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Poggioli M: Cincinnati Dreaming

Cincinnati Dreaming

Then And Now

Texas Then and Now features the most prominent locations from around the state, comparing vintage photographs with modern views of the same scenes today.

Texas Then and Now

Graphis Journal Magazine

The Graphis Journal issue #383 is packed with top-tier creative talent that's changing the game across design, advertising, photography, and beyond. These aren't just names-they're industry disruptors and trailblazers who push boundaries and redefine what's possible in visual communication. This Journal is more than just a magazine-it's a masterclass in creativity, with insights from award-winning talents who are shaping the future of design and advertising. Why These Talents Matter:- David Carson (USA): Known for his groundbreaking work with Ray Gun magazine, David is the rebel of graphic design and one of today's biggest influencers in the industry today. His rule-breaking approach has led him to work with some of the biggest brands, including The Macallan, Nike, Stussy, a Dubai skatepark, and more, proving that pushing creative boundaries leads to success. &nbsp;&nbsp;- Ron Taft (USA): His design philosophy goes beyond visuals-it makes people feel something. Ron's work, including his recent ad campaigns, proves that great design isn't just seen; it's experienced. - Goodby, Silverstein &amp; Partners (USA): The legendary advertising firm behind iconic campaigns like "Got Milk?" These guys continue to raise the bar in creative storytelling and are revered across the industry for their ability to balance humor and impact. - Colin Douglas Gray (USA) and Lindsay Siu (CA): These photographers are capturing the essence of their subjects in a way that moves the viewer. Colin's work has been seen everywhere, from the New York Comic Con to high-end editorial shoots, while Lindsay brings a unique, multicultural perspective to her advertising and portrait photography. - SEAN &amp; EVE (UK/CA): This dynamic duo blends typography, illustration, and CGI like nobody else. Their ability to bridge digital and analog techniques sets them apart as true innovators in the field. - Simon Johnston (USA): A respected designer and professor at the ArtCenter College of Design, Simon isn't just creating beautiful work-he's shaping the next generation of design thinkers. His work combines intellectual depth with visual beauty, making him a leader both in and outside the classroom. Why Your Clients Will Love It:This Journal offers more than just stunning visuals. It's packed with in-depth exclusive Q&amp;As, where these creative icons share their stories, processes, and what drives them to succeed. It's a chance for customers to learn from the best-whether they're creatives themselves or simply appreciate the artistry behind award-winning work. Make It Relatable:Your clients who cater to creative minds are constantly seeking inspiration and insight into what's working in today's competitive market. The Graphis Journal issue #383 delivers exactly that-exclusive access to the thoughts and methods of today's industry leaders who are driving the biggest trends and innovations. It's not just a resource, it's a competitive advantage. What's In It for You:When you sell The Graphis Journal issue #383, you're not just selling a quarterly magazine-you're sharing insights that can only come from the world's top creative minds. Key Selling Points to Drive Home:- Exclusive interviews with today's industry leaders who shape global trends. - Stunning, full-page visuals of award-winning work. - Insights that can fuel the creative process. &nbsp;&nbsp;Get your clients excited about The Graphis Journal issue #383-because if they're serious about creativity, this is the ultimate resource they can't afford to miss!

