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Kashubian Matters

Language, Literature, Education

Wie Täter sich verraten – eine forensische Sprachforscherin deckt auf

Die Sprache der Lüge

Shakespeare Retold

Shakespeare's Romeo and Juliet is completely reimagined in this unforgettable zombie love story. 'R' is a zombie. He has no name, no memories, and no pulse, but he has dreams. Amongst the ruins of an abandoned city, R meets a girl. Her name is Julie and she is the opposite of everything he knows - warm and bright and very much alive, she is a blast of colour in a dreary grey landscape. For reasons he can't understand, R chooses to save Julie instead of eating her, and a tense yet strangely tender relationship begins. This has never happened before. It breaks the rules and defies logic, but R is no longer content with life in the grave. He wants to breathe again, he wants to live, and Julie wants to help him. But their grim, rotting world won't be changed without a fight... 'The zombie novel with a heart' Guardian SHAKESPEARE RETOLD: Time travel. Zombies. Power-hungry media moguls. This is Shakespeare as you've never seen him before: nine iconic plays transformed by the best novelists of our time, with covers by Michael Craig-Martin.

Warm Bodies

Eine viktorianische Geistergeschichte

Die stillen Gefährten

Charlie Parker Thriller

BE AFRAID. MOTHER IS COMING. Wyatt Riggins, the boyfriend of rising Maine artist Zetta Nadeau, has gone missing, leaving behind a cell phone containing a single-word message: RUN. Private investigator Charlie Parker is hired to find out why Riggins has fled, and from whom. Parker discovers that Riggins, an ex-soldier, has been involved in the abduction of four children from Mexico: three girls and a boy, all belonging to the cartel boss Blas Urrea - except Urrea's family is safe and well in Mexico, which means the abductees cannot be his children. Yet whoever they are, Urrea wants them back, and has dispatched his agents to secure them, even if it means butchering everyone who stands in their way. One of those agents is Eugene Seeley, a clever, ruthless solver of other men's problems. The other is an unknown woman. Every child has a mother. Now Charlie Parker will face one unlike any other, and learn the terrifying truth about the Children of Eve.

Gripping, terrifying and utterly absorbing, the new Sunday Times bestselling Charlie Parker thriller (May 2025)

The Children of Eve

Auf Shujinjima, der Insel, auf der einst der Großtengu versiegelt wurde, regt sich neues Unheil: Der mächtige Dämon erhebt sich ein weiteres Mal und erwacht zu neuer Stärke! In seiner vollendeten Gestalt entfesselt er einen verheerenden Angriff auf das Festland. Und während der letzte Vorhang im Kampf zwischen Menschheit und Tengu fällt, steht Mamoru vor einer Entscheidung, die alles verändern wird.

Tengu – Das Böse im Blut – Band 7 (Finale)

Some nightmares don't just follow you.
 They hunt you.
For Maddie and Sandy, a simple road trip through the Arkansas wilderness becomes a descent into pure terror. What starts as a routine girls' vacation trip transforms into a calculated pursuit and a deadly game.
There's something in the rearview mirror.
 And it's getting closer.
A blue truck appears in the rearview mirror. Not by chance. Not by accident. With a precision that suggests something far more sinister than random road rage.
They're not just being followed.
 They're being hunted.
Trapped between an abandoned farmhouse and the dark Ozark woods, with a predator who seems to know their every move before they make it, Maddie and Sandy realize this is no ordinary pursuit. This is a game. And the rules are written in terror.
Some roads are not meant to be traveled.
 Some hunters don't just kill.
 They consume.
A heart-stopping thriller that will make you think twice about every car behind you.

