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London I: Hollywood Online

Hollywood Online

Internet Movie Marketing Before and After The Blair Witch Project

Acknowledgements Introduction: 'This Is My Home' Part I: 'The Pre-Blair Era' 1. 'Boot Up or Shut Up!': The First Cycle of Online Film Promotions, 1993-5 2. Commerce and Artistry: The Second Cycle of Online Film Promotions, 1996-9 3. Corporate Control and Ownership: Science-Fiction and Horror Film Websites in the Pre-Blair Era, 1996-9 4. 'In October of 1994 . . .': The Blair Witch Project Part II: 'The Post-Blair Era' 5. Rebelling Against the Status Quo: Reevaluating The Blair Witch Project's Impact on Hollywood Promotions 6. 'Power Can be Held in the Smallest of Things': The Lord of the Rings Trilogy Online 7. Hollywood Exports: Film Websites in the Era of Globalization 8. 'Think Before You Click': Social Media and the Impact of Web 2.0 Technologies on Hollywood Practices, 2000-8 Afterword: There's Something Evil Hiding in the Woods Bibliography Appendix

This book examines a range of systems and structures that film and video artists have developed in works spanning the late 1960s to the present, often in response to the changing technologies and medium of cinema. Simon Payne considers the affinities that film and video works share with aspects of painting, sculpture and music. He argues that the evolution of methodical strategies in artists' cinema can be traced back to the first avant-garde films made a century ago between 1921-1924. Tracing the lineage of key figures and international groups that have formed part of the picture since then, he posits that the most thorough formal exploration of cinema can be credited to a generation of artists that began making films in Britain in the late 1960s and early 1970s. He goes on to analyse the work of key filmmakers including Peter Gidal, David Hall, Malcolm Le Grice, Annabel Nicolson, Lis Rhodes and Guy Sherwin. Paying close attention to their recent films and videos as well as those of diverse younger artists working in a similar tradition. Experimental Cinema, Structures and Systems traces a unique and influential lineage that has defined some of the central preoccupations of experimental film and video, which tests our expectations of cinema, television and the moving image.

Structures, Systems and Strategies

Experimental Cinema

When Harry Met Sally

A spectacular celebration of the first 50 years of Industrial Light &amp; Magic (ILM), the award-winning visual effects house behind the Star Wars saga, Indiana Jones, E.T., Terminator 2, and Jurassic ParkIndustrial Light &amp; Magic: 50 Years of Innovation is the official decade-by-decade visual retrospective of the legendary visual effects house. Founded by Star Wars creator George Lucas in 1975, ILM has won 16 Academy Awards in Best Visual Effects and pushed the boundaries of what can be visually realized in storytelling, from the big screen to emerging technologies such as streaming television, 3D immersive adventures, and more. Breaking down ILM's evolution in visual effects decade-by-decade, 50 Years of Innovation features stunning visuals and analysis of the creative and technical processes from concept to execution, and highlights 50 of their key projects that have helped shape the visual effects industry. Concluding with a look at both the future of ILM and the visual effects industry at large, the key creative forces at ILM speculate about what the next 50 years may have in store for the innovators that transformed entertainment forever.

Industrial Light & Magic: 50 Years of Innovation

BFI Film Classics

Groundhog Day

Shakespeare and Adaptation

Macbeth in Modern European Culture

In eleven essays of inquiry from different scholarly traditions, the authors in Microutopias and Everyday Hope examine the potential that resides in utopian thinking on smaller scales. Basing their explorations in material ranging from music, TV-series, film, and literature to concrete sites, the reflections that result engage in a conversation that steers our attention to the details of aesthetics that are increasingly being drowned out in the polycrisis. However, our attention to detail in less spectacular venues and in the everyday is required if we are to imagine alternative futures differently, and better. Caught in late capitalism's relentless and dystopian march toward the abyss, any kind of future is predicated on utopian thinking in the present. The essay collection is therefore also an appeal to the crucial importance of the humanities as providing the glue that can withstand our contemporary's fragmentation. Ultimately, this collection highlights the crucial importance of the humanities in order to withstand and even move past the contemporary societal fragmentation being experienced globally.

Microutopias and Everyday Hope

Can we be both commercially focused and human at work?We talk a lot about human-centric leadership - putting people, culture and inclusivity at the heart of business. Yet in today's competitive world success is still often associated with being results-focused and aggressive, which can seem like the opposite of human. Is it possible to put humanity at the heart of what we do without sacrificing performance?Drawing upon coaching principles, HUMAN-WISE offers a unique practical framework to help you explore these ideas for yourself, and then apply them to others around you. Helen Wada is an experienced business development leader and executive coach who specializes in developing human-centric commercial leaders. With her business, The Human Advantage she brings core coaching skills to life and linking them to a commercial focus, this book will transform how you approach conversations and help you build the resilience you need to be successful, in business and in life.HUMAN-WISE is an essential read for any leader looking to develop themselves, grow their business and build a more human working world.

How to lead from within and sell with confidence

HUMAN-WISE

Horror Studies

Blending folklore studies, media theory, horror criticism and cultural geography, this collection charts an unprecedented map of urbanlegend storytelling, from haunted cemeteries to pixelated backrooms. Across three themed sections, international scholars trace how tales of hookhanded killers and countless other spectres migrate through oral tradition, cinema, television, board games and video games, to continually reshape the fears and identities of the communities that share them. By foregrounding space the cemetery, the highway, the small town, the livestreamed haunted house as a dynamic agent rather than passive backdrop, the book reveals how legends build cultural memory, police social boundaries and critique neoliberal landscapes. Interdisciplinary, globally-scoped and mediaagnostic, this volume moves beyond folkloric catalogues and genre surveys to show precisely where horror lives today and why those locations matter.

and the Cultural Geography of Horror

Urban Legends

Anthem Studies in Gothic Literature

This study traces a Gothic realism in the dark, sensorial epistemologies emerging from intersections of documentary and horror cinema. From the ineffable subjects of horror documentaries and pseudo-documentaries, to the obsessive chroniclers of mockumentary, fake found-footage, and screenlife horror cinema.

Archival Anxiety in Documentary and Mockumentary Horror

Communication Perspectives in Popular Culture

This edited volume builds on existing superhero and comic studies research by analyzing and emphasizing the interrelation of the texts that comprise the Marvel Cinematic Universe through a combination of communication studies, media studies, and cultural studies approaches. The popularity of the Marvel Cinematic Universe (MCU) has never been stronger. As each franchise phase is announced and released, the fan and cultural responses more broadly demonstrate the power that a popular culture artifact and phenomenon can have on audiences and societies alike. This collection brings together scholars from popular culture, communication, and associated disciplines in one space to explore aspects of the MCU that are, sometimes, overlooked. The contributors to this volume explore a diverse variety of texts in the MCU, offering critical interrogations including feminist critiques, commentaries on race and stereotyping, and examinations of the political economy of superhero cinema, among other perspectives. This collection marks an opening salvo for scholars who view the MCU as fertile ground for finding communication perspectives in popular culture. From the use of various symbols both feared and coveted by many within the MCU worlds to the creation of entire civilizations to act as cultural critique, these chapters ask the reader to take a moment to reflect on and consider what might be uncovered and understood through the criticism of these incredibly popular and relevant pop culture texts.

Popular Culture Perspectives on the Marvel Cinematic Universe

Delivering Customer Insight

Marketing Research

Hollywood Online

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