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Poggioli M: Cincinnati Dreaming

Cincinnati Dreaming

Icons, Legends, and Muses

Moments

Albert Barnes and His American Dream

The Maverick's Museum

Frank Scholten in British Mandate Palestine

Photographing Biblical Modernity

Unsupervised is an intimate look at the modern family. With the birth of social media came the ability for anyone to present a highly curated version of themselves and their life, oftentimes under the social pressures to appear "perfect". Kirsten Lewis has watched this directly affect how parents, especially mothers, share their life with the outside virtual world.

Unsupervised

Blazing Light&nbsp;is&nbsp;published to coincide with Mimi Plumb’s first solo museum exhibition of the same name (High Museum of Art, Atlanta, Georgia) and brings together three of her major bodies of work—The White Sky, Landfall and The Golden City,&nbsp;and&nbsp;The Reservoir—that collectively contemplate the anxieties of American life in the waning years of the Cold War and its aftermath. In the 1970s, Plumb began photographing as a teenager in the San Francisco suburb of Walnut Creek at a time marked by rapid development of the land coupled with global political and economic instability. Her early artistic life was defined by a burgeoning awareness of global warming, the AIDS epidemic, violent conflict in Latin America and the Middle East, and a looming threat of nuclear war. This atmosphere attuned Plumb to the evidence of such forces in the land, the built environment, and the ways people carry themselves and relate to one another—concerns that continue to abide in her work to this day. Plumb’s photographs foreground the presence of people, lending her images a greater degree of pathos and even notes of humorous absurdity. Though the artist embraces realism, her photographs are more ambient and enigmatic, inviting conjecture rather than providing documentary information. The publication will include texts by Gregory Harris, curator of the exhibition; Karen Irvine, chief curator and deputy director at the Museum of Contemporary Photography, Chicago, IL; and Lauren Richman, curator of photography at the Norton Museum of Art, West Palm Beach, FL. Plumb's work is held in numerous public collections, including the High Museum of Art (GA), San Francisco Museum of Modern Art (CA), Los Angeles County Museum of Art (CA), Museum of Fine Arts Boston (MA), Yale University Art Gallery (CT), and the Deutsche Börse Collection (Germany). The&nbsp;Mimi Plumb: Blazing Light&nbsp;exhibition will be on view at the High Museum of Art from February 6-May 5, 2026. The exhibition will then travel to the Johnson Museum at Cornell University, NY (summer 2026), the Norton Museum of Art in West Palm Beach, FL (winter 2026/2027), followed by the Museum of Contemporary Photography in Chicago, IL (spring 2027).

Mimi Plumb: Blazing Light

Combining photomontage with portraiture and scenes of Hmong American communities, Her mixes the real with the artificial in search of a diasporic identityRooted in the experience of her Hmong community and shaped by family lore passed down by her elders, Pao Houa Her (born 1982) investigates the potential of photography to create nonlinear narratives exploring construction. She brings together formal and vernacular photographic languages manipulated into light boxes, wheat-pasted images and videos. Her's adoptive homes of Minnesota and California become stand-ins for Laos; plastic florals replace living tropics; ersatz and real meld together. The Imaginative Landscape traces Her's ever-deepening exploration into concepts of home and belonging. With essays and an artist interview, this catalog explores Her's work in genres of portraiture, landscape, still life and the vernacular, as she photographs herself and the people and places around her through the tinted lens of diasporic longing. This book was published in association with San José Museum of Art.

Pao Houa Her: The Imaginative Landscape

Edward Steichen and the Garden

Hal Fischer: Seminal Works collects Gay Semiotics with Fischer's rarely seen early photography and features a range of essays that provide vital perspectives on the enduring themes of his work.In the late 1970s, as gay men in San Francisco were enjoying a new era of liberation following the Stonewall Riots, Hal Fischer made a signal photo-text project that categorized denizens of the Castro and Haight-Ashbury neighborhoods by social type. Sly and systematic, Fischer's Gay Semiotics portrays the sartorial codes of queer street style--earrings, handkerchiefs, jeans, or leather--that broadcast a range of desires to potential sexual prospects. Fischer annotated his black-and-white photographs with commentary about gay archetypes, such as the jock or the hippie, with an occasional sense of irreverence. The series was published as an artist's book in 1978 and quickly became an influential record of a libertine era before AIDS, the rise of internet dating apps, and tech industry-accelerated gentrification transformed queer life in San Francisco forever. Hal Fischer: Seminal Works includes Gay Semiotics together with Fischer's rarely seen early photography and features essays that offer vital new perspectives on the enduring themes of his work, from the history of San Francisco to the gay rights movement's impact on shifting visions of race and masculinity.

Hal Fischer: Seminal Works

still and moving • the tactile image

Ann Hamilton

Mark Klett and William L. Fox: Marshall Islands

Memories of the Future is a dazzling, fearless look at the futuristic landscape of modern Shanghai as seen by emerging photographer Jennifer Bin.

Jennifer Bin: Memories of the Future

Here and Now

Henri Cartier-Bresson

Cincinnati Dreaming

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