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Hill Sean: The Negroes Send Their Love

The Negroes Send Their Love

Poems

How have feelings, presumptions, and preconceptions concerning racialized Blackness intersected with film noir? Dan Flory relies on recent advances in philosophy of film, philosophy of emotion, cognitive film theory, and critical philosophy of race to guide his analyses of this well-known film genre. Making sense of techniques, themes, and characterizations filmmakers have used in order to structure movies into films noirs, Flory focuses on those viewer responses that are not consciously registered by higher-level forms of cognition. He argues that embodied, affective, and implicit reactions are key to understanding how film noir typically conveys ideas, feelings, and perspectives concerning race. Flory examines how recent noir films and TV series by African American and other artists have substantially raised awareness of such responses which renders their analysis more straightforward. In some cases, these artists have created works that aim, both explicitly and implicitly, to generate serious philosophical reflection. By using advances in theoretical subfields in conjunction with developments in mainstream, African American, and other kinds of filmmaking, Flory elucidates many underanalyzed dimensions of noir films and their intersection with racial Blackness. His approach represents a needed opportunity to both diagnose and seek ways to overcome this vexing sociopolitical problem.

Racing Shadow and Light

African American Film Noir and Philosophy

Black Politics after the Civil Rights Revolution brings together three decades of hard-to-find essays by influential scholar Dianne Pinderhughes. The essays provide a window into the institutional, political, and policy developments in African American politics in the post civil rights era.

Black Politics after the Civil Rights Revolution

The 400-Year Struggle for Slave Emancipation in the Americas

Freedom's Fighters

Routledge Revivals

Originally published posthumously in 1980, this book centres on 5 British poets - Geoffrey Hill, Philip Larkin, Jon Silkin, Thom Gunn and Charles Tomlinson - and on the emergence in postwar British poetry of 'double-lyrics', poems which have 'become two persons, two ways of expressing and attending critically in dramatic divisive conflict.'

Divisiveness and Communal Creativity in Recent English Poetry

Double Lyric

Where slaves became drag queens - and changed the world

The House of Swann

A striking and beautifully touching new novel from the author of WHAT'S MINE AND YOURS, for fan of Kiley Reid's SUCH A FUN AGE.

Untitled Coster 2

Black Adolescent Development is the first text to provide a comprehensive overview of contemporary black adolescents in the United States-from social, psychological, economic, educational, medical, historical, and comparative perspectives.

Black Adolescent Development

Later Life Letter

Yevgeny Onegin

Now in paperback! With over 60,000 hardcover copies in print, the astonishing collection about interconnectedness-between the human and nonhuman, ancestors and ourselves-from U.S. Poet Laureate and MacArthur Fellow Ada Limón."I have always been too sensitive, a weeper / from a long line of weepers," writes Limón. "I am the hurting kind." What does it mean to be the hurting kind? To be sensitive not only to the world's pain and joys, but to the meanings that bend in the scrim between the natural world and the human world? To divine the relationships between us all? To perceive ourselves in other beings-and to know that those beings are resolutely their own, that they "do not / care to be seen as symbols"?With Limón's remarkable ability to trace thought, The Hurting Kind explores those questions-incorporating others' stories and ways of knowing, making surprising turns, and always reaching a place of startling insight. These poems slip through the seasons, teeming with horses and kingfishers and the gleaming eyes of fish. And they honor parents, stepparents, and grandparents: the sacrifices made, the separate lives lived, the tendernesses extended to a hurting child; the abundance, in retrospect, of having two families.Along the way, we glimpse loss. There are flashes of the pandemic, ghosts whose presence manifests in unexpected memories and the mysterious behavior of pets left behind. But The Hurting Kind is filled, above all, with connection and the delight of being in the world. "Slippery and waddle thieving my tomatoes still / green in the morning's shade," writes Limón of a groundhog in her garden, "she is doing what she can to survive.

The Hurting Kind

The Margellos World Republic of Letters

The instant bestseller from Djamila Ribeiro that sparked a major Black feminist movement in Brazil &nbsp; “Part theory, part manifesto, part history. . . . [Where We Stand] has the makings of a truly modern feminist classic.”—Literary Hub, “Most Anticipated Books of 2024” &nbsp; In a society shaped by the legacies of enslavement, white supremacy, and sexism, who has the right to a voice? In this elegant essay, Djamila Ribeiro offers a compelling intervention into contemporary discussions of power and identity: the concept of “speaking place.” A crucial component of conversations on race and gender in Brazil, speaking place is the idea that everyone has a social position in the world and that what we are able to say, and how it is received by others, depends on it. Ribeiro traces the history of Black feminist thought through several centuries, examining the ways that Black women have been silenced, ignored, and punished for speaking. &nbsp; Building on feminist standpoint theory, and in conversation with the works of Sojourner Truth, bell hooks, Audre Lorde, and others, Ribeiro invites all of us to recognize where we stand, to imagine geographies&nbsp;different from those we’ve inherited, and to speak a more humane world into being.

Where We Stand

The Negroes Send Their Love

Informations bibliographiques

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Informations bibliographiques

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