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Catalogue complet

Kaari Upson: Dollhouse

A Retrospective

Mark Klett and William L. Fox: Marshall Islands

Through images of 28 sculptures created over the course of 15 centuries, this book sheds light on how different cultures have depicted the Buddha over time &nbsp; Approaching the Buddha: Transmission and Transformation highlights works from the Xuzhou Collection of Buddhist Art, a private collection of masterpieces from major Buddhist cultures across the Asian continent. These works tell the life story of the historical Buddha and convey essential tenets of his teaching. The sculptures are recognized as vehicles for enlightenment, and they embody Buddhist insights that remain relevant and valuable in today’s world. &nbsp; The book features 28 works spanning a range of geographic regions: South Asia, Southeast Asia, the Himalayas, and East Asia. An introductory essay by Hao Sheng delves into the fundamental aspects of Buddhist sculptural tradition, with a focus on the reciprocal nature of viewing. Additional essays by curators, art historians, scholars of Asian art, and conservators offer insightful perspectives on the function of Buddhist sculpture, the history and teachings of the Buddha, how these lessons translate to the modern viewer, and the groundbreaking conservation findings the Xuzhou Collection has brought to light. &nbsp; Distributed for the Museum of Fine Arts, Houston &nbsp; Exhibition Schedule: &nbsp; The Museum of Fine Arts, Houston (March 8–May 17, 2026)

Transmission and Transformation

Approaching the Buddha

A fascinating biography of the philanthropist Albert Barnes, whose pioneering collection of modern art was meant to transform America’s soulFrom prominent critic and biographer Blake Gopnik comes a compelling new portrait of America’s first great collector of modern art, Albert Coombs Barnes. Raised in a Philadelphia slum shortly after the Civil War, Barnes rose to earn a medical degree and then made a fortune from a pioneering antiseptic treatment for newborns. Never losing sight of the working-class neighbors of his youth, Barnes&nbsp;became a ruthless advocate for their rights and needs. His vast art collection—181 Renoirs, 69 Cézannes, 59 Matisses, 46 Picassos—was dedicated to enriching their cultural lives. A miner was more likely to get access than a mine owner.Gopnik’s meticulous research reveals Barnes as a fierce advocate for the egalitarian ideals of his era’s progressive movement. But while his friends in the movement worked to reshape American society, Barnes wanted to transform the nation’s aesthetic life, taking art out of the hands of the elite and making it available to the average American.The Maverick’s Museum&nbsp;offers a vivid picture of one of America’s great eccentrics. The sheer ferocity of Barnes’s democratic ambitions left him with more enemies than allies among people of all classes, but for a circle of intimates, he was a model of intelligence, generosity, and loyalty. In this compelling portrait, Gopnik reveals a life shaped by contradictions, one that left a lasting impact.

Albert Barnes and His American Dream

The Maverick's Museum

Gladys Hynes (1888–1958) was a pioneering figure whose life and work embody the complex currents of the first half of the 20th century Born in India of Anglo-Irish descent, Hynes was not only a gifted painter, sculptor, illustrator and designer but also a radical—pacifist, feminist, suffragist and Irish Republican. Over five decades, she produced an exceptional body of work that engaged with the key movements of her time, ranging from the Newlyn School and Omega Workshops to Vorticism and Surrealism. Hynes moved in an extraordinary circle of creative, intellectual and political figures. Among her closest friends were fellow artists Nina Hammett, Laura Knight and Gluck. As well as Irish political activists Mabel and Desmond FitzGerald and Jack White. Her greatest and most influential friendship was with the controversial and avant-garde poet Ezra Pound, whose&nbsp;Cantos&nbsp;she illustrated. These intellectual and artistic exchanges significantly shaped Hynes’s life and development as an artist. Gladys Hynes’ legacy has been almost entirely overlooked. By shedding light on her artistic achievements, activism and feminist vision, this biography seeks to restore Hynes to her rightful place within the modernist canon as a remarkable woman whose influence, long neglected, is now ripe for rediscovery. &nbsp; &nbsp;

