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Taylor R: How To Read A Church / B

How To Read A Church

Strikingly original and abundantly illustrated,&nbsp;The Art of Biodiversity&nbsp;surveys the golden age of natural history art, exploring the alliance between scientists and artists that first revealed the astonishing diversity of life on Earth.With more than 330 color illustrations of surpassing beauty,&nbsp;this book reveals&nbsp;a story about art that's not in the art history books, and a story about science that's missing from histories of science. Here, such giants as Linnaeus, Buffon, Cuvier, Humboldt, and Darwin cross paths with superb artists, including Merian, Redouté, Audubon, and Haeckel, among many others.An essential visual companion to popular narratives like Andrea Wulf's&nbsp;The Invention of Nature&nbsp;and&nbsp;Jason Roberts's&nbsp;Every Living Thing, this volume provides a definitive archival record of the era that defined modern biology.Between 1700 and 1900, an art movement unveiled nature's great secret: the global diversity of life-forms. Centuries before the word "biodiversity" existed, naturalists began to glimpse the reality that lay behind Charles Darwin's lyrical evocation of nature's "endless forms most beautiful."The naturalists recruited artists to create a family album of Earth, with every picture a precise drawing of a species of plant or animal, and so science and art, for the first and last time, went exploring together.This art first appeared in vividly illustrated books that, in a world without photography or film, offered readers a vastly expanded vision of nature.&nbsp;The Art of Biodiversity&nbsp;introduces the reader to the extraordinary men and women who created these books. They focused exquisite artistic skills on nature, traded in exotic seashells and butterflies, collected bird and monkey specimens in tropical rainforests, dredged strange invertebrates from the depths of the ocean, peered through magnifying lenses at insects, and dug prehistoric bones out of the earth.After sinking out of sight in the twentieth century, biodiversity art resurfaced in the twenty-first in myriad forms that reach millions of people on the Internet, as the natural history books in the world's great libraries were digitized and made available to all.Chronicling the only art movement that successfully aligned the goals of art and science, for the transcendent purpose of documenting and understanding the natural world,&nbsp;The Art of Biodiversity is a must-have for historians of science, collectors of botanical and zoological art, and anyone captivated by the enduring beauty of the living world.

Artists & Naturalists, 1700–1900

The Art of Biodiversity

Through a series of discussions with practitioners in fields beyond the Humanities, this book explores how key creative writing techniques inspire and inform other disciplines. In turn, this new multidisciplinary view of the mechanics of storytelling sparks new ways of approaching the writing, reading and teaching of fiction in and beyond the writing workshop. A personal voyage of discovery, the book revolves around conversationswith specialists in archaeology, genetics, architecture, medicine, law and botanical science to consider how specific techniques - narrative time, characterisation, fictionalstructures, plotting, point of view and place - inform their work. Through a series of reflections, short fictions, practical exercises and prompts, these case studies then suggest new insights and methods for investigating key writing techniques, which in turn advocate for closer interactions between STEM, the humanities and arts practice. With creative arts subjects increasingly under pressure to justify their significance in contemporary work and life, Jacqueline Yallop makes a case for the re-evaluation of the importance of narrative writing craft in the world beyond personal practiceand student assignment.

Creative Writing Across Disciplines

Fiction in the Field

A painter. A priest. One hot New York summer. 'A genuinely swoony summer romance' New York Times 'Brilliant' Raven Leilani 'Stunning' Observer Wyeth is a newcomer to New York, a young Black painter who is trying to find his place in the contemporary Manhattan art scene. He shares a studio with his friends and earns money working for a gallery and an art restorer but he's struggling with his portrait painting, unable to truly capture the life of his subjects. Then he meets Keating, a white former priest struggling with his faith. The two men seemingly have nothing in common, and yet Keating shows Wyeth how to see the world anew. But as the men grow closer, the differences between them become more stark, until Wyeth and Keating must decide what they are willing to risk - for art and for love. 'One of the most perfect books I've ever read' NPR 'A piercing, precise, and affecting tale of young love and high art' Kirkus 'One of the most accomplished, important novelists of his generation' Guardian 'Brandon Taylor is without a doubt our laureate of hyper-intelligent yearning - nobody does it better' Lit Hub