Graphis Journal Magazine 383

Larry Fink: Hands On / A Passionate Life of Looking is a 424-page encapsulation of Larry Fink’s master photos accompanied by insightful essays from Lucy Sante, Stephen Shore, Graydon and Ash Carter, Yolanda Cuomo, Martha Posner, and publisher Daniel Power. Larry Fink: Hands On / A Passionate Life of Looking offers an unprecedented overview of Fink’s career and his profound influence in the Lisette Model world (under whom he was mentored) on photography and on broader American culture. Celebrated as a photographer of the people, Larry Fink is known for his impromptu, street-style black-and-white photographs that delve into societal complexities, class divides, and the essence of human connection. Throughout his career, which spanned from the 1950s to his passing in November 2023, Fink documented a broad spectrum of subjects, spanning from the glamorous scenes of Vanity Fair Oscar parties to the streets of impoverished Philadelphia neighborhoods. Throughout his life, he dedicated himself to authentically portraying the human experience across diverse communities. Larry Fink: Hands On / A Passionate Life of Looking presents a comprehensive exploration of Fink's remarkable career for the first time. Over his lifetime, Fink meticulously stored his images in boxes, where they often remained forgotten for months or even years. However, during the pandemic, Fink dedicated himself to combing through these boxes with the dream of creating a retrospective of his work: photographs and beat-style poetry. This endeavor gained momentum when Daniel Power, founder of powerHouse Books and a longtime collaborator of Fink, photographers Jonno Rattman and Jamie Cabreza, and art director Yolanda Cuomo joined Fink in his archival journey. They unearthed a trove of unseen treasures, resulting in a meticulously curated 424-page testament to Fink's unparalleled creativity alongside his trademark jazz poetry. Fink’s vast repertoire includes photographs of celebrities like Jay-Z and Meryl Streep, protesters marching down streets, and boxers in the ring (Including a look into his other books, Boxing (1998), Runway (2000), Social Graces (2001), Forbidden Pictures (2004), and The Beats (2014)). This book reaches even further by including non-human subjects like intimate portraits of insects in their natural habitat and dead animals grotesquely displayed. Larry Fink's distinctive signature – his raw and experimental approach, his spontaneity, his interest in class commentary, and his intimate perspective – are presented in a manner unprecedented in his body of work, applied to subject matter viewers have rarely seen Fink tackle. Each image, painstakingly selected, offers a poignant insight into Fink's unwavering commitment to his craft and insatiable curiosity about the world.

Hands On/A Passionate Life of Looking

Larry Fink

Nik Roche tells stories with the friends he makes. When NIk first met Tony in the street, he was annoyed that there was a beer waiting for him on a bar somewhere, the name of which he could not remember. They found it together and became good friends. Over the next three years Tony told Nik more about his life. Tony's was a colourful and unusual life. He had lived, for several years, in a cave in Nepal, after the leopard moved out. When they met, even though Tony had a house in an old South Wales mining village, he preferred to live in an arctic bell tent in the woods behind. Interwoven with darkly comical yet poetic text of conversations Nik and Tony had along the way, this is an intimate portrait of life outside of societal norms - a story of chance encounters and an exploration of friendship, love, and belonging.

as far as they’re concerned we are a normal family

"From taxi window to dog's eye view, from near and only slightly afar, Jeremy's is a quixotic, idiosyncratic and quite extraordinary eye." -Robin MuirJeremy Hackett (born 1953) is a quintessentially British fashion designer and business entrepreneur known for his menswear brand Hackett, which opened its first store on London's Kings Road in 1983. He is widely considered an authoritative voice on men's classic fashion, and in addition to regularly contributing to magazines such as Men's Health and Forbes, Hackett has published a book of anecdotal critiques of men's style entitled Mr Classic. In this latest artistic endeavor and departure from fashion, Hackett, a born-and-bred Londoner, presents a photo diary of the city he knows and loves so well. From morning walks with his dogs to fly-on-the wall observations and brief encounters with interesting, immaculately dressed characters to architectural motifs and classic cars in unusual locations, My London is a singular window into Hackett's unique view of the British capital.

