred an anti-lawn movement. Lawn untangles the colonial-capitalist threads that keep our passion for mown grass alive despite mounting evidence that we'd be better off without it. The lawn is aesthetically and ideologically versatile. From museums and hospitals to corporate headquarters and university campuses, it has become the verdant lingua franca of institutions of all kinds. Its formal homogeneity and neatness imply reliability, constancy, and solicit our trust. But beneath the lawn lies a stratification of intricate ideological and ecological issues that over time have come to define our conception of nature.

Lawn

Argues Shakespeare was a dark-skinned Jewish woman, Emilia Bassano, challenging the traditional authorship and gender perceptions. Was Shakespeare a white man from Stratford? Debate still rages over the identity of the most beloved poet of all time and 'father' of the English-speaking world. Generations of researchers have tried to dismantle the myth of the Stratford man. Now, in this intriguing and well-documented book, Irene Coslet conclusively demonstrates that Shakespeare was a not a man, but a woman: a dark-skinned lady, of Jewish origin, born into a family of Court musicians from Venice, and the mother of the English-speaking world. Her name was Emilia Bassano. Based on a re-examination of often-overlooked historical documents, shrewd, chilling, and profound, this volume offers extensive evidence that Emilia was the author of the canon. This is not just a book about the authorship debate: it is about the condition of women at the time Shakespeare was writing. It explains that feminism already existed in Elizabethan and Jacobean England. It reveals not only that Shakespeare was a woman, but also that she defended women. It reintegrates Emilia in the context of the time, for example, by exploring the relationship between Emilia and Queen Elizabeth I. The reader will leave this book with a sense of wonder, transformation, and will experience a paradigm shift. Be prepared to meet the next feminist icon.

Emilia Bassano Willoughby

The Real Shakespeare

Wildcat Dome

A Memoir Of Unbreakable Resilience & Tenacity

Grace Follows Grit

**THE SUNDAY TIMES BESTSELLER** **Winner of the Baillie Gifford Prize** From one kiss comes a chain reaction - a masterpiece of memoir from the winner of the Baillie Gifford and the Booker prize 'Extraordinary' Sarah Perry 'Masterpiece' Colm Tóibín 'Wholly original. I absolutely loved it' David Nicholls 'A brilliant, brilliant book' James Rebanks By way of H. G. Wells and Rebecca West's affair, through 1930s nuclear physics, to Flanagan's father working as a slave labourer near Hiroshima, this chain of events culminates in a young man finding himself trapped in a rapid on a wild river, not knowing if he is to live or to die... 'The strangest and most beautiful memoir I've ever read. Magnificent' Tim Winton 'Flanagan's finest book... A brilliant meditation on the past of one man and the history that coalesced in his existence' Guardian 'Flanagan's portrayal of his quiet, brave father and his loving, resilient mother is exquisite...masterful' Daily Telegraph 'Intimate, beautiful, unsparing and profound' Anna Funder

Question 7

The bestselling and award-winning German author Jenny Erpenbeck has gained international praise for her novels including Visitation, Kairos, and Go, Went, Gone. Things that Disappear is an exciting collection of interlinked miniature prose pieces that grapple with the phenomenon of disappearance on scales both large and small. The things that disappear in these pages range from everyday objects such as socks and cheese to close friends and the social norms of common courtesy, to sites and objects resonant with East German history, such as the Palace of the Republic or the lines of sight now blocked by new construction in Berlin. Erpenbeck asks: "Is there some kind of perpetrator who makes things that I know cherish and disappear?" These things disappear, and yet do they really? Do they remain in our memories more fully than if they continued to exist? Translated beautifully by Kurt Beals, Things that Disappear follows on the heels of Erpenbeck's Man Booker-Prize winning novel Kairos and offers a window into a renowned writer's sense of the past, and of her own self as a writer.

Things That Disappear

In the summer of 2020, as Europe is beginning to open back up after the first phase of the pandemic, a young Japanese woman based in the German city of Göttingen is working on a PhD about the iconography of medieval saints. She waits at the train station to meet her old friend from graduate school, Nomiya, who died nine years earlier in the 2011 earthquake and tsunami disaster in Japan, but has suddenly reemerged without any explanation.
When Nomiya arrives, the narrator guides him through Göttingen's scale model of the solar system, talking about her studies, her roommate and their mutual friends. Yet it isn't long before his spectral presence in the city begins to fray the narrator's psyche and destabilize the world beyond: eerie discoveries are made in the forest, Pluto begins disappearing and reappearing, and snags run in time's fabric. The narrative continues to spiral and unfold to include the Japanese physicist Terada Torahiko, mysteriously sprouting teeth, Saint Lucia, all set against the ever-lingering presence of death.
With a literary style reminiscent of W. G. Sebald, Yoko Tawada, and Yu Miri, The Place of Shells is a hypnotic, poetic novel that explores the ebbing and flowing of memory, its physical manifestations, its strange and sudden metaphors, and the overwhelming stranglehold of trauma.

The Place of Shells

POP. Kultur und Kritik

'Pop. Kultur und Kritik' analysiert und kommentiert die wichtigsten Tendenzen der aktuellen Popkultur in den Bereichen von Musik und Mode, Politik und Ökonomie, Internet und Fernsehen, Literatur und Kunst. Die Zeitschrift richtet sich sowohl an Wissenschaftler*innen und Student*innen als auch an Journalist*innen und alle Leser*innen mit Interesse an der Pop- und Gegenwartskultur. Heft 28 widmet sich neben vielen Gegenwartsthemen u.a. der aktuellen US-amerikanischen Popkultur.
Gefördert durch die Deutsche Forschungsgemeinschaft (DFG)&nbsp;- SFB 1472&nbsp;'Transformationen des Populären'.

Kultur und Kritik (Jg. 15, 1/2026)

The typographic form of judgment stages the authoritative presence of the common law. It is in the encounter with typographic materials that legal meaning is generated, yet typographic legality--the material expression of law as visual text--is rarely examined. In this book, Thomas Giddens refocuses critical attention by studying the history of the common law's visual technologies and unpacking the heritage, meanings and techniques of its typographic appearance. It thereby develops new methodological approaches for reading the common law's primary materials as visual media. From the archive as a typographic theatre of jurisdiction, to early law report printing, to the mass duplication of reports and their entanglement in the project of empire, to the common law's digital display, Typographic Legality encounters enduring questions of legal authority, media and technology in the material details of the common law's textual form.

The Source and Transmission of the Common Law

Typographic Legality

The thinking that feels is tension - an openness without object, an act of listening and an awaiting of sense. It is a mode of thought that arises from a living encounter with the other, with something or someone who is at once a limit and a threshold. The original search for sense that unfolds in the liminal space of alterity may be the most authentically juridical one, yet it risks being lost in the drift of law reduced to a dehumanized mechanics. By turning to Aesthetics and to the methodology of Law and Humanities, we can learn to perceive and inhabit the limit - making of it an art, so as to once again listen to and speak the law.

Practices in Law and Humanities

The Thinking That Feels

Mishima, Aesthetic Terrorist

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