Radical Lives

Gladys Hynes

This richly illustrated bilingual monograph showcases Quevedo's deft weaving of cultural histories, material legacies and personal narratives into evocative paintings and works on paperBorn in Ecuador and raised in New York, artist Ronny Quevedo (born 1981) brings his Andean heritage into his work in ways both subtle and profound. In a practice that spans installation, drawings and prints, Quevedo creates intricate and densely layered works that incorporate elements of abstraction, painting, collage, cartography and sports imagery.

Ronny Quevedo: Portero / Portal Keeper

This book is a blueprint for artists looking to engage with activist movements with a persistent longevity and a reminder that art has the power to be more dangerous than words.
Front Lines: A Lifetime of Drawing Resistance is Susan Simensky Bietila's story of her six decades as a movement artist and activist and a lifetime of artistic collaborations rooted in her activist experience. Growing up during McCarthyism, she rejected the nationalist masculinity of elite art and conformist culture and found feminism and collectivism as new forms of resistance. She became an artist in the New Left, creating illustrations for radical underground publications including RAT, Subterranean News, and comics for the anarchic World War 3 Illustrated.
With more than one hundred images, Front Lines documents her art on the page and in action featuring protest banners and giant puppets of birds and fish carried in the streets, masks of notorious dictators for street theater, posters pasted on walls and hung in radical spaces, community art builds, and more. Visual storytelling and detailed captions contextualize and bring to life her work with movements including antiwar protests during the Viet Nam era, Indigenous led antimine and antipipeline struggles, water protection, immigrant rights, anticorporate globalization convening, protests against the state and capital, Palestinian liberation actions, and collaborations with groups throughout the Great Lakes region and beyond. She agitates from the roots and the front lines to this day.

A Lifetime of Drawing Resistance

Front Lines

A collaboration between Jess T. Dugan (photographer of To Survive On This Shore) and curator Charlotte Cotton, Love Pictures centers around conversations about themes informing Dugan’s practice, including gender and identity, family and politics, writing and language, relationships and community, the book as object, and the dynamics of the exhibition space. These initial dialogues then prompted subsequent conversations with others in Dugan’s and Cotton’s respective communities: friends, colleagues, mentors, and subjects of Dugan’s work—including Dawoud Bey, Kelli Connell, Dorothy Moss, and Catherine Opie, among others. Transcriptions of these intimate and in-depth exchanges are woven with the first comprehensive survey of Dugan’s work in book form. Dugan's work is in the permanent collections of over sixty museums, including the Denver Art Museum, Getty Research Institute, Harvard Art Museums, International Center of Photography, Leslie/Lohman Museum of Gay and Lesbian Art, Minneapolis Institute of Art, Museum of Fine Arts Boston, Museum of Fine Arts Houston, Nelson-Atkins Museum of Art, National Gallery of Art, and San Francisco Museum of Modern Art.