My London

A personal and intimate perspective on one of Canada's most prominent 20th century multidisciplinary artists, who was once described as "abstraction’s poet-philosopher." Charles Gagnon (1934–2003) was a painter, photographer and filmmaker considered by many to be an important figure in Quebec and Canadian art in the 20th century. His early career emerged alongside the American Abstract Expressionists and his growing multidisciplinary practice broke away from the singularity of painting shared by his Montreal contemporaries of the Automatistes and the Plasticiens. The complexity and depth of his work as a painter, photographer, and filmmaker was distinguished by a probing, introspective quality. His paintings were simultaneously rigid and free-flowing, with self-imposed rules and structure contrasted by rich fracture and gestural brush work. Across all disciplines he played with multiple levels of perception, and many works evoke the liminal space of the threshold, or multi-plane spaces. In Charles Gagnon: The Colour of Time, the Sound of Space, this long-standing multidisciplinary work is brought into full view with texts that explore Gagnon’s various practices, from painting to photography to film. An English-language essay by art historian and curator Roald Nasgaard chronicles Gagnon’s artistic evolution from his early years in New York in the 1950s to his final productive years in the late 1990s in Quebec, and situates him within an expanded international historical context of artists, artworks, and art movements. Filmmaker and professor Olivier Asselin’s French-language essay engages Gagnon’s use of different media, including the role of sound and music in his artworks. Michiko Yajima Gagnon, the wife of the late artist, gives insight into the inseparability of everyday life and Charles’s creative undertakings: his friendships with other artists (Tōru Takemitsu, Lee Friedlander), travel (to New York, Japan, and, particularly, the American Southwest), and the relationship between the landscapes surrounding his studios and his artwork. Featuring more than 250 art reproductions and archival images, Charles Gagnon is an intimate portrait of an artist and the celebration of a life’s work.

The Colour of Time, the Sound of Space

Charles Gagnon

In A Reprise, David Alekhuogie remixes Walker Evans's photographs of African art, provoking timely questions about authorship and authenticity. A Reprise, David Alekhuogie's first monograph, confronts the intriguing legacy of narrative and authorship behind Western presentations of African art, and poses timely questions about how Black aesthetics are circulated, accessed, valued, and interpreted today. In 1935, Walker Evans was commissioned by the Museum of Modern Art, New York, to photograph hundreds of African sculptures for the exhibition African Negro Art. Nearly ninety years later, Alekhuogie began investigating Evans's images, provocatively remixing them into his own vibrant and multilayered photographic collages. Transposing facsimiles of Evans's original images onto cardboard or paper structures of his own making, Alekhuogie rephotographs these image-sculptures against striking backdrops--often using East and West African textiles--thereby inviting multiple dimensions of viewership. Alekhuogie's images draw upon the musical idiom of the reprise--a performance of repetition--and stake a claim to crucial, restorative ideas around Black antiquity by questioning our relationship to what we consider fake or original, art or archive.

David Alekhuogie: A Reprise

Eerie, sparse, and undeniably beautiful, Richard Misrach's images offer a timely meditation on the profound impact of global trade on the environment.Richard Misrach: Cargo presents the acclaimed photographer's sublime meditation on the often-unseen patterns of global trade and commerce. In 2021, on the heels of the COVID-19 pandemic, which, at its height, seemed to nearly halt the networks of international trade, Misrach began taking thousands of photographs of cargo ships as they moved to and from the Port of Oakland, California. In these monumental seascapes, cargo ships appear frozen in time--diminutive but stalwart--within an expansive, richly colored confluence of sea, sky, and atmosphere. Eerie, sparse, and undeniably beautiful, Misrach's images abstractly trace multiple histories: the recent collapse and slow recovery of these seafaring trade routes, the confrontation of the human and natural environment in an era of climate disaster, and a rich lineage of maritime art.

Richard Misrach: Cargo

Unsupervised is an intimate look at the modern family. With the birth of social media came the ability for anyone to present a highly curated version of themselves and their life, oftentimes under the social pressures to appear "perfect". Kirsten Lewis has watched this directly affect how parents, especially mothers, share their life with the outside virtual world.

