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Literature, Cultural and Media Studies (R0)

Laura Kolb

George Oppitz-Trotman

Early Modern Debts

1550-1700

&lt;p&gt;Chapter 1: Introduction – &lt;i&gt;Laura Kolb and George Oppitz-Trotman&lt;/i&gt;.-&amp;nbsp;Chapter 2: Debt and Doorways – &lt;i&gt;Lorna Hutson&lt;/i&gt;.-	Chapter 3: Masters as Debtors of their Servants in Early Modern Brandenburg and Saxony – &lt;i&gt;Sebastian Kühn&lt;/i&gt;.-&amp;nbsp;Chapter 4: Debt Culture in Shakespeare’s Time – &lt;i&gt;Lena Cowen Orlin&lt;/i&gt;.-&amp;nbsp;Chapter 5: A legal remedy against rent arrears: Landlords’ privilege on furniture in 16th- and 17th-century France – &lt;i&gt;Nga Bellis-Phan&lt;/i&gt;.-&amp;nbsp;Chapter 6: Crafting the Hierarchy of Debts: The Example of Antwerp (15th-16th Centuries) – &lt;i&gt;Dave De ruysscher&lt;/i&gt;.-&amp;nbsp;Chapter 7: Debt, Trust and Reputation in Early Modern Armenian Merchant Networks – &lt;i&gt;Alexandr Osipian&lt;/i&gt;.-	Chapter 8: How to Deal with Obligations? Contentious Debts and the Parere of the Handelsvorstand in Early Modern Nürnberg – &lt;i&gt;Christof Jeggle&lt;/i&gt;.-&amp;nbsp;Chapter 9: Capillary Obligations: Fletcher’s Island Princess and the Global Debts of the East India Company – &lt;i&gt;Benjamin D. VanWagoner&lt;/i&gt;.-&amp;nbsp;Chapter 10: Hypallactic Debt Management: The Rhetoric of Exchange in Wyatt and Shakespeare – &lt;i&gt;Andrew Zurcher&lt;/i&gt;.-&amp;nbsp;Chapter 11: Caroline Debt: Shakespeare to Shirley – &lt;i&gt;John Kerrigan&lt;/i&gt;.-&amp;nbsp;Chapter 12: Debt Letters: Epistolary Economies in Early Modern England – &lt;i&gt;Laura Kolb&lt;/i&gt;.-&amp;nbsp;Chapter 13: Debt and Paradox in the Early Modern Period – &lt;i&gt;Alexander Douglas&lt;/i&gt;.- Chapter 14:&amp;nbsp;Self-Love and the Transformation of Obligation to Self-Control in Early Modern British Society – &lt;i&gt;Craig Muldrew&lt;/i&gt;.&lt;/p&gt;

Why did an unknown Dutch artist paint a portrait of a Moluccan ruler with an amputated arm in the 17th century? Yannis Hadjinicolaou uncovers the fascinating story behind this unusual depiction of Sultan Sayfoedin, who ruled Tidore, one of the Moluccas islands in northeastern Indonesia, from 1657 to 1687. He examines the reasons for portraying Sayfoedin's amputation, interprets the significance of his attire, and traces the provenance of the painting, now housed in the Czartoryski Museum in Krakow. Hadjinicolaou highlights the importance of Sayfoedin's partnership with the Dutch East India Company and the carnation trade, showing how the portrait reflects the complex interplay between colonial power and local authority.<ul><li>New perspectives on topics such as political iconography, transculturality, materiality and disability</li><li>Critical global art history</li></ul>

Ein niederländisches Porträt des Sultans von Tidore

Der amputierte Herrscher

Born of the sun and moon, shaped by fire and malady, comes a young woman whose story has never been told . . . They call her Sycorax. Seer. Sage. Sorceress. Outcast by society and all alone in the world, Sycorax must find a way to understand her true nature. But as her powers begin to grow, so too do the suspicions of the local townspeople. For knowledge can be dangerous, and a woman's knowledge is the most dangerous of all . . . With a great storm brewing on the horizon, Sycorax finds herself in increasing peril - but will her powers save her, or will they spell the end for them all? A beautifully written and deeply moving imagining of what came before Shakespeare's The Tempest from the author of A Girl Made of Air. Readers are LOVING Sycorax 'Spellbinding and empowering' ⭐⭐⭐⭐⭐ 'A truly beautiful and heart-breaking story' ⭐⭐⭐⭐⭐ 'I couldn't put it down!' ⭐⭐⭐⭐⭐

