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Affron Matthew: Dreamworld

Dreamworld

Surrealism at 100

The Shock of the Light

Routledge Monographs in Classical Studies

Together the Dacians and the Getae were the creators of the largest unified power of ancient Europe outside of the Roman Empire, yet each was colonized and integrated into the Roman imperial system differently. Unlike the short-lived but intense Roman experience of the Dacians, the Getae met first Greek colonists, followed by Roman integration in stages over many years. This volume utilizes high-resolution GIS mapping, remote sensing data, and aerial and satellite imagery to demonstrate changes to the landscape and to reconsider human settlement in antiquity. It provides a fresh investigation of the evolution of urbanization and developments in local economy, as well as long-term changes in material culture, social behavior, and identity over more than a thousand years. The Getae offers a realistic appreciation of the character of Roman military occupation and participation of provincial subjects in the Roman imperial system.

Together the Dacians and the Getae were the creators of the largest unified power of ancient Europe outside of the Roman Empire, yet each was colonized and integrated into the Roman imperial system differently. Unlike the short-lived but intense Roman experience of the Dacians, the Getae met first Greek colonists who settled along the western Black Sea shore, followed by Roman expansion and integration of the territory in stages over many years. As the imperial system gradually changed its ideology, priorities, and control mechanisms, the Getae were afforded numerous opportunities for contact and cultural change. The data and literature on the Getae to date has however emerged from traditional site-based investigations and surveys, resulting in heavily biased and fragmented understandings of the scale, nature, and impact of their conquest and colonization. This sweeping volume utilizes high-resolution GIS mapping, extensive analysis of remote sensing data, and archival aerial and satellite imagery to present a holistic view of changes to the landscape and to reconsider the extent of human settlement in antiquity. It offers a fresh investigation of the evolution of urbanization, developments in local economy, taxation, and administration, as well as long-term changes in material culture, social behavior, and identity over a period of more than a thousand years. The Getae offers a uniquely realistic appreciation of the nature and character of Roman military occupation and the participation of provincial subjects in the Roman imperial system.

Changing Landscapes of Colonization, Imperialism, and Memory

The Getae

The 10:12

Adelphi Papers Reissue Hardback

European Security After the Cold War. Part I

The Routledge Companion to Contemporary Art Histories and Globalisation

Philip's Road Atlases

A4 Spiral edition

Philip's 2027 Easy to Read Multiscale Road Atlas of Europe

A4 Paperback

The Essential John Berger

The Moment of Cubism

A comprehensive presentation of the Yale University Art Gallery's collection of Italian paintings from the thirteenth to the fifteenth century &nbsp; The collection of Italian paintings at the Yale University Art Gallery is one of the largest and richest in the world. The first of four volumes on the collection, this sumptuously illustrated book features over seventy-five works dating from 1230 to 1420 by artists such as Taddeo Gaddi, Andrea di Cione (better known as Orcagna), Lippo Memmi, Pietro and Ambrogio Lorenzetti, and Lorenzo Monaco. In addition to discussions of each painting's meaning, function, and significance, entries provide published references, provenance, full technical notes, and detailed conservation histories. An introduction by Laurence Kanter chronicles the history of the collection, from the James Jackson Jarves Collection that was assembled in the nineteenth century-the earliest formed collection of Italian paintings in any American museum-to more recent gifts by Louis and Hannah Rabinowitz and Richard Feigen. While many of the works are from Florence and Siena, the volume also includes examples from Bologna, Rimini, Venice, and more. Through its wide-ranging holdings, the Gallery's collection provides a remarkable sense of the diverse visual culture of the time. &nbsp; Distributed for the Yale University Art Gallery

Volume 1: 1230-1420

Italian Paintings at the Yale University Art Gallery

Bollingen Series

Its Mythology and Transformations, Volume 2 (Plates)

The Art of Indian Asia

Considers the enduring legacy of California Conceptualism, known for its lax approaches to creating, writing about, and exhibiting art. Moving away from making objects, and turning instead to staging scenes, the artists associated with California Conceptualism--including Eleanor Antin, John Baldessari, David Lamelas, Tony Ramos, Ilene Segalove, and William Wegman--behaved indifferently toward their art, denied making it and knowing what it was about, and displayed a lack of concern for its future. Their casual attitude and aesthetic transformed relationships between artists, critics, and viewers, separating those who could recognize these practices from those who could not. Contemporary artists have continued this trajectory, finding new ways to act casually through their "stance." In the humanities, this term is often taken to mean the beliefs, values, and intentions of authors, and it has offered a useful way to think about how artists position themselves toward their work and audiences. Jacob Stewart-Halevy builds on recent social theory to show how artists, critics, and other members of the art world wield stance to make sense of artworks and their social circumstances, arguing that, through the rise of conceptual art, stance has come to supplement--and in some cases replace--the aesthetic quality of artworks.

Downplaying Art Since California Conceptualism

The Casual

A collaboration between Jess T. Dugan (photographer of To Survive On This Shore) and curator Charlotte Cotton, Love Pictures centers around conversations about themes informing Dugan’s practice, including gender and identity, family and politics, writing and language, relationships and community, the book as object, and the dynamics of the exhibition space. These initial dialogues then prompted subsequent conversations with others in Dugan’s and Cotton’s respective communities: friends, colleagues, mentors, and subjects of Dugan’s work—including Dawoud Bey, Kelli Connell, Dorothy Moss, and Catherine Opie, among others. Transcriptions of these intimate and in-depth exchanges are woven with the first comprehensive survey of Dugan’s work in book form. Dugan's work is in the permanent collections of over sixty museums, including the Denver Art Museum, Getty Research Institute, Harvard Art Museums, International Center of Photography, Leslie/Lohman Museum of Gay and Lesbian Art, Minneapolis Institute of Art, Museum of Fine Arts Boston, Museum of Fine Arts Houston, Nelson-Atkins Museum of Art, National Gallery of Art, and San Francisco Museum of Modern Art.

Jess T. Dugan and Charlotte Cotton: Love Pictures

Dreamworld

Bibliografische Angaben

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Bibliografische Angaben

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