Unsupervised

Her second monograph with Radius, Victoria Sambunaris: Transformation of a Landscape shares the nuance and majesty of the artist’s practice in a large-scale book format.Based in New York, Victoria Sambunaris structures her life around a photographic journey traversing the American landscape for several months per year. Equipped with a 5×7-inch field camera, a video camera, and research material, she crosses the country alone tenting on top of her car. Her project-based photographs document the continuing transformation of the American landscape with specific attention given to expanding political, technological, and industrial interventions.Part of her ongoing, twenty-four-year series “Taxonomy of a Landscape,” this book encompasses the past decade of work, including collected ephemera that form the essential and incidental elements of her practice as a photographer and researcher. Also featured are archival documentation of experiences and observations on the road, such as snapshots, maps, road logs, journals, geology and history books, mineral specimens, and artifacts. The work of Victoria Sambunaris is held in numerous public collections across the United States, including the Denver Art Museum (CO), Los Angeles County Museum of Art (CA), Art Institute of Chicago (IL), International Center of Photography (NY), Center for Creative Photography (AZ), Buffalo AKG Museum (NY), San Francisco Museum of Modern Art (CA), Museum of Modern Art (NY), National Museum of Women in the Arts (DC), Brigham Young University Museum of Art (UT), Virginia Museum of Fine Arts (VA), Museum of Fine Arts Houston (TX), Nelson-Atkins Museum (MO), and National Gallery of Art (DC).

Victoria Sambunaris: Transformation of a Landscape

No other female portrait artist had the notoriety or esteemed clientèle that Amalia Kussner did. One of the most sought-after miniaturists of the Gilded Age, Amalia painted Gilded Age elites (including Astors and Vanderbilts) and European royals alike. She led a life both fascinating and mysterious that included not only fame and fortune, but also a few lawsuits, scandals, and lies.

Amalia Kussner’s Gilded Age Pursuit of Fame and Fortune

The Miniature Painter Revealed

THE VISUALIST is an entertaining memoir, an experiential narrative, and tale that allows the pop culture fan, filmmaker to be, or budding academic a world view into a mind engaged, an unfiltered dive into image making and narrative for multiple mediums across multiple platforms. The Visualist: Storytelling, Process and Image Making from 1983-2020: MTV to Hollywood, Madison Avenue to the New Digital Era - A visual memoir by Mark Pellington A personal history and first-hand account of image making with amazing pop-culture icons, The Visualist offers a rare narrative of Pellington's creative process, cultural memory, and unique aesthetic experience to inspire creativity across all visual media. The Visualist is a survival guide for image making and storytelling for screen--from iPhone image blasts to IMAX size 360-degree tour visuals--images tell stories, evoke feelings, and leave lasting impressions. And only in The Visualist does Pellington share this hard-earned knowledge. Mark Pellington opens the curtain in this one-of-a-kind art book, photo book, director's memoir, and scrapbook to reveal his Master Videographer's unique and creative prowess in the world of image making, starting with his achievements in the realm of music videos from the birth of the genre in 1983 through the new technologies of 2017. Pellington shares his insights into what makes visual storytelling work: uncanny narrative instincts, revealing personal anecdotes, the structure of powerful images, first-hand telling of countless A-list collaborations, the toll and goal of making an emotional impact, successes and failures in conflict resolution, how and why to access the subconscious, and his unique perspective on balancing the clarity and ambiguity of visual meaning. Obsessed with the role of images and how they mesmerize, entertain, and entice--self-taught and untrained, filmmaker Mark Pellington has navigated the changing landscapes and fickle tastes of multi-media over his 36 years in the entertainment arts industry having directed an impressive 70 music videos, 9 movies, 20 TV episodes, and 6 documentaries among other productions. Through it all Pellington has matured, survived, sometimes thrived, sometimes struggled but always created as an image maker, image sharer...years before those terms existed. As a director, producer, writer, artist, and experimenter Pellington has shifted and adjusted the expectations and appetites of audiences across media platforms.

Storytelling and Image Making From MTV to Movies, Madison Avenue to the New Digital Explosion

The Visualist

Cincinnati Dreaming

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