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Stuart A: L'orpheline d'Auschwitz

L'orpheline d'Auschwitz

Bernard Arnault, son univers impitoyable - L'enquête

L'usage de la photo

Holly

Les Manuscrits perdus

Roman

Le Crime du paradis

L'échappée belle

Die Wiener Schlurfs und Schlurfkatzen haben sich während der 1940er-Jahre mutig gegen die Nazi-Ideologie gestellt und gemeinsam gegen die Unterdrückung angetanzt. Autorin Barbara Kadletz stellt die fast vergessene Widerstandsbewegung in ihrer von Jorghi Poll illustrierten Graphic Novel ins Rampenlicht. 
Seit Luise kurz vor Kriegsbeginn bei einem Konzert der Vibraphonistin Vera Auer (1919-1996) war, ist sie Jazzfan und verpasst keine Gelegenheit, Swing zu tanzen und die Musik live zu hören. Allerdings gilt Jazz im Nationalsozialismus als entartete Kunst, und Swing zu tanzen ist seit September 1939 behördlich verboten. Von den Nazis wegen ihres Musikgeschmacks und ihres Styles geringschätzig als 'Schlurfs' und 'Schlurfkatzen' bezeichnet, übernehmen die Jugendlichen selbstbewusst diesen Begriff und feiern im Untergrund ihre Subkultur. Special appearance: Ernst Jandl, Erni Mangold und Helmut Qualtinger.

Schlurfkatzen

Protocoles

Mesopotamia

L'autre moi

When the disgraced Lord Byron is associated with the deaths of women in Venice, he turns detective to unveil the killer and clear his name. A dazzling, riveting historical mystery by the author of the&nbsp;Sunday Times&nbsp;bestseller,&nbsp;The Fascination. &nbsp; ‘Brooding and brilliant’&nbsp;A.J. West &nbsp; ‘What could so easily have been a risible premise for a novel becomes, in Fox’s expert hands, the starting point for an atmospheric thriller’ Sunday Times &nbsp; ‘As mesmerising and charismatic as Byron himself can ever have been … a magnificent gothic tale of scandal, secrets and murder’&nbsp;Janice Hallett &nbsp; ‘Evokes all the grimy charisma of eighteenth-century Venice … a mystery as sinuous as the city's alleys and canals. I was enthralled’&nbsp;Elizabeth Fremantle &nbsp; ‘A dark treat … splendidly gothic and impressively researched’&nbsp;Andrew Taylor &nbsp; ‘Essie Fox breathes new life into the “mad, bad and dangerous to know” Lord Byron as the notorious poet turns detective … Rich with decadent imagery and dark, gothic atmosphere,&nbsp;Dangerous&nbsp;intricately blends historical fact and fiction’ Culturefly &nbsp; ––––––– &nbsp; Fiction can be fatal… &nbsp; Living in exile in Venice, the disgraced Lord Byron revels in the freedoms of the city. &nbsp; SCANDAL &nbsp; But when he is associated with the deaths of local women, found with wounds to their throats, and then a novel called&nbsp;The Vampyre&nbsp;is published under his name, rumours begin to spread that Byron may be the murderer… &nbsp; MURDER &nbsp; As events escalate and tensions rise – and his own life is endangered, as well as those he holds most dear – Byron is forced to play detective, to discover who is really behind these heinous crimes. Meanwhile, the scandals of his own infamous past come back to haunt him… &nbsp; MYSTERY &nbsp; Rich in gothic atmosphere and drawing on real events and characters from Byron's life,&nbsp;Dangerous&nbsp;is a riveting, dazzling historical thriller, as decadent, dark and seductive as the poet himself… &nbsp; _________ &nbsp; ‘A plot as labyrinthine as the Venice backstreets, told in dazzling prose; suspenseful, seductive stuff’&nbsp;Erin Kelly &nbsp; ‘Brilliant, daring writing … a darkly delicious Venetian tale of murder and mystery’&nbsp;Anna Mazzola &nbsp; ‘Essie Fox expertly weaves fact and fiction in this gloriously gothic thriller … Venice becomes the atmospheric backdrop to Byron's daring attempt to catch a killer’&nbsp;Anita Frank &nbsp; ‘Sumptuous, entertaining and glorious’&nbsp;C.S. Green &nbsp; ‘Fox is the queen of darkly glittering gothic fiction … a tale so compelling I devoured it in one sitting’&nbsp;Louisa Treger &nbsp; ‘Many writers have tried and failed to capture the Byronic quintessence, but the brilliant Essie Fox has succeeded admirably. She proves that the poet and rake remains fascinating because he is, indeed, mad, bad and&nbsp;Dangerous’&nbsp;Alex Larman &nbsp; ‘A heady and intoxicating brew … scandalously scintillating’&nbsp;Kate Griffin &nbsp; ‘A gorgeously clever thriller’&nbsp;Amanda Craig &nbsp; ‘A ravishing tale of murder, lust and thwarted ambition … a sumptuous, decadent delight’&nbsp;Emma Carroll &nbsp; ‘A deliciously gothic and beautifully written historical thriller starring the ultimate bad boy hero, Lord Byron’&nbsp;Frances Quinn &nbsp; ‘An incredibly evocative and atmospheric book that captures the Byronic soul in all its beauty and madness’&nbsp;Victoria Dowd &nbsp; ‘Deliciously dark and everything I hoped it would be’&nbsp;Paul Burston &nbsp; ‘An engaging historical mystery tale in which the dissolute poet turns sleuth to clear his own name’&nbsp;Julie Anderson,&nbsp;Time &amp; Leisure Magazine &nbsp; ‘A dark, disturbing treat, impeccably researched and compellingly told’ Bridget Walsh &nbsp; ‘What a ride! Gripping and atmospheric’ Caroline Lea &nbsp; ‘A delicious dish of decadence … fastidiously researched, richly imagined, full of wonderful descriptions of Venice’&nbsp;Michael Stewart

Dangerous

Les cerisiers fleurissent aussi la nuit

L'orpheline d'Auschwitz

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