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Rosier P: Indigenous Citizens

Indigenous Citizens

Native Americans' Fight for Sovereignty, 1776-2025

The American History Series

Oil and American History

A Love Story in Songs – 'The first new Beatles story in decades'

John and Paul

Up All Night

30 Years on from the Best Year of Our Lives

1996

A major work in the Black Communist tradition by worker-intellectual Harry Haywood, now in a new edition featuring a foreword by Dr. Rebecca Hall and an introduction by Dr. Charisse Burden-Stelly. 
 
In 1948, Harry Haywood, a leading member of the Communist Party USA, published&nbsp;Negro Liberation, a pathbreaking book that lays out his argument that the Black Belt South constitutes a distinct nation and an internal colony of U.S. imperialism. Applying a Marxist-Leninist lens to questions of nationalism, colonialism, and land distribution, Haywood lays out the dire stakes of Jim Crow violence and oppression and critiques the emptiness and insufficiency of liberal solutions. Along the way, he makes a powerful case for Black self-determination. 
 
Framed by Rebecca Hall's moving meditation on her father's legacy and Charisse Burden-Stelly's clear-eyed case for how Haywood reveals the contradiction between ruling-class politics and Black liberation today, this new edition of&nbsp;Negro Liberation&nbsp;is a must-read for anyone fighting against oppression.

Negro Liberation

Library of African American Biography

Crossing the Color Line

Charles Chesnutt

Blazing Light&nbsp;is&nbsp;published to coincide with Mimi Plumb’s first solo museum exhibition of the same name (High Museum of Art, Atlanta, Georgia) and brings together three of her major bodies of work—The White Sky, Landfall and The Golden City,&nbsp;and&nbsp;The Reservoir—that collectively contemplate the anxieties of American life in the waning years of the Cold War and its aftermath. In the 1970s, Plumb began photographing as a teenager in the San Francisco suburb of Walnut Creek at a time marked by rapid development of the land coupled with global political and economic instability. Her early artistic life was defined by a burgeoning awareness of global warming, the AIDS epidemic, violent conflict in Latin America and the Middle East, and a looming threat of nuclear war. This atmosphere attuned Plumb to the evidence of such forces in the land, the built environment, and the ways people carry themselves and relate to one another—concerns that continue to abide in her work to this day. Plumb’s photographs foreground the presence of people, lending her images a greater degree of pathos and even notes of humorous absurdity. Though the artist embraces realism, her photographs are more ambient and enigmatic, inviting conjecture rather than providing documentary information. The publication will include texts by Gregory Harris, curator of the exhibition; Karen Irvine, chief curator and deputy director at the Museum of Contemporary Photography, Chicago, IL; and Lauren Richman, curator of photography at the Norton Museum of Art, West Palm Beach, FL. Plumb's work is held in numerous public collections, including the High Museum of Art (GA), San Francisco Museum of Modern Art (CA), Los Angeles County Museum of Art (CA), Museum of Fine Arts Boston (MA), Yale University Art Gallery (CT), and the Deutsche Börse Collection (Germany). The&nbsp;Mimi Plumb: Blazing Light&nbsp;exhibition will be on view at the High Museum of Art from February 6-May 5, 2026. The exhibition will then travel to the Johnson Museum at Cornell University, NY (summer 2026), the Norton Museum of Art in West Palm Beach, FL (winter 2026/2027), followed by the Museum of Contemporary Photography in Chicago, IL (spring 2027).

Mimi Plumb: Blazing Light

Indigenous Self-Rule

Resistance, Resilience, Resurgence

Indigenous Nation-Building in Australia

Story Lake

the heart-poundingly romantic new novel from the Tiktok sensation and Sunday Times and New York Times bestselling author of Things We Hide From The Light

Mistakes Were Made

Behind Sunset

A Companion for the Curious

London Clubland

This book examines 'womanhood' and 'race' not only as disputed, converging, and constantly changing categories and lived experiences, but also as interrelated and unequal subjectivities and social realties that shaped all early-twentieth century Puerto Ricans. It empirically documents just how significantly 'womanhood' and 'race' were inextricably intertwined in Puerto Rico between 1914 and 1945, a decisive period in U.S. expansionism and in the transformation of this island. Through a comparative analysis and description of specific subjects in early-twentieth century Puerto Rico—mostly Puerto Ricans from different races and social classes, but also some North Americans as well—the book demonstrates the extent to which 'womanhood' and 'race' are a more thorny, volatile, and unstable than is commonly acknowledged within Women’s History and Caribbean Studies. This is the first book that examines the relationships between women in Puerto Rico from divergent social classes and racialized positions by mostly focusing on the socioeconomic and racial inequalities among colonized women in Puerto Rico. This is in marked contrast with most Women’s History globally which mainly concentrates either on the lives of elite women or, at best, on the unequal relationships between colonizer- and/or European-descended women vis-à-vis colonized- and/or non-white women. In this book 'womanhood' and 'race' are not seen as separate, nor as already given, historically and culturally immutable 'things.’ Those are some of the lacunae this book transcends, primarily in the case of white-Creole women relative to non-white Island women and the images socially constructed of them in Puerto Rico, as well as for racially located Puerto Ricans more broadly. Within this context, the book enables a different reading of already known documents while demonstrating the importance of examining unused or forgotten bibliographical sources, some of them previously untranslated.Gladys M. Jiménez-Muñoz is an Associate Professor at the Sociology Department at Binghamton University-SUNY.&nbsp;

Labile Bodies, Colonial Disparities

Womanhood and Race in Interwar Puerto Rico

Indigenous Citizens

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