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Folk Horror on Film

Return of the British Repressed

The Brilliant Soul Duology

The Faithful Dark

Molka

We Call Them Witches

Only The Bones Remain

Routledge Contemporary Introductions to Philosophy

The book provides a critical overview of the most important issues in the philosophy of film, from "What is Film?" to "Can Film Do Philosophy?" It provides an objective analysis of the principal arguments on each side of each issue. The set of issues includes all of the most important topics as well as some that are less well represented in the discipline, such as whether the power of cinema derives from its similarity to dreams. The coverage is more comprehensive and up to date than its chief competitors, and the presentation is more objective than the existing monographs that survey the area. Philosophy of Film: A Contemporary Introduction consists of 11, similarly sized and structured chapters, plus an introduction and a final References list. Each chapter begins with an overview and ends with a summary and an annotated bibliography to guide students' further readings. Each chapter also includes a short annotated filmography of illustrative examples. A companion website provides actual film clips, more extensive bibliographies, and other external resources, for each of the 11 chapters.

An Introduction

Philosophy of Film

Shroud

Cinematic Style as Philosophy

Robert Bresson

And He Shall Appear

When Monsters Wake

An aspiring photographer, Mina has a knack for creeping into unsettling locations to find interesting shots; graveyards, crypts, or funeral homes, no place is too weird for her to sneak into. But when a ship named the Demeter crashes on a nearby shore, Mina's explorations uncover a whole new level of weird: Feral dogs, large boxes of dirt, and most notably, the body of the ship's captain, completely drained of blood.

A Graphic Novel

Children of the Night (When Monsters Wake Book 1)

The Study of Sound

Bringing concepts from early film theory into dialogue with the vibrant field of contemporary sound studies, Wild Sound turns an analytic eye and ear to the role of the soundscape in cinema, particularly the way that film soundtracks capture, create, represent, and even critique our sonic environment. Listening beyond music and dialogue, this book draws attention to the oft-ignored background soundscape-film's "wild sound"-which plays a quiet but substantial role in determining how film audiences feel about certain places, people, and processes. It explores the relationship between location sound and wider practices of phonographic field recording in the creation of a cinematic sonic environment. The latter half of the book shifts attention from from the controlled soundscapes of cinema to the relatively chaotic sonic environments of the world around us. Michael Pigott ultimately demonstrates how a theory of cinematic soundscapes helps us develop practical strategies for investigating the sonic environment in our personal and natural sound worlds, beyond the cinema auditorium.

Wild Sound

Twenty haunting stories from the Bram Stoker Award nominated, and bestselling author of&nbsp;Come With Me.

We Should Have Left Well Enough Alone

Depictions of the Nazi Genocide and National Identity

Holocaust Cinema Since 2000

Folk Horror on Film

Informations bibliographiques

Mots-clés

Informations bibliographiques

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