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Bower I: We Call Them Witches

We Call Them Witches

Shroud

It's been three years since Mila Thomas' brother Jed went missing and his case went cold. Since then, Mila has fled town, running from the voices of the dead that reach her from the depths of the old family bog, afraid she would hear her brother's among them. Now she's back in town and must overcome her complicated history with the reverend's estranged son--the boy she never quite got over--to unearth the fate of the town's missing members and the family secrets that may be behind everything.

Spit Back the Bones

In the Western cultural production that puts individual or collective fear at its centre, East and Central Europe has been portrayed as an othered space of horror - lawless, frightening zones where anything can happen. Despite social and political changes in the region after the fall of communism that sparked hopes for the Easterners to join the modernised (and much desired) West, East/Central Europe remained a 'cursed zone.' Contemporary Slavic horror across media: Cursed zones is the first scholarly volume solely devoted to Slavic horror fiction. Focusing on the mid-20th century through the present, the book assesses current trends in Czech, Polish, Russian, Slovak, Ukrainian, and East/Central European horror media. With threefold objectives - educational, methodological, and critical - in mind, the politics and history of the region are the main frameworks for the anthology. Our contributors focus on crucial questions we face today, such as the migration crisis, war subjectivities in the post-Soviet context, modern forms of misogyny, and contemporary variants of emancipation, as well as rewriting East/Central European historical events through a diversity of media, including film, literature, video games, music, music videos, and visual art. We aim to problematise these issues through a careful examination of how horror is manufactured, distributed, and manipulated in Slavic regions. By doing so, we hope to tame 'the Easterner Other' and exorcise 'monstrous' East/Central Europe.

Cursed Zones

Contemporary Slavic Horror Across Media

A twisted, tangled story about workplace love-affairs, and plants with a taste for human flesh from the acclaimed author of Spare and Found Parts and Other Words for Smoke.

Eat the Ones You Love

'As stunning as it is unsettling. A contemporary gothic masterpiece' KATY HAYS'A beautiful and haunting examination of toxic friendships' HEATHER DARWENT'Darkly glamorous'GuardianA DAILY MAIL BOOK TO LOOK OUT FOR IN 2025A COSMOPOLITAN BEST NEW BOOK OUT IN JANUARY

And He Shall Appear

Virago Modern Classics

Barbara Comyns' witty and touching classic The Vet's Daughter tells the story of Alice, a young woman from Edwardian South London who is gripped by strange and mysterious powers.

A Virago Modern Classic

The Vet's Daughter

You're trapped underground. There's no way out. And there's a killer on the loose...

The Train from Platform 2

Interdisciplinary and Transcultural Approaches to Chinese Literature

Chao explores Sinophone literature as a complex field that navigates the intersections of Sinitic languages, global literary systems, and China-centered perspectives. He posits that Sinophone literature, through ghost narratives, provides a platform to critically examine modernity, transgress boundaries and challenge epistemologies.

Ghost Narratives and the Contouring of Invisible Realms

Exploring Sinophone Liminality in Contemporary Chinese Fiction

Slash or Pass

When Monsters Wake

A thrilling, spine-chilling YA graphic novel from debut author Victoria Setian and Bloom artist Savanna Ganucheau-a modern spin on the classic horror novel Dracula Mina Murray is followed by death-at least, that's the rumor in her small town of New Whitby. An aspiring photojournalist, she has a knack for finding herself in unsettling situations to find interesting shots, like on the deck of the recently crashed boat the Demeter. While exploring the wreckage, Mina comes across large cases of dirt and debris-and the decaying body of the ship's captain. Intrigued by the ghastly scene, Mina tries to unearth more information about the abandoned ship, the captain, and the missing crew. Instead, she finds herself roped into her high school's newspaper club covering the big school dance her BFF, Lucy, is coordinating. It's a major bummer, but all might not be too bad if it gets her closer to Jon, her crush and guitarist for the local punk band the Romeros. But instead of catching Jon's eye, Mina enters the orbit of Raf, the brooding (and frankly, hot) transfer student who has everyone under his thrall. As Raf's popularity grows and the dance draws near, sinister events begin to shake the core of the school: The head of the newspaper club gains an unseemly appetite for flies. Jon is getting close to Raf. And Lucy falls ill . . . with strange puncture wounds on her neck. Mina starts to suspect that new student is hiding a dark and terrible secret . . . but will she be able to figure it out before it's too late?

We Call Them Witches

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