a captivating reimagining of Shakespeare's most powerful witch

Sycorax

Alles eine Frage der ChemieWir lernen jemanden kennen und es macht sofort 'Klick'. Oder geraten ohne ersichtlichen Grund mit einem Kollegen aneinander. Hunderte klatschen plötzlich im Gleichtakt, beim Gehen fallen zwei Menschen in denselben Rhythmus. Das alles liegt am Phänomen des zwischenmenschlichen Synchronisierens. Das geht so weit, dass sich auch unsere Herzfrequenz und unsere neuronale und hormonelle Aktivität aufeinander abstimmen. Kate Murphy erläutert anhand von vielen Beispielen und aktuellen Forschungsergebnissen, wie Synchronie entsteht und wie unser Verhalten andere beeinflusst. Sie beleuchtet evolutionäre wie neurobiologische Zusammenhänge und bietet zugleich einen praktischen Leitfaden, wie wir diese Fähigkeit gezielt nutzen können.

Warum wir mit manchen Menschen sofort auf einer Wellenlänge sind | Die neue Wissenschaft der Synchronie

Die geheimnisvolle Kraft der Anziehung

Große Klassiker zum kleinen Preis

Hamlet

History (R0)

Renshan Zhang

Traditional Legal Culture in China

'Brilliant and discursive'Antonia Fraser, Sunday TimesWinner of the FAWCETT PRIZEand EMILY TOTH AWARDIn the 2000 years since her death Cleopatra has been re-created over and over again by poets, artists and filmmakers, each time in a form that fits the prejudices and yearnings of the age that produced it. To Chaucer she was the model of a good wife, while to Cecil B.De Mille she was 'the wickedest woman in history'.This book is about the real Cleopatra, the most powerful woman in her world, but also about the legion of imaginary Cleopatras and about the sexual, racial and political messages they carry.

Histories, Dreams and Distortions

Cleopatra

Lady’s Knight

Saddle up your dragons, the ladies are going on tour! The sapphic love story continues in the sequel to joyful medieval romp LADY'S KNIGHT from NYT bestselling duo, Amie Kaufman and Megan Spooner. Perfect for fans of Gwen and Art are Not in Loveand My Lady Jane.¿¿'More fun than cheesecake on a stick!' - JODI MEADOWS, co-author of MY LADY JANE on LADY'S KNIGHTDearest reader... let me catch you up.Gwen, our lady knight.Isobelle, our knight's lady.They fight monsters, and they're in love. Well, they fought one monster, once. And while they arein love, they haven't discussed that fact with each other, and neither wants to be the first to bring it up.This is going to be fine.This story includes:<ul><li>Seaside mysteries</li><li>Brooding redemption arcs</li><li>A cursed town</li><li>A sea monster</li><li>Medieval tourist attractions</li><li>An evil sorceress</li><li>A crumbling dark tower</li><li>Moonlit magical rituals</li></ul>(Ignore all the tentacles, everything is definitely fine...)¿¿More praise for LADY'S KNIGHT'A sapphic delight, full of jousts, jaunts and courtly love. Lady's Knight sparkles with wit and charm.' NYT BESTSELLING AUTHOR, C.S. PACAT'Kaufman and Spooner are auto-buy authors for me' NYT BESTSELLING AUTHOR, SUSAN DENNARD'A delightful tale full of swoony romance and the very best banter in the realm!' NYT BESTSELLING AUTHOR, BETH REVIS'Clever, funny, thrilling, and romantic. Perfect for fans of A Knight's Tale!' NYT BESTSELLING AUTHOR, F.T. LUKENS¿¿

One Knight Stand

Shakespeare Retold

Shakespeare's Othello is ingeniously transplanted into a high school setting in this taut story about teenage friendship and racial tension. Arriving at his fourth school in six years, diplomat's son Osei knows he needs an ally. Luckily he hits it off with Dee, the most popular girl in school. But one student can't stand to witness this budding relationship: Ian decides to destroy the friendship between the black boy and the golden girl. By the end of the day, the school and its key players - teachers and pupils alike - will never be the same again. The tragedy of Othello is transposed to a 1970s suburban Washington schoolyard in this powerful drama of alienation, adolescence and friends torn apart. 'A compact and intense read full of twists, turns and intrigue' Daily Express 'New Boy, with its angsty teenagers, racial frictions and a magnificently fleshed out antagonist, is a tense and tight read... A heady rollercoaster of emotions' Observer SHAKESPEARE RETOLD: Time travel. Zombies. Power-hungry media moguls. This is Shakespeare as you've never seen him before: nine iconic plays transformed by the best novelists of our time, with covers by Michael Craig-Martin.

