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Wade I: Girl, Swooning

Girl, Swooning

Routledge Revivals

A Test of Poetry

Later Life Letter

A deft, musical debut poetry collection about the disabling effects of illness, rupture, and inheritance—informed both by Yoruba divinatory systems and violent Western medical understandings of the Black body.&nbsp;If I Gather Here and Shout summons Yoruba divinatory rituals into a hospital room. Incantatory verses accumulate alongside personal and historical “figures” of illness and death to illuminate the tensions between legibility and meaning-making that emerge when an ill Black body is processed through a Western medical context. With intimate knowledge of how ancestral memory aches and sings in the body, Funto Omojola invokes a lamenting chorus in the ceremony of survival.

If I Gather Here and Shout

Handbooks of English and American Studies

This handbook aims at giving scholars an overview of the state of research and students a sense of how American poetry - ranging from its first forms evolving from the 17-century settler colonies to its current digital modes - has addressed issues and experiences central to human consciousness as much as to political lives over four centuries of cultural practice.

Handbook of American Poetry

Now in paperback! With over 60,000 hardcover copies in print, the astonishing collection about interconnectedness-between the human and nonhuman, ancestors and ourselves-from U.S. Poet Laureate and MacArthur Fellow Ada Limón."I have always been too sensitive, a weeper / from a long line of weepers," writes Limón. "I am the hurting kind." What does it mean to be the hurting kind? To be sensitive not only to the world's pain and joys, but to the meanings that bend in the scrim between the natural world and the human world? To divine the relationships between us all? To perceive ourselves in other beings-and to know that those beings are resolutely their own, that they "do not / care to be seen as symbols"?With Limón's remarkable ability to trace thought, The Hurting Kind explores those questions-incorporating others' stories and ways of knowing, making surprising turns, and always reaching a place of startling insight. These poems slip through the seasons, teeming with horses and kingfishers and the gleaming eyes of fish. And they honor parents, stepparents, and grandparents: the sacrifices made, the separate lives lived, the tendernesses extended to a hurting child; the abundance, in retrospect, of having two families.Along the way, we glimpse loss. There are flashes of the pandemic, ghosts whose presence manifests in unexpected memories and the mysterious behavior of pets left behind. But The Hurting Kind is filled, above all, with connection and the delight of being in the world. "Slippery and waddle thieving my tomatoes still / green in the morning's shade," writes Limón of a groundhog in her garden, "she is doing what she can to survive.

Poems

The Hurting Kind

Modern and Contemporary Poetry and Poetics

'Rich in detail, sensitive to the intermedial dialogue of Graham's poetics, and with the keen eye for form of a practicing poet, this book will offer readers a new, thoughtful way into the extremely self-consciously constructed space of Graham's poetry.'

Hugh Foley, author of Lyric and Liberalism in the Age of American Empire

'A probing, artful and original exploration of one of our most enigmatic twentieth-century writers.'

Natalie Ferris, author of Abstraction in Post-War British Literature 1945-1980

'Buchan-Watts gives us a newly contemporary poet, a Graham in sustained conversation with his own moment and ours.'

David Herd, author of Writing Against Expulsion in the Post-War World

This monograph considers the formal vitality of lyric in the face of anxieties about linguistic agency across the corpus of the British poet, W. S. Graham. A sophisticated modernist lyric originates, the book argues, in Graham's rendering of self-consciousness at&nbsp;different strata&nbsp;across&nbsp;space, sound, image and form -&nbsp;as distinct from a more general lyric subject or ego. By listening closely to the poems, the book seeks to identify&nbsp;the self-sufficiency of Graham's lyrics, and their ability to account for themselves theoretically on their own terms. Archival material - including worksheets, manuscripts and notebooks - is used to examine Graham's visual and spatial conception of verse and his ambivalent relation to verse form. Graham's propositions are considered in the context of broader theoretical debates about modern lyric and a slipstream of mid-century poets (namely William Empson and Veronica Forrest-Thomson). The book concludes with a sustained analysis of Denise Riley's long-term engagement with Graham's poetry, which suggests how Graham's generative approaches to lyric can be further politicised. &nbsp;&nbsp;

Sam Buchan-Watts&nbsp;is a Leverhulme Early Career Fellow in Fine Art at Newcastle University, UK. He is the author of the poetry collection&nbsp;Path Through Wood (Prototype, 2021) and co-editor of&nbsp;Try To Be Better&nbsp;(Prototype, 2019), a creative-critical engagement with W. S. Graham.&nbsp;

W. S. Graham and Lyric Self-Consciousness

Leckie SNAP Revision

Exam Board: SQALevel: N5/HigherSubject: EnglishUpdated to include the poems from the Scottish set text list for 2025/26 onwards.

Revision Guide for the Sqa English Exams

National 5/Higher English Revision: Poetry by Norman MacCaig

The Margellos World Republic of Letters

From a trailblazing poet, a trilingual narrative in verse that bears witness to a devastating crime and testifies to the power of collective defiance &nbsp; In 2007, Mexican soldiers raped and left for dead a seventy-three-year-old Indigenous Nahua woman, Ernestina Ascencio Rosario, as she worked on her farm. Despite extensive evidence to the contrary, including eyewitness accounts, the courts ruled that Ascencio had died of natural causes. When journalists began to investigate, they discovered that there were numerous girls in the community who also had been raped by soldiers—girls as young as twelve who were already mothers. The reports sparked outrage throughout Latin America over violence against women and girls, violence against Indigenous communities, and military impunity. &nbsp; Stolen Flower, a contemporary classic originally written in Didxazá (Isthmus Zapotec), is Irma Pineda’s powerful sequence of poems memorializing the events and their ramifications. The poems, which appear here in Didxazá, Spanish, and English, are told through a chorus of fictionalized voices: of Ascencio herself, of the field where the rape occurred, of the forest that has seen generations of Indigenous villagers, of the village grappling with the terror. It is at once a lament and a call to arms, refashioning the testimonio into a tribute to Mexico’s Indigenous peoples and their lands, cultures, languages, and dignity.

Stolen Flower

Namanlagh

The Wickedest

"This is the first book to closely examine the curatorial work that the celebrated poet Frank O'Hara undertook for the Museum of Modern Art in New York, from 1950 to his death in 1966. It traces O'Hara's distinguished curatorial career at home and abroad, situating his work for MoMA's International Program within the Cold War politics of the day. Bringing together readings of O'Hara's poems and letters with a selection of illustrations, it is perfect reading for anyone interested in American art in the mid-20th century, curatorial and museum studies"--

Frank O’Hara, the Mid-Century Museum, and the Art of the Cold War

Curating Modern Life

allostatic load navigates the racialized interplay of chronic wear and tear during tumultuous years marked by global racial tensions, the commodification of care, and the burden of systemic injustice. Moving between diaristic intimacy and the remove of news reportage, Junie Désil's second poetry collection invites readers to hold the vulnerability and resilience required to navigate deep healing in a world that does not wish you well, in a world that is inflamed and consequently inflames us, in a world where true restoration and health must co-occur with the planet and with each other.

Allostatic Load

Girl, Swooning

Informations bibliographiques

Mots-clés

Informations bibliographiques

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