Rearview Mirror

'EXTRAORDINARY... it already feels like a classic' EMERALD FENNELL, Oscar-winning director of WUTHERING HEIGHTS and SALTBURN A literary twist on The Secret Garden for fans of Shirley Jackson, Piranesi and Unsettled Ground.... 'Glitters with menace and mystery' Emma Stonex, bestselling author of The Lamplighters 'Part fable, part literary thriller...may be the elusive inheritor to Susanna Clarke's Piranesi' Vulture ____ Nothing had come over the wall for a very long time. .... In a place and time unknown, two elderly sisters live in a walled garden, secluded from the outside world. For as long as they can remember, Evelyn and Lily have only had each other. What came before the garden, they have forgotten; what lies beyond it, they do not know. Each day is spent tending the bees, planting the crops, dutifully following the instructions of the almanac written by their mother. But then one of them makes a startling discovery. What if their carefully curated life is an illusion? What if the walls no longer keep them safe? 'An intriguing mix of psychological mystery and dystopian gothic' Guardian 'Reminiscent of John Wyndham....absolutely exquisite' Daily Mail 'Darkly beautiful... a Gothic, dystopian inversion of The Secret Garden' Good Housekeeping 'A brilliantly drawn folie à deux ... like Shirley Jackson's We Have Always Lived In The Castle - SFX READER'S RESPONSES to THE GARDEN: 'Definitely one of the most original books I've ever read and I loved every moment of the reading experience' 5-star reader review 'LOVED this. Reminiscent of Shirley Jackson's "We Have Always Lived In The Castle" and Susanna Clarke's "Piranesi"' 5-star reader review 'Newman's writing style and world-building are poetic and evocative, yet also eerie and suspenseful.' 5-star reader review 'WOW! I was absolutely engrossed in this genre-bender for two days straight.' 5-star reader review 'Fans of Emily St. John Mandel, Lily Brooks-Dalton, and Charlotte McConaghy will enjoy this book.' 5-star reader review 'Part Whatever Happened to Baby Jane, part Lord of the Flies, part Shirley Jackson : all itself' 5-star reader review 'Nick Newman's distinctly creepy, quirky, mountingly tense post apocalyptic Gothic Garden of Eden novel is definitely weird, and remarkably wonderful.' 5-star reader review 'Gave me a mixture of We Have Always Lived in the Castle and I Capture the Castle vibes' 5-star reader review 'Outstanding. I was hooked on the story from the beginning. It had such a weird, evocative vibe from the beginning.' 5-star reader review 'Whatever else I read in 2025, it's definitely going to be one of my top ten.' 5-star reader review

The Garden

Run For It

An unforgettable debut,&nbsp;For Human Use&nbsp;is a twisted tale of modern love that bends every genre, sears itself into your brain, and presents a horrific romantic comedy unlike anything you’ve ever read before. ★ "An utterly ingenious horror-romcom, darkly zeitgeisty, and unnervingly plausible—funny as&nbsp;hell, too. You will not forget this book." ―Heather Aimee O'Neill, author of Read With Jenna book club pick The Irish Goodbye Modern dating is dead. Finding a human connection online has become impossible. Enter Liv: a dating app that matches people with dead bodies. Somehow, it has taken the world by storm. Millions of users are convinced that life with a corpse presents a better alternative to conventional relationships.&nbsp; Flailing against Liv’s popularity, venture capital superstar Tom Williamson—whose company is funding Liv—isn’t buying it. Mostly because dating an embalmed cadaver, let alone monetizing it, is obscene. Believing that Liv is the future, Auden White, the insufferable “visionary” behind the app begins demanding more and more funding, quickly making enemies with Tom. It's no secret that Tom struggles with people, dead or alive, but when he has a chance meeting with the woman who knows Auden (and his secrets) best, Mara Reed, he realizes everything is about to change for all three of them. With Liv’s userbase growing by the day, the need for cadavers rapidly increases. Humanity might not want to connect with other living, breathing people anymore, but they do want to connect with&nbsp;something. What could go wrong? ★&nbsp;&nbsp;“A wildly entertaining debut. Sarah G. Pierce cleverly skewers our modern era of disconnection and corporate overreach. But amid the horror and humor there is a deeply human love story at the heart of this book.” ―E.K Sathue, author of Youthjuice ★ "A razor-sharp satire of venture capitalism, online influence culture, and The Discourse, Pierce holds a mirror to an all-too familiar reality where the unthinkable becomes thinkable if there's profit to be made and prestige to be gained. A human romance in a world gasping for human connection, this one goes places!" ―Bitter Karella, author of Moonflow

A Novel

For Human Use

Library of America The American Short Story: The Nineteenth Century

The second volume in a landmark story collection that redefines what we thought we knew about the great American literary form A diverse, unprecedented gathering of more than one hundred stories, representing work by fifty different writers As much a nineteenth-century American invention as the cotton gin and the steamboat, the short story emerged here with a range of innovation and a variety of styles and subjects that has still not been fully appreciated. Diverse, wide-ranging, and unprecedented in its scope, The American Short Story: The Nineteenth Century gathers more than one hundred stories by fifty different writers. This second volume of The Library of America's two-volume anthology of nineteenth-century American short fiction follows the evolution of American short story from Bret Harte's mid-century tales of the Gold Rush frontier to Alice Dunbar-Nelson's "The Stones of the Village," a story about racial passing written around 1900 but not published in the author's lifetime. Henry James, generously represented in this volume, dominates the second half of the century, though also represeanted here are the accomplishments of the so-called local-color writers associated with the post-Civil War period. The indelible stories of Sarah Orne Jewett and Kate Chopin are justly celebrated examples of this strain, and those writers are represented by several stories, but ample space is also given here to stories by Constance Fenimore Woolson and Mary Wilkins Freeman. The reader will also discover the short fiction of Stephen Crane, in whose work naturalism finds its perfect aesthetic and philosophical expressionas well as the indispensable stories of such Black writers as Charles W. Chesnutt and Paul Laurence Dunbar. The unexpected selection of Thomas Nelson Page's "Marse Chan" provides the context for Chesnutt's groundbreaking explorations of racial identity and his use of African American speech and folklore. Other surprises in this volume include Francis Hopkinson Smith's minor comic masterpiece "Six House in Squantico," about a town left behind in the post-bellum South. Unrivaled in its range and textual authority, the anthology includes biographies of each writer, a chronology of writers and the American short story from 1800 to 1900, and extensive notes.