Othello, Retold

New Boy

Forschungen zum Alten Testament 2. Reihe

Eric McDonnell offers a detailed analysis of the literary functions of the three psalms that open the Masoretic Psalter, employing diachronic, comparative and literary-theoretical methods. Beginning with a discussion of the preface in the sense articulated by Jacques Derrida and Gérard Genette, the author distinguishes primary, introductory and prefatorial functions that texts may assume at the threshold of larger compositions. On this basis, Ps 1 and 2 appear as a two-part prefatorial paratext shaping the literary and theological orientation of the emerging Psalter, while Ps 3 serves a different function by introducing the general form of the individual lament, reflecting an early preexilic stage of the collection.
 

 A comparative examination of the Gilgamesh Epic, the Egyptian Book of the Dead and Sirach shows how ancient textual collections reuse traditional materials to advance new literary and ideological purposes, a process described as iterative play in conversation with Derrida and Hans-Georg Gadamer. The author then reviews three influential accounts of the literary development of the Masoretic Psalter and presents an alternative reconstruction that builds on the preceding analyses. Eric McDonnell thus highlights the close relation between synchronic readings and diachronic analysis and demonstrates how both perspectives contribute to understanding the shape and shaping of the Masoretic Psalter.

The Formation of Psalms 1-3 and the Arrangement of the Hebrew Psalter

Ein Münsterland-Krimi um Mord, Rache und dunkle Familiengeheimnisse 

 Ein Münsterkrimi, der Shakespeare zur Waffe macht: "Tödliches Theater" verwebt einen Bankenmord mit dem Verschwinden eines Schauspielers zu einem psychologischen Spannungsroman, der dich nicht mehr loslässt.
 

 Als der Bankier Peter Marquart erstochen im Grönenbusch aufgefunden wird, stehen Hauptkommissarin Fey Amber und ihr Ermittlerduo vor einem Geflecht aus Bauskandal, Rache und Familiendrama. Gleichzeitig probt eine amerikanische Theatergruppe Shakespeares "Antony and Cleopatra" an einem Gymnasium - bis ihr Hauptdarsteller spurlos verschwindet. Was zunächst wie zwei getrennte Fälle wirkt, offenbart nach und nach erschreckende Verbindungen.
 

 Wolfgang Wiesmann inszeniert diesen Regionalkriminalroman als raffiniertes Vexierspiel zwischen Bühne und Wirklichkeit. Hinter jeder Maske lauert ein Geheimnis, hinter jeder Rolle ein Motiv. Eine Erdnussallergie wird zur tödlichen Falle, ein Bankenskandal zum Nährboden für Vergeltung, und Shakespeares Verse verwandeln sich in verschlüsselte Drohungen. Münster wird zur Kulisse eines Theaterthrillers, in dem die Grenzen zwischen Spiel und Ernst tödlich verschwimmen.

Die Macht der Worte

Tödliches Theater

Literatures, Cultures, Translation

Interpreting The Amistad Trials traces the signal importance of interpreters and translators in the famous 19th-century Amistad case and discusses how race, ethnicity, slavery, and colonialism shaped this story. From the recruitment process to the various oral to sign languages that mediated linguistically in the Africans' life inside and outside the courtroom, and from evidentiary documents to fraudulent translations to credible testimonies, Jeanette Zaragoza-De León demonstrates the crucial importance of translation and interpretation in the Amistad plot and outcome. De León examines handwritten letters, pamphlets, newspapers, and judicial files, and adopts a critical race theory and postcolonial lens to analyze these materials. Although these critical interpretations and translations travelled transatlantically via Europe, Africa, the Caribbean, and the United States, De León highlights the common thread which also geographically unites Venezuela, Puerto Rico, and the Dominican Republic as part of the Amistad story. One of the most comprehensive studies of recorded events in the history of interpretation and translation in the Americas, Interpreting The Amistad Trials is a valuable resource for researchers studying coloniality, enslavement, race and ethnic studies and examining how these issues mattered then and now.

How Interpreters and Translators Make and Shape History

Interpreting the Amistad Trials

Das Drama 'Romeo und Julia' spielt in der norditalienischen Stadt Verona und erzählt die Geschichte zweier junger Liebender, deren Beziehung an der Feindschaft ihrer Familien scheitert.
Trotz des Hasses zwischen den Montagues und den Capulets verlieben sich Romeo und Julia unsterblich ineinander und heiraten heimlich. Durch ein tragisches Missverständnis glaubt Romeo, Julia sei tot, und nimmt sich das Leben. Als Julia erwacht und ihn tot findet, tötet auch sie sich. Ihr Tod führt schließlich zur Versöhnung der beiden Familien.

Romeo und Julia

Early Modern Debts

Autres titres sur ce thème