Minor Black Figures

A deep exploration of the opportunities and risks a global digital economy poses for refugees. Digital Exiles opens a rare window into the world of refugees trying to survive and thrive in an increasingly digitalized and technological world of work. Often excluded from local employment and struggling to make ends meet, refugees are increasingly dependent on digital jobs and online work as a financial lifeline. Andreas Hackl offers a human-centered and global perspective to these struggles through his research into three of the most important refugee-hosting countries: Lebanon, Kenya, and Germany. The pursuit of a digital livelihood—from attending coding schools in Berlin to training datasets for AI in crisis-stricken Lebanon to online freelancing in Kenya’s refugee camps—represents an increasingly important income opportunity for refugees. Digital work programs by aid organizations and the private sector aim to help the forcibly displaced become self-reliant and successful workers, yet, for many, it creates new forms of exclusion, precarity, and risk. Combining human stories with insights from five years of multisited research and applied work with leading organizations, the author presents an alternative vision of an inclusive world of work that can help shape the fair digital economy of the future.

Refugee Work in the Global Digital Economy

Digital Exiles

Emil Bock hat sich seit 1930 darum bemüht, eine dem modernen Bewusstsein zugängliche und aus den Erkenntnissen der Anthroposophie inspirierte Übersetzung des Neuen Testaments zu schaffen. Sie zeugt von einer ungewöhnlichen Sprachkraft und von einem Vermögen, sich in die welthistorische und kosmische Dimension dieser Texte einzufühlen, wobei sich Bock nicht primär von theologischen Gesichtspunkten leiten ließ, sondern versuchte, relativ frei und sprachschöpferisch den Geist eines neuen Evangelien-Verständnisses sichtbar werden zu lassen.


Zugleich stellte sie eine Studiengrundlage für die Evangelienbetrachtungen Bocks dar, die bereits in gleicher Ausstattung vorliegen. Als man sich 1980, einundzwanzig Jahre nach Bocks Tod, entschloss, eine offizielle, auch für den Gebrauch innerhalb der Christengemeinschaft geeignete Ausgabe zu schaffen, erschien es den Herausgebern ratsam, den Text in Richtung einer größeren Nähe zum griechischen Original zu bearbeiten und allzu freie Formulierungen auf das philologisch Vertretbare zu reduzieren. Ein solches Vorgehen war zweifellos berechtigt.


Ebenso berechtigt erscheint es heute, im Zuge einer sich abzeichnenden Gesamtausgabe der Werke Emil Bocks, die ursprüngliche Fassung seiner Arbeit wiederherzustellen und insbesondere für Leser, die den immer noch zukunftweisenden Intentionen der Bock'schen Übersetzung nachgehen wollen, zugänglich zu machen.

Übersetzung in der Originalfassung

Das Neue Testament

Frida Kahlo at Home explores the influence of Mexican culture and tradition, La Casa Azul and other places Frida Kahlo called home, on her life and work.

Frida Kahlo at Home

Creativity in the Age of AI

What Art Is Now

Wie Israel Teil des Nahen Ostens wurde

Hier ist nicht Europa

An indispensable guide for those who thought they knew Vienna well or who wish to discover another facet of the city. A magnificent private palace that can be visited by reservation, a crocodile mummy in a private library, a chocolate house, an alchemical ceiling in Schönbrunn, one of the most beautiful pharmacies in the world, an exceptional Art Nouveau church, the tomb of a fish that would have converted to Judaism, a jazz museum in public toilets, a public dump that can be visited like a museum, the oldest organ in Vienna hidden behind a painting, an empress dressed as a nun, the mystery of the symbol 05, a masculine sex discreetly sculpted on the cathedral of Vienna, a surprising private museum of billiards, an incredible bouquet of flowers made from butterfly wings, a source of water that reveals the winning lotto numbers, an extraordinary underground annex at the Mauthausen camp where the world’s first jet was built, a charming historic ‘love hotel’...

