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Coreen Simpson: A Monograph

Vision & Justice

Lament, a song of sorrow for those not heard, connects the tangibility of history&nbsp;and the geography of memory in the American South.Through contemporary photographs, historical essays, personal stories, and critical quotes, Linda Foard Roberts's latest book explores the ways history exists all around us, whether tangible or intangible. Employing Civil War era technology—a 8-x-10-inch view camera with a Darlot brass barrel lens—for this project Roberts visited sites across the American South where important, sometimes devastating, events in social history took place.Roberts sees her photographic efforts as an ongoing contribution to truth-seeking by pointing out the silent stories encoded in our surroundings. Her work examines life, death, basic human rights, and excavations of narratives invisibly embedded in our lives. For this project, Roberts employed an 8-x-10-inch view camera with a Darlot brass barrel lens&nbsp;from the Civil War era and nineteenth-century photographic techniques. This use of historic technology invokes the temporal merging that she seeks to capture in her work—the overlays of evidence of&nbsp;our past and present.&nbsp;

Linda Foard Roberts: Lament

Twentieth Anniversary Edition

An-My Lê Small Wars

David Alekhuoghie: A Reprise

"On the night of September 28, 2016, twenty-five-year-old Carolyn Bush was brutally stabbed to death in her New York City apartment by her roommate Render Stetson-Shanahan, leaving friends and family of both reeling. In life, Carolyn was a gregarious, smart-mouthed aspiring poet, who had seemingly gotten along well with Render, a reserved art handler. Where had it gone so terribly wrong? This is the question that has plagued acclaimed author Sarah Gerard and driven her obsessive pursuit to understand this horrific tragedy. In Sarah's exploration of Carolyn's life and death, she spent thousands of hours interviewing Carolyn's and Render's friends and family, poring over court documents and news media, reading obscure writings and internet posts, and attending Carolyn's memorials and Render's trial. What emerged from Sarah's relentless instinct to follow a story and its characters to their darkest ends is a book that is at once a striking homage to Carolyn's life, a chilling excavation of a brutal crime, and a captivating whydunit with a shocking conclusion"--

My Friend, Her Murder, and an Obsession with the Unthinkable

Carrie Carolyn Coco

"Now in paperback. The definitive biography and inspiring story of American sculptor Ruth Asawa"--

The Life of Ruth Asawa

Everything She Touched

The vibrant capital of South Korea, Seoul is a city of contrasts, a unique blend of tradition and modernity, with futuristic skyscrapers blending with traditional, ancient architecture. But at night is when the city really shines. As the sun sets, the city transforms into a dazzling metropolis. The skyline lights up and the bustling streets come alive with bright neon lights, street food vendors, and late night shoppers.&nbsp;Photographer Bal Bhatla - better known online as Mr Whisper - has been traveling to Seoul for years, capturing the photographs in Seoul After Dark, armed only with his camera and a keen eye for detail. A specialist in low-light photography, Bhatla captures the everyday moments of Seoul in a unique and compelling way, showing the city's residents, adventurous and carefree, chasing the night.&nbsp;Whether you're a lover of photography, a fan of Seoul, or simply someone who appreciates the beauty of everyday moments, Seoul After Dark will leave you with a newfound appreciation for your city after dark.

Seoul After Dark

Cincinnati Dreaming

The classic photo book portraying the denizens of the Chelsea Hotel in all their eccentric, bohemian glory--back in print in a revised and expanded edition

Chelsea Hotel

"Art has poisoned our life," proclaimed Dutch artist and De Stijl cofounder Theo van Doesburg. Reacting to the tumultuous crises of the twentieth century, especially the horrors of World War I, avant-garde artists and writers sought to destroy art by transforming it into the substance of everyday life. Following the evolution of these revolutionary groups, How to Be Avant-Garde charts its pioneers and radical ideas.
From Paris to New York, from Zurich to Moscow and Berlin, avant-gardists challenged the confines of the definition of art along with the confines of the canvas itself. Art historian Morgan Falconer starts with the dynamic Futurist founder Filippo Tommaso Marinetti, whose manifesto extolling speed, destruction, and modernity seeded avant-gardes across Europe. In turn, Dadaists Hugo Ball and Emmy Hennings sought to replace art with political cabaret, and the Surrealists tried to exchange it for tools to plumb the unconscious.
He guides us through the Russian Constructivists with their adventures in advertising and utopianism and then De Stijl with the geometric abstractions of Piet Mondrian. The Bauhaus broke more boundaries, transmuting art into architecture and design. Finally, the Situationists swapped art for politics, with many of their ideas inspiring the 1968 Paris student protests.
How to Be Avant-Garde is a journey through the interlocking networks of these richly creative lives with their visions of a better world, their sometimes sympathetic but often strange and turbulent conversations, and their objects and writings that defied categorization.