The American Short Story: The Nineteenth Century, Volume 2 (LOA #395)

Newly-turned Mexican vampire, Maria, is not just out for blood, she wants answers. From the twice Bram Stoker-nominated author of The Haunting of Alejandra and Immortal Pleasures, a gripping tale of empowerment, desire and belonging, perfect for readers of A Dowry of Blood and Certain Dark Things. Maria is a wanted woman. She's wanted by an Aztec trafficker, a cartel boss, the people she fights for, and now the devil she can't resist. A would-be immigrant turned vampire, Maria is forced to leave her home and family and embark on a journey across Mexico. She learns to fight, becoming an unlikely bad-ass enforcer of justice. Then an encounter with a violent, ruthless vampire boss leads her to find her creator. Drawn into a world of ancient vampires, deadly conspiracies and a dangerously seductive devil, Maria must find a way to fight for herself and all humankind. A fierce and seductive horror thriller, pulsing with rage, fear and desire, that explores a vampire woman's determination to find her place in the world.

Maria the Wanted

The first volume in a landmark story collection that redefines what we thought we knew about the great American literary form A diverse, unprecedented gathering of more than one hundred stories, representing work by fifty different writers As much a nineteenth-century American invention as the cotton gin and the steamboat, the short story emerged here with a range of innovation and a variety of styles and subjects that has still not been fully appreciated. Diverse, wide-ranging, and unprecedented in its scope, The American Short Story: The Nineteenth Century gathers more than one hundred stories by fifty different writers. This first volume of Library of America's two-volume collection of nineteenth-century American short fiction tracks the development of the American short story from Charles Brockden Brown's fragments and Washington Irving's sketches to Poe's gothic tales of horror to Mark Twain's humorous stories. Represented here by generous selections are all the major figures--Irving, Poe, Hawthorne, Melville, and Twain--as well as Rose Terry Cooke, also a major writer, restored to a place of prominence in this anthology with three unforgettable masterpieces. Among the many unexpected writers in this volume are: William Austin, so crucial to the development of Hawthorne and Poe; the antebellum Black writer and physician James McCune Smith, whose sketches in his "Heads of the Colored People" series lampooned the pseudoscientific racism of phrenology; Lucretia Hale, the author of the feminist fantasy "The Queen of the Red Chessman," perhaps the greatest one-hit wonder of the mid-nineteenth century; Francis Parkman, whose early magazine fiction remains unknown today even to many scholars; and Fitz-James O'Brien, the author of such unnerving horror stories as "The Lost Room" and "What Was It?," whose true themes and concerns twenty-first century readers, accustomed to reading gay fiction, will not miss. Unrivaled in its range and textual authority, the anthology includes biographies of each writer, a chronology of writers and the American short story from 1800 to 1900, and extensive notes.

The American Short Story: The Nineteenth Century, Volume 1 (LOA #394)

Von 1938 bis 1941 schreibt Marianne Rein an Jacob Picard - eine intensive Korrespondenz, die bisher unveröffentlicht blieb. Die Briefe zeigen eine Frau, die emotional, direkt und ungewöhnlich offen schreibt. Sie spricht über Literatur und Poesie, über Nähe und Distanz, über die Schwierigkeiten der Kommunikation und über Liebe. Diese Briefsammlung gewährt Einblick in eine komplexe Beziehung und in das Leben einer jüdischen Frau in einer Zeit zunehmender Bedrohung. Marianne Reins Briefe berühren und verstören manchmal durch ihre Direktheit. Sie schreibt mit einer Neugierde und Kreativität, die bemerkenswert ist angesichts der Umstände, unter denen diese Korrespondenz entstand.

Die Briefe sind mehr als persönliche Dokumente. Sie werfen Fragen auf über menschliche Verbindungen, über künstlerischen Austausch und die Bedeutung von Sprache. Marianne Reins Stimme ist lebendig und unmittelbar - sie spricht auch heute noch zu uns. Diese Edition macht eine vergessene Stimme der deutsch-jüdischen Kulturgeschichte zugänglich. Ein wichtiger Beitrag zur Briefliteratur und zur Geschichte jüdischen Lebens in Deutschland, der zugleich eine sehr persönliche, menschliche Geschichte erzählt.

Briefe von Marianne Dora Rein an Jacob Picard 1938-1941

'Ach, mein Joggele!'

Kashubian Matters

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