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Karl Goedeke: Grundriss zur Geschichte
der deutschen Dichtung / Karl Goedeke:

Karl Goedeke: Grundriss zur Geschichte der deutschen Dichtung / Karl Goedeke: Grundriss zur Geschichte der deutschen Dichtung. Band 1, [Lieferung 3]

Trends in Medieval Philology

"Entangled Displacements" offers a new way of exploring medieval cultures through the refugees they create. The book examines lyrical texts, romances and epics from Western, Northern and Southern Europe of the ninth to the thirteenth centuries to uncover a literary discourse of displacement. Early medieval poetry in particular allows us to glimpse how individual refugees negotiated their place in textual and political communities. From their solitary efforts at belonging, the book moves to shared forms of displacement and queries the possibilities of being-in-common in exile. While bands of destitute outlaws experiment with alternative forms of communal life in isolation, exiled warlords develop imperial ambitions through aggressive conquests and crusades. Both individual and collective experiences imagined in medieval literature reveal how crucially displacement intersects with other critical interests such as authorship, textual form, gender, and postcolonial perspectives. As the book's comparative, multilingual corpus shows, exile is not a marginal concern, but lies at the very heart of the medieval textual cultures we have reconstructed.

Exile and Medieval European Literature

Entangled Displacements

Two roads diverged in a wood, and I-I took the one less travelled by,And that has made all the difference.-Robert Frost

Poems to Change Your Life – Poetry for Life, Business, and Inspiration

The Poetry Business School

Cambridge Classical Classics

This influential book has made an unusual and original contribution to literary theory through a study of poetic imagery in early Greek lyric and drama and the formulation of a new critical concept, 'interaction'. This reissue contains a substantial new Introduction engaging with critical and scholarly developments since first publication.

With Special Reference to Early Greek Poetry

Interaction in Poetic Imagery

The Margellos World Republic of Letters

From a trailblazing poet, a trilingual narrative in verse that bears witness to a devastating crime and testifies to the power of collective defiance &nbsp; In 2007, Mexican soldiers raped and left for dead a seventy-three-year-old Indigenous Nahua woman, Ernestina Ascencio Rosario, as she worked on her farm. Despite extensive evidence to the contrary, including eyewitness accounts, the courts ruled that Ascencio had died of natural causes. When journalists began to investigate, they discovered that there were numerous girls in the community who also had been raped by soldiers—girls as young as twelve who were already mothers. The reports sparked outrage throughout Latin America over violence against women and girls, violence against Indigenous communities, and military impunity. &nbsp; Stolen Flower, a contemporary classic originally written in Didxazá (Isthmus Zapotec), is Irma Pineda’s powerful sequence of poems memorializing the events and their ramifications. The poems, which appear here in Didxazá, Spanish, and English, are told through a chorus of fictionalized voices: of Ascencio herself, of the field where the rape occurred, of the forest that has seen generations of Indigenous villagers, of the village grappling with the terror. It is at once a lament and a call to arms, refashioning the testimonio into a tribute to Mexico’s Indigenous peoples and their lands, cultures, languages, and dignity.

Stolen Flower

The Wickedest

Girl, Swooning

Poems

The Negroes Send Their Love

A history of Black poets in Washington, DC, reveals how they have reflected and transformed American cultural discourseWashington, DC, has long been home to a dynamic and vibrant African American literary community, despite often being overshadowed by the literary worlds of New York and Chicago. In No More Worlds to Conquer, the local poet Brian Gilmore uncovers the buried legacy of Black poets in Washington. He traces the literary life and politics of Black poets in the nation's capital since Paul Lawrence Dunbar, showing how well-known American poets, such as Sterling Brown and Jean Toomer, were mentored in DC by poets like May Miller and Georgia Douglas Johnson and making the case for the city as a center of American literature.Gilmore draws on meticulous research, personal interviews, and his own deep knowledge of the local literary community to connect generations of writers and document a poetic community that transcends Washington. He reveals the intricate intersections, networks, and influences that have shaped the city's poets and how they have influenced American poetry for a century.More than a historical account, No More Worlds to Conquer is a personal exploration that bridges the past and the present. Gilmore, who was born and raised in DC, illuminates this history and reflects on his own place in its literary tradition. This multigenerational account will resonate with poetry enthusiasts, local DC scholars, and anyone interested in the rich traditions of African American literature.

The Black Poet in Washington, DC

"No More Worlds to Conquer"

A vivid and musical rendering of the poetry of Catullus, whose passionate verses have captivated readers for centuries &nbsp; “Catullus’s verses still ring true, reminding readers that the habits of the heart haven’t changed in millennia.”—Publishers Weekly &nbsp; In the fourteenth century, a manuscript surfaced in Verona that had been lost for more than a thousand years: the poems of Catullus (c. 84–c. 54 BCE), considered by many to be one of the greatest poets who ever lived. These poems, with their beauty, wit, tenderness, and heartbreak, are still as alive and moving today as they were two thousand years ago. &nbsp; They are dense, subtle, witty, ardent, fearless, deeply uncensored, nasty (sometimes), petty (sometimes), and always beautiful. It’s especially his love poems that have earned readers’ admiration over the centuries; the joy and the savage self-inflicted torments that he underwent in his “miserable, disastrous love affair” have been shaped into poems that for honesty and emotional power have few parallels in world literature. &nbsp; Stephen Mitchell, who is known for bringing ancient texts to vibrant new life, has now translated Catullus’s poems for a new generation of readers. These are the first translations of Catullus to reimagine his rhythms in English and thus to let contemporary readers hear the formal beauty of his verse as well as its content, which Robert Lowell calls “much more raw and direct than anything in English.”

Selected Poems

Catullus

"A political, poetic excavation of the human landscape, charting the history of geography through the historic movement of its residents' bodies and complicated habits. Through intertextual intervention, this anti-linear collection reconceives the archives of Phoenix, Arizona to create a counter-map of the city and its trajectories of supremacist violence. [gamerover] tracks trajectories of colonial enterprizes, from the Arizona State Fair to the World's Columbian Exposition in Chicago to the Tornillo Detention Center in Texas, investigating the oppressions of each imperial form in spaces of recreation, exhibition, and spectacle. Understanding the landscape as an ever-moving hypertext, these poems challenge entrenched means of representation, uses of public space, and positions of witness"--

[gamerover]

The Lockert Library of Poetry in Translation

Even Time Bleeds

Anfang des 20. Jahrhunderts entstand eine materialistische Theorie, die sich mit ökonomischen und sozialen Verhältnissen der Kunstproduktion auseinandersetzte. Mit ihr ging eine Kritik am Kanon einher, die zuvor ausgeschlossene Alltagsgegenstände, Kinderzeichnungen, Volkskunst oder Fotografien als materielle Bedingungen einer Kultur begriff. Sammlungen von Kunstwerken und Artefakten wurden zu Denkumgebungen, um das Verhältnis von Geschichte, Form und Gesellschaft neu zu bestimmen. Wie Material- und Bildersammlungen auf Grundlage theoretischer Annahmen zusammengetragen wurden und auf diese zurückgewirkt haben, diskutieren die Beiträge des Bandes am Beispiel von Frederik Antal, Walter Benjamin, Bernard Berenson, Wilhelm Fraenger, Sigmund Freud, Henri Foçillon, Vernon Lee, Meyer Schapiro und Aby Warburg.

Materialismus und Kunsttheorie (1900–1960)

Bildersammlungen als Denkmaterial

Karl Goedeke: Grundriss zur Geschichte der deutschen Dichtung / Karl ...

Informations bibliographiques

Mots-clés

Informations bibliographiques

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