Modern Artists and the Quest to End Art

How to Be Avant-Garde

Rarely-seen color work from the preeminent master of postwar American street photographyThis monograph stands as a groundbreaking tribute to the early color work of renowned American photographer Garry Winogrand. While he is most recognized for his candid and lively black-and-white street photography, Winogrand's portfolio also includes an impressive collection of over 45,000 color slides captured between the early 1950s and the late 1960s. Using two cameras strapped to his chest--one loaded with color film and the other with black-and-white film--he extensively documented his surroundings between commercial assignments, developing and refining a distinct and progressively daring body of personal work. From the bustling streets of Manhattan to the shaded underside of Coney Island's boardwalk to the expansive landscapes and open roads of the American West, Winogrand Color unveils a tender portrait of a version of the country that feels at once bygone and timeless. His snapshots of strangers exude an unparalleled sense of intimacy, offering poetic glimpses into everyday postwar America. Presenting 150 photographs selected from the archives at the Center for Creative Photography in Tucson, Arizona, this is the first monograph dedicated in full to Winogrand's vivid color photography. Born and raised in the Bronx, Garry Winogrand (1928-84) was a highly influential American photographer who came into prominence for his trailblazing contributions to street photography. His keen eye for human emotions and his ability to freeze spontaneous moments immortalized the essence of American society. His work continues to inspire and shape the field, leaving a lasting impact on both his contemporaries and future generations of photographers.

Garry Winogrand: Winogrand Color

Brodie's decade-long record of his transient American life, brimming with poignant stories of those he encountered along the wayMike Brodie's first monograph, A Period of Juvenile Prosperity, touched down more than decade ago, depicting his fellow rail-riders and drifters in a rebellious and wildfire pursuit of adventure and freedom. "Brodie leapt into the life of picture-making as if he was the first to do it," Danny Lyon wrote about the book in Aperture. Next came Tones of Dirt and Bone, a collection of earlier SX-70 pictures Brodie made when photography first led him to hopping freights, when he was known as "The Polaroid Kidd." And then Brodie seemed to disappear from the art world as suddenly and mysteriously as he'd first appeared. Maybe his vanishing was another myth. Maybe it was just a necessary retreat. "I was divorcing myself from all that," he says. "I was growing up. I was pursuing this other life." If A Period of Juvenile Prosperity was a cinematic dream, Failing is the awakening and the reckoning: a raw, wounded and searingly honest photographic diary of a decade marked by love and heartbreak, loss and grief. Here is the flip side of the American dream, seen from within; here is bearing close witness to the brutal chaos of addiction and death; here are front-seat encounters with hitchhikers and kindred wanderers on society's edges, sustained by the ragtag community of the road. Failing often exists in darkness but is tuned to grace. Brodie's eye stays forever open to the strange and fleeting beauty that exists in forgotten places--the open country and the lost horizons that sweep past dust-spattered windows in a spectral blur. Michael Brodie (born 1985) is the author of A Period of Juvenile Prosperity (2013) and Tones of Dirt and Bone (2015). He lives with his girlfriend in Biloxi, Mississippi, where the railroad is never far, just hidden in the trees from view. Unseen, it rattles the windows and floors of their apartment every time a train passes through.

Michael Brodie: Failing

Dawoud Bey focuses on the landscape to create a portrait of the early African American presence in the United States. Renowned for his Harlem street scenes and expressive portraits, Dawoud Bey continues his ongoing series on African American history. Elegy&nbsp;brings together Bey's three landscape series to date-Night Coming Tenderly, Black&nbsp;&nbsp;(2017);&nbsp;In This Here Place&nbsp;&nbsp;(2021); and&nbsp;Stony the Road&nbsp;(2023)-elucidating the deep historical memory still embedded in the geography of the United States. Bey takes viewers to the historic Richmond Slave Trail in Virginia, where Africans were marched onto auction blocks; to the plantations of Louisiana, where they labored; and along the last stages of the Underground Railroad in Ohio, where fugitives sought self-emancipation. Essays by the exhibition's curator, Valerie Cassel Oliver, and scholars LeRonn P. Brooks, Imani Perry, and Christina Sharpe illuminate the work. By interweaving these bodies of work into an elegy in three movements, Bey doesn't merely evoke history, he retells it through historically grounded images that challenge viewers to go beyond seeing and imagine lived experiences.&nbsp;Copublished by Aperture and Virginia Museum of Fine Arts, Richmond

Dawoud Bey: Elegy

Coreen Simpson: A Monograph

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