Jess T. Dugan and Charlotte Cotton: Love Pictures

Liquid Reflections

An Artist in Changing Seasons

Constable's Year

An in-depth study of the innovation and range of Pahari painting that draws from one of the greatest collections ever assembled &nbsp; Artists in the Pahari kingdoms of India’s northwest Himalayas produced paintings for religious and courtly purposes from the seventeenth through the nineteenth century. Exhibiting vibrant color and containing distinctive cultural and historical content, these works have long attracted collectors from around the world. This lavishly illustrated volume focuses on a singularly brilliant collection—now split among the Cleveland Museum of Art, the Smithsonian’s National Museum of Asian Art, and the Cincinnati Art Museum—assembled from the 1960s to the early 2000s by Catherine Glynn Benkaim, a Pahari paintings scholar, and her husband. Foregrounding recent research and fieldwork, scholars show how intervalley mobility and an ancestral village-based artist culture can explain the surprising range of styles seen in paintings from this dramatic, mountainous region. Essays move beyond problematic court attributions and identifications of Mughal influence to reposition the agency of artists and patrons working in collaboration across boundaries of Pahari kingdoms at the forefront of artistic praxis. Many of these paintings are published here for the first time, along with discussions of their more recent histories, full translations of inscriptions, and the collector’s personal comments on the collecting of Pahari paintings. &nbsp; Distributed for the Cleveland Museum of Art &nbsp; Exhibition Schedule: &nbsp; Cleveland Museum of Art (April 12–August 9, 2026) &nbsp; National Museum of Asian Art, Washington DC (April 11–August 19, 2026) &nbsp; Cincinnati Art Museum (February 6–June 7, 2026) &nbsp;

Art and Stories

Pahari Paintings

The first retrospective on Parasol Press, a New York–based print publisher that swiftly became a critical force in both American printmaking and the contemporary art world &nbsp; Parasol Press: Breaking New Ground is the first retrospective to survey the breadth of Parasol Press’s remarkable publications between 1970 and 2014. Founded by Robert Feldman in New York, the publisher came to prominence for introducing a generation of Minimalist and Conceptual artists to printmaking. Working in the 1970s with artists such as Mel Bochner, Sol LeWitt, Robert Mangold, Brice Marden, Agnes Martin, Edda Renouf, Dorothea Rockburne, and Robert Ryman, Parasol’s editions were among the decade’s most ambitious prints, showcasing the complex and varied ways Minimalist artists explored the materiality of printed surfaces while challenging the medium’s limits. Collaborating with printers including Kathan Brown at Crown Point Press and Michael Domberger at Edition Domberger, Parasol Press took risks on technically daring feats, including Chuck Close’s creation of the largest mezzotint ever produced, Richard Estes’s intricate photorealistic screenprints consisting of hundreds of layers of color, and a multiartist portfolio made entirely from rubber stamps. Over the next decades, Parasol would go on to publish innovative editions by more than one hundred artists, including Eric Fischl, Susan Rothenberg, David Salle, Julian Schnabel, and Donald Sultan. Parasol’s final project in 2014 continued to break boundaries, inviting ten award-winning physicists and mathematicians to produce a portfolio containing what they considered to be the most beautiful equations, exquisitely rendered in aquatint-like chalk on a chalkboard. This comprehensive account provides a unique and dynamic snapshot of a radically changing art world, demonstrating how a range of artists approached, explored, and experimented with the medium of print. Parasol Press reveals how the groundbreaking publisher helped forge transformative connections between dozens of artists and printers, capturing not only the innovative approaches of renowned artists but also emphasizing the significance of risk-taking, collaboration, and experimentation in pushing the boundaries of artistic expression. &nbsp; Distributed for the Addison Gallery of American Art <div> &nbsp; Exhibition Schedule: Addison Gallery of American Art, Phillips Academy, Andover, MA (January 24–July 31, 2026) Print Center New York (September 17–December 19, 2026) </div>

Breaking New Ground

Parasol Press

Find your creative flow, soothe nerves and reconnect with yourself through art therapy Art is the best medicine - and by tapping into our creativity regularly, we can develop tools to help us feel better, calmer, and more resilient. Art Therapy for Every Day features 365 accessible and engaging exercises, each designed to help you develop self-awareness, explore your emotions, and find relief from stress and trauma. Each exercise focuses on a specific intention, can be completed with everyday materials, and is designed to fit easily into your day. Whether you want to better regulate your emotions, find joy in the creative process, or simply seek a meaningful and hopeful alternative to idle online scrolling, Art Therapy for Every Day unlocks the simple yet transformative power of self-expression, day after day.

365 Exercises to Help You Create, Heal, and Grow

Art Therapy for Every Day

Kaari Upson: Dollhouse

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