Secret Vienna

Examines whether the rule of law can endure without its natural law and metaphysical foundations, arguing for a renewed, human-centered legal order grounded in objective moral principles and capable of addressing contemporary challenges such as AI, technocracy, and decolonization.
This provocative interdisciplinary volume addresses a mounting global crisis: the erosion of the rule of law in an increasingly secular and technological world. As societies move into what the authors call the "fourth era" of legal history, the rule of law is frequently reduced to a mere "toolkit" for elites or a "checklist" for bureaucratic efficiency, stripped of its deeper moral and transcendent roots. The book explores a vital question: can legal systems remain just when they are "truncated of transcendence" and disconnected from a higher moral order? By sifting through the legacies of legal giants like Lon Fuller and theologians like Karl Barth, the contributors argue that a purely procedural "inner morality" is insufficient to protect human dignity against authoritarian relapses or the cold logic of "technocratisation." 
Central to the book's unique vision is a multivalent, pluralistic re-envisioning of global norms. Drawing on the Christian philosophy of Herman Dooyeweerd, specifically his concept of "sphere sovereignty," the authors propose a framework where diverse religious and secular traditions can collaborate without sacrificing their distinct identities. This approach offers a powerful way to decolonize the rule of law, moving away from "one-size-fits-all" Western impositions toward a culturally sensitive synthesis of universal principles and local traditions. 
The text also tackles the controversial relationship between Natural Law and the 10 Commandments, debating whether positive laws should be grounded in "naturally knowable" truths or specific religious revelations in a pluralistic state. 
Looking toward the future, the authors issue a stark warning against the rise of Generative AI (GenAI) in legal adjudication. They argue that replacing human value judgments with machine-driven algorithms threatens to eliminate the discretion and relational interaction essential to true justice. To counter this, the book calls for educational reform and a shift toward "principled legal education" that prioritizes ethics, restorative justice, and a "facts first" approach. Ultimately, this work is a call to action for legal professionals, theologians, and the public to reclaim law as a framework for human flourishing-a "language of love" between the divine and the human that protects the vulnerable from the arbitrary exercise of power.

Reclaiming Justice Through Natural Law

The Rule of Law, Human Dignity and the Future of Democracy

The unmissable, award-winning debut novel. A moving and funny exploration of family, grief and queer identity. Can you imagine me there in the front row in Saint Peter's Square? The lesbian sister of a literal saint. Brought up in a devout household in Ireland, Jay is now living in London with her girlfriend, determined to live day to day and not think too much about either the future or the past. But when she learns that her beloved older brother, who died in a terrible accident, may be made into a Catholic saint, she realises she must at last confront her family, her childhood and herself . . . Inspired by the author's own devout upbringing, Ordinary Saints is a brilliant debut novel from a fresh, exciting new voice which asks - who gets to decide how we are remembered, and who we will become?

An unmissable, moving and funny exploration of family, grief and queer identity. Shortlisted for the Waterstones Debut Fiction Prize 2025

Ordinary Saints

New York Times bestselling author Rachel Held Evans inspired a generation of questioning and evolving believers. This book offers a collection of her most impactful essays—in print for the first time.For a generation finding their footing in life after evangelicalism, Rachel Held Evans was one of the most trusted and beloved voices of our time. Stubborn in her hope, courageous in her questions, and devoted to inclusivity, her online writing was a sanctuary to the millions who read her words daily. Her death to a sudden illness in 2019 invoked a global outpouring of stories of her legacy and influence.Today, her words still speak, and now for the first time, fans old and new can experience her most viral and enduring essays in print—from those tackling patriarchy, white supremacy, and religious nationalism to those offering new interpretations of Scripture, freeing perspectives on doubt, and a better way forward. Braving the Truth is an anthology and keepsake collection letting readers borrow the bravery Rachel was best known for. Edited by New York Times bestselling author and Rachel’s dear friend Sarah Bessey, this special volume is interspersed with reflections from: <ul><li>Shauna Niequist on the practice of bravery</li><li>Glennon Doyle on the decision to "stay and complicate"</li><li>Jen Hatmaker on LGBTQ+ allyship and affirming theology</li><li>Lisa Sharon Harper on fighting white patriarchy in the church</li><li>Matthew Paul Turner on the freedom of the "slippery slope" of asking questions</li><li>Kaitlin B. Curtice on solidarity, kinship, and "tending the spiritual fire"</li><li>And more from Candice Marie Benbow, Micha Boyett, Cindy Wang Brandt, Alise Chaffins, Shane Claiborne, Monica A. Coleman, Shannon Dingle, Peter Enns, Kathy Escobar, Kathleen Gleason, Austen Hartke, Peter Held, Carol Howard, Kristen Howerton, Zack Hunt, Emmy Kegler, Kathy Khang, Mihee Kim-Kort, Rachel Kurtz, Tanya Marlow, Sarah McCammon, Mike McHargue, Scot McKnight, Brian D. McLaren, Mason Mennenga, Osheta Moore, Amanda Held Opelt, Matthias Roberts, Winnie Varghese, Matthew Vines, and Kelsey Hanson Woodruff</li></ul> “If you want to understand the Church today, you need to understand Rachel Held Evans,” so writes Sarah Bessey. Thoughtful yet down-to-earth, immediate and timeless, this essay collection is a gift from the past to bring into the future—a treasury to revitalize, validate, embolden, and return to again and again.

Essential Essays for Reckoning with and Reimagining Faith

Braving the Truth

How To Read A Church

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