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Affron Matthew: Dreamworld

Dreamworld

Surrealism at 100

Bloomsbury Studies in Modern Architecture

The Colombian architectural firm ESUS (Esguerra, Saenz, Urdaneta y Samper) played a key role in the development of modern architecture in Colombia during the mid-20th century. Notable for their technical innovation, elaborate language and careful execution, ESUS' buildings also carry broader significance in terms of our understanding of how the international ideals of architectural modernism were adapted to local Latin American contexts. Yet until now there has existed no English-language study of their architecture and legacy. 
Published as part of the Bloomsbury Studies in Modern Architecture series, which brings to light the work of significant yet overlooked modernist architects, this book examines ESUS' work from an array of perspectives including the technological, formal, material, urban, and global, showing in particular how their high-rise concrete buildings contribute to new understandings of the history of concrete architecture. 
Including previously unpublished archival documents, images, and drawings, this is an important new account in the expanding scholarly history of modernism in Latin America.

Architectural Ideals in Modern Colombia

Esguerra Sáenz Urdaneta Samper

A definitive six-volume catalogue raisonné documenting the entire body of paintings made by Amedeo Modigliani

Catalogue Raisonne of Painting

Amedeo Modigliani

"How powerful are EU external relations? For a long time, the law in this field was seen merely as an adjunct to constitutional law and the law of internal markets. However, in the last 20 years it has become a key tenet of the European Union, as globalisation and cross-border challenges have taken hold. Few have done more to shape the field's evolution than Marise Cremona, and this collection pays tribute to her immense contribution. In addition to assessing the power of the EU on the global stage, the book explores how its institutions and indeed people navigate transnational and global relations"--

Liber Amicorum in Honour of Marise Cremona

EU External Relations and the Power of Law

Anthem Modern and Contemporary Art of the Arab World, Iran and Turkey

Conceived as an object biography, this book contextualizes Iraqi artist Hanaa Malallah's art book The God Marduk (2008) and investigates her use of the ancient past as a conduit for aesthetic and emotive expression offering an in-depth analysis through the methodology of phenomenology.

Absence and Ruin In Hanaa Malallah's 'The God Marduk'

The current economic crisis, with diverging employment outcomes in different countries, has revealed the ongoing relevance of comparative industrial relations, but also the need for its renewal. The hitherto dominating approaches, based on institutions and national 'models', do not pay sufficient attentions to change and to international factors. This book fills the gap by tracing the patterns of change in industrial relations in the six largest EU countries during the last twenty years, under the pressure of three crucial international forces: multinational companies, labour migration, and EU policies. Written in an accessible language and enriched by empirical case studies, it is aimed at undergraduate and postgraduate students, researchers and practitioners.

Work and Democracy under International Pressure

Comparative Employment Relations in Europe

Described as 'exhilarating' by Katy Hessel, a compelling and lively history that examines the lives of British artists from the late-19th century to today. In This is Tomorrow Michael Bird takes a fresh look at the 'long twentieth century', from the closing years of Queen Victoria's reign to the turn of the millennium, through the lens of the artists who lived and worked in this ever-changing Britain. Bird examines how the rhythms of change and adaptation in art became embedded in the collective consciousness of the nation and vividly evokes the personalities who populate and drive this story, looking beyond individual careers and historical moments to weave together interconnecting currents of change that flowed through London, Glasgow, Leeds, Cornwall, the Caribbean, New York, Moscow and Berlin. From the American James McNeill Whistler's defence of his new kind of modern art against the British art establishment in the latter half of the 19th century to the Danish-Icelandic artist Olafur Eliasson's melting icebergs in London, he traverses the lives of the artists that have recorded, questioned and defined our times. At the heart of this original book are the successive waves of displacement caused by global wars and persecution that conversely brought fresh ideas and new points of view to the British Isles; educational reforms opened new routes for young people from working-class backgrounds; movements of social change enabled the emergence of female artists and artists of colour; and the emergence of the mass media shaped modern modes of communication and culture. These are the ebbs and flows that Michael Bird teases out in this panoramic account of Britain and its artists in across the twentieth century.

This is Tomorrow

Based on thousands of never-before translated letters and unpublished sources, Jackie Wullschläger's enthralling biography is the first account of Monet's turbulent private life and how it determined his expressive, sensuous, sensational painting. Deeply moving, it immerses us in that passionate experience, transforming our understanding of the man, his art and the fullness of his achievement.

The Restless Vision

Monet

Routledge Research in Gender and Art

A provocative letter from a prominent eighteenth-century British noblewoman, Henrietta Howard, to her close friend Mary Hervey is a rare survivor of the informal, collaborative satires created by court women in this period. This particular June 1729 artifact contains a witty and light-hearted list of imaginary portraits, most of which refer to a notable political figure through references to specific paintings, sculptures, engravings, ceramics, textiles and book illustrations. Through a close reading of archival manuscripts, published correspondences and art historical treatises, Eric Weichel explores the cultural milieu and historical legacy of this remarkable text. Constrained by strict standards of moral propriety, the writer's overt discussions of sexuality in this letter are encoded through a system of embedded jokes and mythological references. Weichel argues that through Lady Hervey's mention of popular works of art, such as the Hampton Court tapestry cartoons by Raphael, the 'Jupiter and Ganymede' motif in country house décor, or the illustrated fables of Jean de La Fontaine, she alludes specifically to her wider circle's knowledge of adultery, queerness, sexual violence, and divorce among their peer group. In her imaginary portraits, Hervey also shows an interest in feminist education and literature, political and religious patronage, and contemporary news events.

An Eighteenth-Century Lady-in-Waiting’s 'Collection of Pictures'

Art, Sex and Politics at the Early Georgian Court

Eine neue Biographie eines erfahrenen Storm-Herausgebers, die ein Bild von Storm als streitbarem Schriftsteller entwirft und besonders seine Tochter Gertrud in den Fokus nimmt.

Theodor Storm – Biographie

Adelphi Papers Reissue Hardback

European Security After the Cold War. Part I

Oldenbourg Grundriss der Geschichte

Der bewährte, erneut überarbeitete und aktualisierte Band eröffnet eine weit gefächerte Sicht auf die europäische Geschichte des 13. und 14. Jahrhunderts: von Politik und Herrschaft über Wirtschaft und Lebensformen bis hin zu Kirche und Kultur. In der für die Reihe üblichen Dreiteilung (Darstellung, Forschung, Literatur) gibt er einen Überblick zu zentralen Themen- und Problemfeldern, Entwicklungen und Strukturen im beginnenden Spätmittelalter.

Europa im Spätmittelalter 1215–1378

Work and Democracy Under International Pressure

Dreamworld

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